Zusammenfassung
Der ASCII-Zeichensatz (American Standard Code for Information Interchange) wird für die Codierung von Texten verwendet. ASCII ist nur für sieben Bits definiert, also von 0 bis 127 ($7F). Die darüberliegenden Sonderzeichen auf der rechten Hälfte der Tabelle sind sehr variabel.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Literaturverzeichnis
Bücher & Artikel
Robert Train Adams: Electronic Music Composition for Beginners; Wm. C. Brown Publishers, Dubuque, Iowa 1986.
Richard Aicher: Das MIDI Praxisbuch; Signum, München 1988.
Harold G. Alles: Music Synthesis Using Real Time Digital Techniques; in [IEEE-Proc] Vol. 68(4):436–449, 1980.
Stanley R. Alten: Audio in Media; Wadsworth, Florence 1990.
S. Ambron, K. Hooper: Interactive Multimedia; Microsoft Press, Redmond WA 1988.
Tim Amyes: The technique of audio post-production in video and film; Focal Press, London 1990.
Craig Anderton: MIDI for Musicians; Amsco Publications, New York 1986.
Apple Computer Inc.: Inside Macintosh Volume V; Addison-Wesley, Reading, Massachusetts 1988.
Apple Computer Inc.: The Sound Manager; APDA 1988.
Apple Computer Inc.: Human Interface Guidelines: The Apple Desktop Interface; Addison-Wesley, Reading, Massachusetts 1988.
Apple Computer Inc.: Programmer’s Introduction to the Macintosh Family; Addison-Wesley, Reading, Massachusetts 1988.
Apple Computer Inc.: Macintosh Family Hardware Reference; Addison-Wesley, Reading, Massachusetts 1988.
Apple Computer Inc.: Macintosh MIDI Management Tools — Developer Notes; APDA, 1989.
Apple Computer Inc.: Audio Interchange File Format: AIFF — A Standard for Samples Sound Files; APDA, 1989.
Apple Computer Inc.: Inside Macintosh Volume VI; Preliminary Release, APDA, 1990.
Daniel Arfib: Digital Synthesis of Complex Spectra by Means of Multiplication of nonlinear Distorted Sine Waves; in [JAES] Vol. 27(10):757–768, 1979.
Denis L. Baggi: NeurSwing: A Connectionist Workbench for the Investigation of Swing in Afro-American Jazz; in 23. Asilomar Conference on Signals, Systems & Computers, p.336–341, Maple Press, San Jose CA 1989.
Janet J. Barron: The Wizards of the Media Lab; in [Byte] 12(89):353–360, 1989.
Wayne Bateman: Introduction to Computer Music; John Wiley & Sons, New York 1980.
Wolfgang Bauer: Computer Grundwissen — Eine Einführung in Funktion und Einsatzmöglichkeiten; Falken Verlag, Niedernhausen 1984.
Kurt Bauknecht, Carl August Zehnder: Grundzüge der Datenverarbeitung — Methoden und Konzepte für die Anwendungen; Teubner, Stuttgart 1989.
Kurt Bauknecht, André Weinand, Carl August Zehnder: Einführung in die elektronische Datenverarbeitung; Fernuniversität Hagen, 1990.
Michael L. Beigel: A Digital “Phase Shifter” for Musical Applications, Using the Bell Labs (Alles-Fischer) Digital Filter Module; in [JAES] Vol. 27(9):673–676, 1979.
Gerald Bennet, Xavier Rodet: Synthesis of the Singing Voices; in [Mathews89].
K. Blair Benson, ed.: Audio Engineering Handbook; McGraw-Hill, New York 1988.
K. Blair Benson, Jerry C. Whitaker: Television and Audio Handbook — For Technicians and Engineers; McGraw-Hill, New York 1990.
Richard E. Berg, David G. Stork: The Physics of Sound; Prentice-Hall, Englewood Cliffs, New Jersey 1982.
