Abstract
Today, an artist’s creativity depends in a large measure on his ability to build networks and coordinate assorted skills. This is particularly true of the leading audio-visual companies and to a lesser degree of sculptors, small dance companies, eco-museums, etc. But even in the latter instances, artists have to depend on computer software, logistic and marketing services and sources of funding. They are therefore obliged to adopt a business model. This is not a recent phenomenon, because if one looks at the way Rubens and Titian ran their studios, it could be said that they were the forerunners of Walter Disney and Andy Warhol.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Notes
- 1.
Gay, Peter. 2007. Modernism: The Lure of Heresy From Baudelaire to Beckett and Beyond. New York: W.W. Norton & Company. p. 83.
References
Gay, P. 2007. Modernism: The Lure of Heresy From Baudelaire to Beckett and Beyond. New York: W.W. Norton & Company. p. 83.
Borell, Joan. 1990. L’artiste-Roi. Paris: Aubier.
Limousin, François. 2006. A quoi bon les artistes en temps de crise? www.mirbeau.asso.fr/darticlesfrançais/Limousin-articles.pdf.fr
Garcia, Canglini N. 2012. Jovenes culturas urbanas y redes digitales. Buenos Aires: Fundacion Telefonica y Ariel.
Dürer, Albert. 1964. Lettres et écrits théoriques. Traité des proportions, présentation de P. Vaisse, Paris: Hermann.
Vasari, Giorgio. 1985. Vie de Michel-Ange, dans: Les vies des meilleurs peintres, sculpteurs et architectes, vol. IX. Paris: Berger-Levrault.
Gombrich, Ernst H. 1972. Symbolic images. London/New York: Phaidon Press.
Filipczak, Zirka Z. 1987. Picturing art in Antwerp, 1550–1700. Princeton: Princeton University Press.
Alpers, Svetlana. 1988. Rembrandt’s enterprise. Chicago: Chicago University Press.
Huelsenbeck, Richard (ed.). 1993. The Dada Almanach. London: Atlas Press.
Passuth, Kiztina. 1985. Moholy-Nagy. London: Thames and Hudson.
Stich, Sidra. 1994. Yves Klein. Stuttgart: Cantz Verlag.
Tomkins, Calvin. 1981. Off the wall. Hammondsworth: Penguin.
Gann, Kyle. 1997. American music in the twentieth century. New York: Schirmer Books.
Bockris, Victor. 1997. Warhol. New York: De Capo Press.
Currid, Elizabeth. 2006. The Warhol economy: How fashion, art and music drive New York city. New York: Routledge.
Zevi, Adacharia. 1994. Sol LeWitt critical texts. Rome: Inonia.
Sylvester, David. 2001. Interviews with American artists. New Haven: Yale University Press.
Hirst, Damian, and Gordon Burn. 2002. On the way to work. New York: Universe Publishing.
Rodriguez, Véronique. 2002. L’atelier et l’exposition, deux espaces en tension entre l’origine et la diffusion de l’œuvre. Sociologie et Societes 34(2): 121–138.
Trousson, René. 2003. Jean Jacques Rousseau. Paris: Taillandier.
Pasquier, Dominique. 2005. Les nouveaux espaces de consommation, dans Créativité et diversité au miroir des industries culturelles. Paris: La documentation française.
Greffe, X., and N. Sonnac (eds.). 2008. CultureWeb: création, contenus, économie numérique. Paris: Dalloz.
Pflieger, S. 2008. L’œuvre d’art numérique, dans: CultureWeb: Création, contenus, économie numérique, ed. X Greffe and N. Sonnac, Paris: Dalloz. pp. 250–265
Couchot, E. Images et électricité, Electra, catalogue d’exposition, Paris, Les Amis du musée d’art moderne de la ville de Paris, cité dans Bertrand D’Orléac (L), op.cit.
Chevalier, Miguel. 2007. Seconde nature 2007, Catalogue de l’exposition aux Anciennes Ecuries de Trélazé, juin-septembre 2007, interview de Henri-François Debailleux.
Cube website.
Frau-Meigs, Divina. 2008. Diversité et pluralisme des contenus: la difficile cohabitation des industries culturelles et créatives. In Greffe, Xavier & Nathalie Sonnac: Cultureweb: création, contenu, économie numérique, ouvrage cité.
Bounie, David, Marc Bourreau, and Patrick Waelbroeck. 2006. Pirates or explorers: Analysis of music consumption in French Graduate Schools, mimeo, ENST.
McCarthy, Kevin F., Elizabeth H. Ondjaate, Laure Zakaras, and Arthur Brooks. 2004. Gifts of the muse: Reframing the debate about the benefits of arts. Santa Monica: Rand Research Division.
Rader, Melvin (ed.). 1961. A modern book of esthetics: An anthology, 3rd ed. New York: Holt, Rinehart & Winston.
Conesa, Jean-Claude, and Vincent Lemarchands. 1991. Caravelles 2. Lyon: Totem.
Presentation volume published on the occasion of the exhibition: Design, naissance d’une collection, Musée d’Art.
Laurence, Conference on 4 June, 1948, at the Pavillon de Marsan, ublished in Cahiers du Collège de pataphysique, No. 12.
Author information
Authors and Affiliations
Rights and permissions
Copyright information
© 2016 Springer Japan
About this chapter
Cite this chapter
Greffe, X. (2016). New Challenges for the Artist-Enterprise. In: The Artist–Enterprise in the Digital Age. Creativity, Heritage and the City, vol 1. Springer, Tokyo. https://doi.org/10.1007/978-4-431-55969-6_2
Download citation
DOI: https://doi.org/10.1007/978-4-431-55969-6_2
Published:
Publisher Name: Springer, Tokyo
Print ISBN: 978-4-431-55967-2
Online ISBN: 978-4-431-55969-6
eBook Packages: Social SciencesSocial Sciences (R0)