Skip to main content
SpringerLink
Log in

Beyond Photorealism

  • Conference paper
  • First Online:
Rendering Techniques’ 99 (EGSR 1999)

Part of the book series: Eurographics ((EUROGRAPH))

Included in the following conference series:

Abstract

For around 30 years the computer graphics research community has pursued photorealism as though it were the ultimate form of visual expression. Yet, as an art form, photorealism is one of many abstractions that an artist might use to convey ideas, shape, structure, emotion and mood. In this paper we describe how techniques and wisdom learned from photorealistic computer graphics can be adapted and applied to a diverse range of alternative styles for visual expression.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Log in via an institution
Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  1. A.A. Apodaca. “Photosurrealism”, in Rendering Techniques’ 98, Proceedings of the Eurographics Workshop in Vienna, Austria, pages 315–322, 1998.

    Google Scholar 

  2. W. D. van Bakergen and G. Obata, “Free-hand plotting — is it Live or is it Digital”, CAD Futures 91, Vieweg, Wiesbaden.

    Google Scholar 

  3. D. F. Berman, J. T. Bartell and D. H. Salesin, “Multiresolution Painting and Compositing”, Computer Graphics (Proc. Siggraph), ACM SIGGRAPH, ACM Press, July 1994.

    Google Scholar 

  4. John W. Buchanan, “Special Effects with Half-Toning”, Eurographics’ 96 proceedings, Volume 15, Number 3, Blackwells Publishers, 1996.

    Google Scholar 

  5. Johan Claes, Patrick Monsieurs, Frank Van Reeth and Eddy Flerackers, “Rendering Pen-drawings of 3D scenes on networked processors”, WSCG’ 97 proceedings, Volume 1, February 1997.

    Google Scholar 

  6. Cassidy Curtis, Sean E. Andersen, Joshua E. Seims, Kurt W. Fleischer and David H. Salesin, “Computer-Generated Watercolour”, Computer Graphics (Proc. Siggraph), ACM SIGGRAPH, ACM Press, August 1997.

    Google Scholar 

  7. Gershon Elber, “Line Art Rendering via a Coverage of Isoparametric Curves”, IEEE Transactions on Visualization and Computer Graphics, Volume 1, Number 3, September 1995.

    Google Scholar 

  8. Amy Gooch, Bruce Gooch, Peter Shirley, and Elaine Cohen. “A Non-photorealistic Lighting Model for Automatic Technical Illustration.” Computer Graphics (Proc. Siggraph), ACM SIGGRAPH, July 1998.

    Google Scholar 

  9. Bruce Gooch, Peter-Pike Sloan, Amy Gooch, Peter Shirley, and Richard Riesenfeld. “Interactive Technical Illustration”. Interactive 3D Conference Proceedings, April 1999.

    Google Scholar 

  10. Paul Haeberli, “Paint by Numbers: Abstract Image Representations”, Computer Graphics (Proc. Siggraph), Vol. 24, No. 4, ACM SIGGRAPH, ACM Press, August 1990.

    Google Scholar 

  11. Aaron Hertzmann, “Painterly Rendering with Curved Brush Strokes of Multiple Sizes”. Computer Graphics (Proc. Siggraph), pages 453–460. ACM SIGGRAPH, July 1998.

    Google Scholar 

  12. Siu Chi Hui and Irene H. H. Lee, “Drawing and Animation using Skeletal Strokes”, Computer Graphics (Proc. Siggraph), ACM SIGGRAPH, ACM Press, August 1994.

    Google Scholar 

  13. J.T. Kajiya. “The Rendering Equation” In Computer Graphics (SIGGRAPH’ 86 Proceedings) pages 143–150, 1986.

    Google Scholar 

  14. Kazoo™. LightWork Design Ltd. http://www.kazoo3d.com

    Google Scholar 

  15. Rev Lebaredian, “Traditional Cel Animation Look with 3D Renderers”, Siggraph 96 Visual Proceedings, ACM SIGGRAPH, ACM Press, 1996.

    Google Scholar 

  16. LightWorks®. LightWork Design Ltd. http://www.lightwork.com

    Google Scholar 

  17. Peter Litwinowicz, “Inkwell: A 2½-D Animation System”, Computer Graphics (Proc. Siggraph), Vol. 25, No. 4, ACM SIGGRAPH, ACM Press, 1991.

    Google Scholar 

  18. Peter Litwinowicz, “Processing Images and Video for An Impressionist Effect”, Computer Graphics (Proc. Siggraph), ACM SIGGRAPH, ACM Press, 1997.