Claus Biaesch-Wiebke: CD-Player und R-D AT-Recorder; Vogel-Buchverlag, Würzburg 1989.
Carl Binding, C. Schmandt, K. A. Lantz, B. Arons: Workstation Audio and Window-based Graphics: Similarities and Differences; in [Cockton90].
William J. Birnes, ed.: PC Hardware and Systems Implementation; McGraw-Hill, New York 1989.
Dorothea Biostein, Lippold Haken: Justification of Printed Music; in Communications of the ACM Vol. 34(3):88–99, 1991.
Lee Boynton, P. Lavoie, Y. Orlarey, C. Rueda, D. Wessel: MIDI-Lisp — A LJSP-Based Music Programming Environment for the Macintosh; in [ICMC] 86:183–186, 1986.
Sigi Busch: Jazz & Pop Musiklehre; advance music, Rottenburg am Neckar 1984.
Bill Buxton, Bill Gaver, Sara Bly: The Use of Non-Speech Audio at the Interface; Tutorial at the Computer Human Interaction CHI’91, New Orleans 1991.
Donald Byrd, Christopher Yavelow: The Kurzweil 250 Digital Synthesizer; in Computer Music Journal [CMJ] Vol. 9(2):64–85, 1985.
Donald Byrd: User Interfaces in Music-Notation Systems; in [ICMC] 86:145–151, 1986.
Hal Chamberlin: Musical applications of microprocessors; Hayden, Rochelle Park, New Jersey 1980.
John M. Chowning: The Synthesis of Complex Audio Spectra by Means of Frequency Modulation; Journal of the Audio Engineering Society [JAES] Vol. 21(7):526–534, 1973. (Reprinted in [Roads85a])
Doug Clapp: The NeXT Bible — Hardware and Software Systems for the NeXT Computer; Brady, New York 1990.
G. Cockton, ed.: Engineering for Human-Computer Interaction; IFIP Conference, Elsevier Science Publishers B.V., North-Holland 1990.
Jim Conger: MIDI Sequencing in C; M&T Publishing, Redwood City 1990.
D. Conroy, T. Vitale, D.H. Klatt: DECtalk DTC03 Text-toSpeech System Owner’s Manual; Digital Equipment Corporation, Nashua 1986.
P.M. Cooley, J.W. Tukey: An Algorithm for the Machine Computation of Complex Fourier Series, in Mathematics of Computation, vol. 19, April 1960.
Brad J. Cox: Object-Oriented Programming: An Evolutionary Approach; Addison-Wesley, Reading, Massachusetts 1987.
David Crombie: The New Complete Synthesizer; Omnibus Press, London 1986.
Laurent Dami: Scripting Musical Components in Application Interfaces; in [Tsichritzis90] p.357-366, 1990.
Roger B. Dannenberg: The CMU MIDI Toolkit; in [ICMC] 86:53–56, 1986.
Roger B. Dannenberg: Real-Time Scheduling and Computer Accompaniment; in [Mathews89] p.225-261, 1989.
Roger B. Dannenberg: A Computer-based Multi-media Tutor for Beginning Piano Students; in [Interface] Vol. 19(1–2):155–173, 1990.
Tom Darter, Greg Armbruster ed.: The Art of Electronic Music; Quill, New York 1984.
David J. DeFatta, Joseph G. Lucas, William S. Hodgkiss: Digital Signal Processing — A System Design Approach; John Wiley & Sons, New York 1988.
Diana Deutsch, ed.: The Psychology of Music; Academic Press, New York 1982.
Herbert A. Deutsch: Synthesis — An Introduction to the History, Theorie & Practice of Electronic Music; Alfred Publishing, Sherman Oaks, CA 1985.
Giovanni De Poli: A Tutorial on Digital Sound Synthesis Techniques; in [CMJ] Vol 7, No. 4:8–26, 1983.
