Abstract
Variation form in music is considered in relation to principles of symmetrical structure and dynamic process. Two works by Ludwig van Beethoven (one written in 1791, the other by 1825) show the composer’s application of these principles to a form in which considerations of structural logic were all too often sacrificed to those of virtuosic display.
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References
Jan LaRue. Guidelines for Style Analysis, Norton, New York, 1970, p. 174.
Nicolas Etienne Framéry, Pierre Louis Guinguené, and Jéräme-Joseph de Momigny. Encyclopédie méthodique: Musique, vol. 2, Agasse, Paris, 1818, s.v. “variations.”
See, for example, Jürgen Uhde. Beethovens Klaviermusik I: Klavierstücke und Variationen, 2d ed., Philipp Reklam jun., Stuttgart, 1980, pp. 257–266.
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© 1996 Springer-Verlag Tokyo
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Whiting, S.M. (1996). Symmetry and Process in Two Variation Works by Beethoven. In: Ogawa, T., Miura, K., Masunari, T., Nagy, D. (eds) Katachi ∪ Symmetry. Springer, Tokyo. https://doi.org/10.1007/978-4-431-68407-7_35
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DOI: https://doi.org/10.1007/978-4-431-68407-7_35
Publisher Name: Springer, Tokyo
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