    Google Scholar 

  19. Lee Markosian, Michael A. Kowalski, Samuel J. Trychin, Lubomir D. Bourdev, Daniel Goldstein and John F. Hughes, “Real-Time Nonphotorealistic Rendering”, Computer Graphics (Proc. Siggraph), ACM SIGGRAPH, ACM Press, 1997.

    Google Scholar 

  20. Barbara Meier, “Painterly Rendering for Animation”, Computer Graphics (Proc. Siggraph), 1996.

    Google Scholar 

  21. Takafumi Saito and Tokiichiro Takahashi, “Comprehensible Rendering of 3D Shapes”, Computer Graphics (Proc. Siggraph), Vol. 24, No. 4, ACM SIGGRAPH, ACM Press, August 1990.

    Google Scholar 

  22. Michael P. Salisbury, Shaun E. Anderson, Ronen Barzel and David H. Salesin, “Interactive Pen-and-ink Illustration”, Computer Graphics (Proc. Siggraph), Vol. 28, No. 4, October 1994.

    Google Scholar 

  23. Michael P. Salisbury, Corin Anderson, Dani Lischinski and David H. Salesin, “Scale-Dependent Reproduction of Pen-and-ink Illustrations”, Computer Graphics (Proc. Siggraph), ACM SIGGRAPH, ACM Press, 1996.

    Google Scholar 

  24. Michael P. Salisbury, Michael T. Wong, John F. Hughes and David H. Salesin, “Orientable Textures for Image-Based Pen-and-ink Illustration”, Computer Graphics (Proc. Siggraph), ACM SIG-GRAPH, ACM Press, August 1997.

    Google Scholar 

  25. Tsuyoshi T. Sasada, “Drawing Natural Scenery by Computer Graphics”, Computer-Aided Design, Vol. 19, No. 4, May 1987.

    Google Scholar 

  26. Simon Schofield, “Nonphotorealistic Rendering”, Doctoral Dissertation, Middlesex University, England, 1994.

    Google Scholar 

  27. Simon Schofield, “Piranesi: A 3-D Paint System”, Eurographics UK 96 Conference Proceedings, 1996.

    Google Scholar 

  28. Steve Strassman, “Hairy Brushes”, Computer Graphics (Proc. Siggraph), Vol. 20, No. 4, ACM SIGGRAPH, ACM Press, August 1986.

    Google Scholar 

  29. Daniel Teece, “3D Painting for Non-Photorealistic Rendering“, SIGGRAPH’ 98 Conference Abstracts and Applications, ACM SIGGRAPH, ACM Press, July 1998.

    Google Scholar 

  30. Daniel Teece, “Three Dimensional Interactive Non-Photorealistic Rendering”, PhD Thesis, University of Sheffield, England, 1998.

    Google Scholar 

  31. S.M.F. Treavett and M. Chen, “Statistical techniques for the automated synthesis of non-photorealistic images”, Proc. 15th Eurographics UK Conference, March 1997.

    Google Scholar 

  32. Georges Winkenbach and David H. Salesin, “Computer-Generated Pen-and-ink Illustration”, Computer Graphics (Proc. Siggraph), Vol. 28, No. 4, ACM SIGGRAPH, ACM Press, 1994.

    Google Scholar 

  33. Georges Winkenbach and David H. Salesin, “Rendering Parametric Surfaces in Pen and Ink”, Computer Graphics (Proc. Siggraph), ACM SIGGRAPH, ACM Press, 1996.

    Google Scholar 

Download references

Author information

Authors and Affiliations

  1. LightWork Design Ltd., 78 Clarkehouse Road, Sheffield, S10 2LJ, UK

    Stuart Green

Authors
  1. Stuart Green
    View author publications

    You can also search for this author in PubMed Google Scholar

Editor information

Editors and Affiliations

  1. Institute of Computer Science, The Hebrew University of Jerusalem, Jerusalem, Israel

    Dani Lischinski

  2. Silicon Graphics Inc., Mountain View, CA, USA

    Greg Ward Larson

Rights and permissions

Reprints and permissions

Copyright information

© 1999 Springer-Verlag/Wien

About this paper

Cite this paper

Green, S. (1999). Beyond Photorealism. In: Lischinski, D., Larson, G.W. (eds) Rendering Techniques’ 99. EGSR 1999. Eurographics. Springer, Vienna. https://doi.org/10.1007/978-3-7091-6809-7_30

Download citation

  • DOI: https://doi.org/10.1007/978-3-7091-6809-7_30

  • Published:

  • Publisher Name: Springer, Vienna

  • Print ISBN: 978-3-211-83382-7

  • Online ISBN: 978-3-7091-6809-7

  • eBook Packages: Springer Book Archive

Publish with us

Policies and ethics

Search

Navigation