Giovanni De Poli, Aldo Piccialli, Curtis Roads: Representations of Musical Signals; MIT Press, Cambridge, Massachusetts 1991.
Michael Dickreiter: Handbuch der Tonstudiotechnik; Herausgegeben von der Schule für Rundfunktechnik, Band 1, 5. Auflage, K. G. Saur, München 1987.
Charles Dodge, Thomas A. Jerse: Computer Music — Synthesis, Composition, and Performance; Schirmer Books, New York 1985.
Charles Dodge, Curtis R. Bahn: Musical Fractals; in [BYTE] Juni 1986.
Charles Dodge: Profile: A Musical Fractal; in [CMJ] Vol. 12(3): 10–14, 1988.
Mark Dolson: The Phase Vocoder: A Tutorial; in Computer Music Journal [CMJ] Vol. 10(4): 14–27, 1986.
Mark Dolson: Fourier-Transform-Based Timbrai Manipulations; in [Mathews89].
John M. Eargle: Music, Sound, and Technology; Van Nostrand Reinhold, BNew York 1990.
Kemal Ebcioglu: An Expert System for Harmonizing Four-part Chorals; in Computer Music Journal [CMJ] Vol. 12(3):43–51, 1988.
Bernd Enders: Lexikon Musikelektronik; Schott, Mainz 1985.
Henry S. Flurry: A Introduction to the Creation Station; in Computer Music Journal [CMJ] Vol. 13(2):56–70, 1989.
Adrian Freed: MacMix: Mixing with a Mouse; in [ICMC86] p. 127-129, 1986.
Sadaoki Furui: Digital Speech Processing, Synthesis, and Recognition; Marcel Dekker, Inc., New York 1989.
Adele Goldberg, David Robson: Smalltalk-80, The Language and its Implementation; Addison-Wesley, Reading, Massachusetts 1983.
Adele Goldberg: Smalltalk-80, The Interactive Programming Environment; Addison-Wesley, Reading, Massachusetts 1984.
Danny Goodman: HyperCard Developer’s Guide; Bantam Books, Toronto 1988.
John W. Gordon, John Strawn: An Introduction to the Phase Vocoder; in [Strawn85b].
John W. Gordon: System Architectures for Computer Music; in [CompSurveys] Vol. 17(2): 191–233, Juni 1985.
Peter Gorges, Alex Merck: Keyboards, MIDI, Homerecording — Alles über Equipment und Anwendungen; Günther Carstensen Verlag, München 1989.
Heinz Götze, Rudolf Wille, Hrsg.: Musik und Mathematik; Springer-Verlag, Berlin 1985.
Irene Greif, ed.: Computer-Supported Cooperative Work: A Book of Readings; Morgan Kaufmann Publ., San Mateo CA 1988.
Rudolf Haase: Der messbare Einklang — Grundzüge einer empirischen Weltharmonik; E. Klett Verlag, Stuttgart 1976.
Dan Haerle: Scales for Jazz Improvisation; Studio P/R, Inc. 1975.
Keith A. Hamel: Issues in the Design of Music Notation Systems; in [ICMC] 87:325–332, 1987.
Richard W. Hamming: Digitale Filter; VCH Verlagsgesellschaft, Weinheim 1987.
Steve Hardwick: ISDN Design — A Practical Approach; Academic Press, San Diego, California 1989.
Goffredo Haus: Music Processing at L.I.M.; in Proceedings Euromicro’ 88, Microprocessing and Microprogramming Vol. 24(1–5):435–442, 1988.
M. Hawley: MIDI music software for Unix; in Proceedings of the Usenix’ 86 Conference, 1986.
Anthony Hecquet: L’environnement midi et ses applications musicales; Sybex, Paris 1989.
Martin Heiander, ed.: Handbook of Human-Computer Interaction; Elsevier Science Publishers (North-Holland), Amsterdam 1990.
Mara Helmuth: PATCHMIX: A C++ X Graphical Interface to Cmix; in [ICMC90] p. 273-275, 1990.
Thomas B. Holmes: Electronic and Experimental Music; Charles Scribner’s Sons, New York 1985.
Hubert Howe: Electronic music synthesis; W. W. Norton, New York 1975.
International MIDI Association (IMA): MIDI 1.0 Specification; IMA, Los Angeles 1983.
International MIDI Association (IMA): MIDI 1.0 Detailed Specification, Document Version 4.0; IMA, Los Angeles 1988.
David A. Jaffe, Julius O. Smith: Extensions of the Karplus-Strong plucked string algorithm; in Computer Music Journal [CMJ] Vol. 7, No. 2:56–69, 1983.
David A. Jaffe: Spectrum Analysis Tutorial; in Computer Music Journal [CMJ] Vol. 11, No. 2 & 3, 1987.
David A. Jaffe, Lee Boynton: An Overview of the Sound and Music Kits for the NeXT Computer; in Computer Music Journal [CMJ] Vol. 13, No. 2:48–55, 1989.
David A. Jaffe: Efficient Dynamic Resource Management on Multiple DSPs as Implemented in the NeXT Music Kit; in [ICMC90] p. 188-190, 1990.
Jaxitron: Cybernetic Music; TAB Books, USA 1985.
N.S. Jayant, Peter Noll: Digital Coding of Waveforms — Principles and Applications to Speech and Video; Prentice-Hall, Englewood Cliffs, New Jersey 1984.
Jürg Jecklin: Musikaufnahmen: Grundlagen, Technik, Praxis; Franzis, München 1984.
Ian Johnston: Measured tones — the interplay of physics and music; Hilger, Bristol 1989.
Heinz W. Kämmer: Die Compact Disc; Pflaum Verlag, München 1988.
Kevin Karplus, Alex Strong: Digital synthesis of plucked string and drum timbres; in Computer Music Journal [CMJ] Vol. 7, No. 2:43–55, 1983.
Hans Kayser: Lehrbuch der Harmonik; Occident Verlag, Zürich 1950.
Sonya Keene: Object-Oriented Programming in Commen Lisp — A Programmer’s Guide to CLOS; Addison-Wesley, Reading, Massachusetts 1989.
Johannes Kepler: Weltharmonik; R. Oldenbourg Verlag, München 1967.
Dennis H. Klatt: Review of text-to-speech conversion for English; in [JASA] Vol. 82, No. 3:737–793, September 1987.
Teuvo Kohonen: The “Neural” Phonetic Typewriter; in [Computer] (3): 11–22, März 1988.
Bernhard Krieg: Praxis der digitalen Audiotechnik — Digitale Aufnahme und Wiedergabe; Franzis-Verlag, München 1989.
William B. Kuhn: A Real-Time Pitch Recognition Algorithm for Music Applications; in [CMJ] Vol. 14(3):60–71, 1990.
Raymond Kurzweil: Beyond Pattern Recognition; in [BYTE] Dezember 1989.
Robert Langer: Schlagwandler — Achtkanaliger Pad-zu-Bit-Konverter; in [ELRAD] 7/8:40–42, 1988.
Peter S. Langston: Unix Music Tools at Bellcore; in Software-Practice and Experience, Vol. 20(S1):47–57, 1990.
Paul Lansky: The Architecture and Musical Logic of Cmix; in [ICMC90] p. 91-94, 1990.
Otto E. Laske: Introduction to Cognitive Musicology; in Computer Music Journal [CMJ] Vol. 12, No. 1:43–57, 1988.
M. LeBrun: Digital Waveshaping Synthesis; in Journal of the Audio Engineering Society [JAES] Vol. 27(4):250–266, 1979.
Paul D. Lehrman: Microcomputer Applications in Music; in [Birnes89], p. 75-92, 1989.
Eric Lindemann, Miller Puckette, Eric Viari, Michel Starkier: The IRCAM Signal Processing Workstation — An Environment for Research in Real-Time Musical Signal Processing and Performance; in Microprocessing and Microprogramming Vol. 30(1–5): 167–174, 1990.
Bill Lowe, Robert Currie: Digidesign’s Sound Accelerator: Lessons Lived and Learned; in [CMJ] Vol. 13(1):36–46, 1989.
Gareth Loy, Curtis Abbott: Programming Languages for Computer Music Synthesis, Performance, and Composition; in [CompSurveys] Vol. 17(2):235–265, Juni 1985.
Gareth Loy: Composing with Computers — a Survey of Some Compositional Formalisms and Music Programming Languages; in [Mathews89], 1989.
Arch C. Luther: Digital Video in the PC Environment — Featuring DVI Technology; McGraw-Hill, New York 1989.
Michael K. Mahoney: Interface Builder and Object Oriented Design on the Next Computer; Tutorial Notes CHI’ 90, ACM, 1990.
Peter Manning: Electronic and Computer Music; Clarendon Press, Oxford 1985.
J. D. Markel, A. H. Gray Jr.: Linear Prediction of Speech; Springer Verlag, New York 1976.
Rudolf Marty: Von der Subroutinentechnik zur Klassenhierarchie — Eine schrittweise Hinführung zu objektorientierter Programmierung; Berichte des Instituts für Informatik der Universität Zürich, Nr. 88.04, 1988.
Dana C. Massie: The Emulator II Computer Music Environment; in [ICMC] 85:111–118, 1985.
Max V. Mathews, with J. E. Miller, F. R. Moore, J. R. Pierce, J. C. Risset: The Technology of Computer Music; MIT Press, Cambridge 1969.
Max V. Mathews, F. Richard Moore: GROOVE — A Programm to Compose, Store, and Edit Functions of Time; in Communications of the ACM Vol. 13(12):715, 1970.
Max V. Mathews, John R. Pierce: Der Computer als Musikinstrument; in Die Physik der Musikinstrumente; Spektrum der Wissenschaften, Heidelberg 1987.
Max V. Mathews, John R. Pierce, ed.: Current Directions in Computer Music Research; MIT Press, Cambridge, Massachusetts 1989.
Guerino Mazzola: Geometrie der Töne — Elemente der Mathematischen Musiktheorie; Birkhäuser Verlag, Basel 1990.
C. Denis Mee, Eric D. Daniel, ed.: Magnetic Recording — Vol. III: Video, Audio, and Instrumentation Recording; McGraw-Hill, New York 1988.
Carsten Meyer: Mac goes MIDI — Einfaches Musikinstrumenteninterface für den Macintosh; in c’t (9): 174, 1990.
S. Montresor, J.-C. Valiere, J. F. Allard, M. Baudry: The Restoration of Old Recordings by Means of Digital Techniques; Preprint 88th Convention of the AES, 1990.
Bob Moog: MIDI: Musical Instrument Digital Interface; in [JAES] Vol. 34(5):394–404, 1986.
F. Richard Moore: The Dysfunctions of MIDI; in [CMJ] Vol. 12(1):19–28, 1988.
F. Richard Moore: Elements of Computer Music; Prentice-Hall, Englewood Cliffs, New Jersey 1990.
D. J. Moore: Multimedia presentation development using the Audio Visual Connection; in IBM Systems Journal, Vol. 29(4):494–508, 1990.
James A. Moorer: The Use of Linear Prediction of Speech in Computer Music Applications; in [JAES] Vol. 27(3): 134–140, 1979.
Christopher Morgan: The Kurzweil 250 Digital Synthesizer; in [BYTE] Juni 1986.
Giovanni Müller: Interaktive Bearbeitung konventioneller Musiknotation; ETH, Departement Informatik, Zürich 1989.
Giovanni Müller: Interaktive Bearbeitung konventioneller Musiknotation; Informatik-Dissertationen ETH Zürich, Nr 24, Verlag der Fachvereine vdf, Zürich 1990.
H. W. Neuschwander: Klangsynthese-DSP SAM 8905 — Erster digitaler Signalprozessor speziell für Anwendungen in der Musikelektronik; in [ELRAD] 4:42–47 & 5:91-95, 1990.
NeXT Inc.: NeXT Online Documentation; Preliminary Release; 1989.
Jay Nievergelt, Andrea Ventura, Hans Hinterberger: Interactive Computer Programs for Education — Philosophy, Techniques, Examples; Addison-Wesley, Reading, Massachusetts 1986.
Justus Noll, Ralph Schürmann: MIDI auf dem PC XT/AT — Einführung, Programme, C-Programmiertips und Hardware-Basteleien; Markt & Technik Verlag, Haar bei München 1990.
Daniele Pelloni: A DASH Recorder for 48 Channels; Preprint 88th Convention of the AES, 1990.
Bruce W. Pennycook: Computer-Music Interfaces: A Survey; in [CompSurveys] Vol. 17(2):267–289, Juni 1985.
Stephen Travis Pope, ed.: The Well-Tempered Object — Musical Applications of Object-Oriented Software Technology, MIT Press, Cambridge, Massachusetts 1991.
William H. Press, Brian P. Flannery, Saul A. Teukolsky, William T.Z Vetterling: Numerical Recipes in C — The Art of Scientific Computing; Cambridge University Press, Cambridge 1988.
Dave Prochnow: Chip Talk — Projects in Speech Synthesis; TAB Books, Blue Ridge Summit 1987.
L.R. Rabiner, J.G. Wilpon, F.K. Soong: High-Performance Conected-Digit Recognition, Using Hidden Markov Models; in Proceedings of the Internatinal Conference on Acoustics, Speech, and Signal Processing, p. 1-4, Glasgow 1989.
Robert W. Ramirez: The FFT, fundamentals and concepts; Prentice-Hall, Englewood Cliffs, N.J. 1985.
Jan Reetze: Musikcomputer — Computermusik, Gegenwart und Zukunft eines neuen Mediums; J. B. Metzler, Stuttgart 1987.
John S. Rigden: Physics and the Sound of Music, 2nd edition; John Wiley & Sons, New York 1985.
Jean-Claude Risset: Computer Study of Trumpet Tones; Journal of the Accoustical Society of America 38, November 1965.
Curtis Roads: Automated Granular Synthesis of Sounds; in Computer Music Journal [CMJ] 2(2):61–62, 1978. (Updated and reprinted in [Roads85a].)
Curtis Roads: A Tutorial on Nonlinear Distortion or Waveshaping Synthesis; in Computer Music Journal [CMJ] 3(2):21–34, 1979. (Reprinted in [Roads85a].)
Curtis Roads, John Strawn, ed.: Foundations of Computer Music; MIT Press, Cambridge 1985.
Curtis Roads, ed.: Composers and the Computer; William Kaufmann, Los Altos 1985.
Curtis Roads: Research in Music and Artificial Intelligence; in [CompSurveys] Vol. 17(2): 163–190, Juni 1985.
Curtis Roads: The Tsukuba Musical Robot; in Computer Music Journal [CMJ] Vol. 10(2):39–43, 1986.
Juan G. Roederer: Physikalische und psychoakustische Grundlagen der Musik; Springer-Verlag, Berlin 1977.
Thomas D. Rossing: The Science of Sound; Addison-Wesley, Reading, Massachusetts 1990.
Dave Rossum: Some Aspects of Sample Rate Conversion; in [ICMC] 85:119–124, 1985.
Dave Rossum: An Analysis of Pitch Shifting Algorithms; Preprint 87th Convention of the AES, 1989.
Dean Rubine, Paul McAvinney: Programmable Fingertracking Instrument Controller; in [CMJ] Vol. 14(1), 1990.
Ulrich Sauvagerd: Bitratenreduktion hochwertiger Musiksignale unter Verwendung von Wellendigitalfiltern; VDI-Verlag, Düsseldorf 1990.
Günter Schmitt: Mikrocomputertechnik: Maschinenorientierte Programmierung, Grundlagen — Schaltungstechnik — Anwendungen; Oldenbourg Verlag, München 1985.
Kurt J. Schmucker: Object Oriented Programming for the Macintosh; Hayden, Hasbrouck Heights, New Jersey 1986.
Werner Schnorrenberg: Spektrumanalyse — Theorie und Praxis; Vogel Verlag, Würzburg 1990.
Eberhard Schröder: Mathematik im Reich der Töne; Verlag Harri Deutsch, Thun 1985.
Ulrich Seiler, W. Hardmeier: Lehrbuch der Physik — Erster Teil: Mechanik und Akustik; Schulthess Polygraphischer Verlag, Zürich 1976.
TJ. Sejnowski, C.R. Rosenberg: NETtalk: A parallel network that learns to read aloud; John Hopkins University, Cognitive Neurophysiology Laboratory, Report No. 13, 1985.
Ben Shneiderman: Designing the User Interface — Strategies for Effective Human-Computer Interaction; Addison-Wesley, Reading, Massachusetts 1987.
Nan C. Shu: Visual Programming; Van Nostrand Reinhold Company, New York 1988.
Paul Skritek: Handbuch der Audio-Schaltungstechnik; Franzis-Verlag, München 1988.
Stuart Smith, R. Daniel Bergeron, Georges G. Grinstein: Stereophonic and Surface Sound for Exploratory Data Analysis; in Proceedings of Computer Human Interaction’ 90, ACM 1990.
Samuel D. Stearns: Digitale Verarbeitung analoger Signale — Digital Signal Analysis; Oldenbourg Verlag, München 1987.
John Strawn, ed.: Digital Audio Engineering — An Anthology; William Kaufmann, Los Altos 1985.
John Strawn, ed.: Digital Audio Signal Processing — An Anthology; William Kaufmann, Los Altos 1985.
Bjarne Stroustrup: The C+ + Programming Language; Addison-Wesley, Reading, Massachusetts 1986.
Johan Sundberg: Synthesis of Singing by Rule, in [Mathews89].
Fiorella Terenzi: The Computer Audio Research Laboratory at The Center for Music Experiment and Related Research; in Proceedings Euromicro’ 88, Microprocessing and Microprogramming Vol. 24(1–5):443–446, 1988.
Tim Thompson: A Language and Extensible Graphic Editor for Music; in Proceedings of USENIX Winter Conference, 1990.
Robin Tolleson: Michael Brecker: Re-Charged Sax; in [downbeat] 9/89:56–57, 1989.
Barry Truax: Organizational Techniques for cm Ratios in Frequency Modulation; in Computer Music Journal [CMJ] 1(4): 39–45, 1977. (Reprinted in [Roads85a].)
Dennis Tsichritzis, ed.: Object Management; Centre Universitaire d’Informatique, University of Geneva, 1990.
Barry Vercoe: Music 11 reference manual; MIT Experimental Studio, Cambridge, Massachusetts 1979.
Barry Vercoe, Dan Ellis: Real-Time CSOUND: Software Synthesis with Sensing and Control; in [ICMC90] p. 209-211, 1990.
Barry Vercoe: CSOUND: A Manual for the Audio Processing System and Supporting Programs; MIT Media Lab, Cambridge MA 1991.
Wayne Wadhams: Dictionary of Music Production and Engineering Terminology; Schirmer Books, New York 1988.
Alex Waibel, John Hampshire: Building Blocks for Speech; in [BYTE] (8):235–242, August 1989.
John Watkinson: The Art of Digital Audio; Focal Press, London 1990.
Johannes Webers: Tonstudiotechnik; 4. Auflage, Franzis-Verlag, München 1985.
Bruce F. Webster: The NeXT Book; Addison-Wesley, Reading, Massachusetts, 1989.
André Weinand, Erich Gamma, Rudolf Marty: Design and Implementation of ET+ +, a Seamless Object-Oriented Application Framework; in Structured Programming 10/2:63–87, 1989.
C. Wheddon, R. Linggard, ed.: Speech and Language Processing; Chapman and Hall, London 1990.
Gary E. Wittlich, John W. Schaffer, Larry R. Babb: Microcomputers and Music; Prentice-Hall, Englewood Cliffs, New Jersey 1986.
Stephen Wolfram: Mathematica — A System for Doing Mathematics by Computer; Addison-Wesley, Reading, Massachusetts, 1988.
Iannis Xenakis: Formalized Music; Indiana University Press, Bloomington 1971.
E. J. Yannakoudakis, P. J. Hutton: Speech Synthesis and Recognition Systems; Ellis Horwood Limited, Chichester 1987.
Christopher Yavelow: Personal Computers and Music: The State of the Art; in [JAES] Vol. 35(3): 160–193, 1987.
Christopher Yavelow: Music Processing: The Next Generation; in [MacWorld] July 1988.
Horst Zander: Datenwandler: AD/DA-Wandler — Schnittstellen der digitalen Signalverarbeitung; Vogel Verlag, Würzburg 1985.
David Zicarelli: M and Jam Factory; in Computer Music Journal [CMJ] Vol. 11(4): 13–29, 1987.
Zeitschriften & Periodica
BYTE The Small System Journal; McGraw-Hill Publications, New York.
Computer Music Journal, MIT Press, Cambridge, Massachusetts.
Association for Computing Machinery (ACM): Computing Surveys; New York.
Institute of Electric and Electronics Engineers: IEEE Computer, New York.
downbeat — for Contemporary Musicians; Maher Publications, Elmhurst IL.
Elrad — Magazin für Elektronik und technische Rechneran-wendungen; Verlag Heinz Heise GmbH & Co KG, Hannover.
Fachblatt Musik-Magazin; SZV Spezial-Zeitschriftengesellschaft mbH & Co. Verlag KG, Munchen.
CMA: Proceedings of the International Computer Music Conference; Computer Music Association (CMA), San Francisco.
Institute of Electric and Electronics Engineers: Proceedings of the IEEE; New York.
Institute of Electric and Electronics Engineers: IEEE Transactions on Acoustics, Speech and Signal Processing; New York.
Marc Leman, ed.: Interface — Journal of New Music Research; Swets & Zeitlinger, Lisse, Netherlands.
AES: Journal of the Audio Engineering Society; Audio Engineering Society Inc., New York.
The Journal of the Acoustical Society of America; Published by the Institute of Physics, New York.
Institute of Acoustic: Journal of Sound and Vibration; Academic Press, London.
Keyboards, Homerecording & Computer; MM-Musik-Media-Verlag GmbH, Augsburg.
KEYS — Magazin für Keyboard, Computer & Recording; PPV Presse Project Verlags GmbH, München.
Music Perception; University of California Press Journals.
Studio Sound and Broadcast Engineering; Link House Publications, Croydon UK.
Workshop Musiker Magazin; AT Zeitschriftenverlag, Aarau.
Author information
Authors and Affiliations
Rights and permissions
Copyright information
© 1991 Springer-Verlag/Wien
About this chapter
Cite this chapter
Ackermann, P. (1991). Anhang. In: Computer und Musik. Springers Angewandte Informatik. Springer, Vienna. https://doi.org/10.1007/978-3-7091-9167-5_14
Download citation
DOI: https://doi.org/10.1007/978-3-7091-9167-5_14
Publisher Name: Springer, Vienna
Print ISBN: 978-3-211-82291-3
Online ISBN: 978-3-7091-9167-5
eBook Packages: Springer Book Archive