Abstract
A monolith can be described as a geological feature “consisting of a single massive stone or rock, such as some mountains.” In architecture, it may refer to “a single large piece of rock placed as, or within, a monument or building.” (Available at: en.wikipedia.org/wiki/Monolith) A literary or artistic work may constitute a monolith in its own right. As a single large piece of information, it may stand out from works of the same category. Similarly, collections of works may become so dense that they resemble a single massive information monolith. In both cases, the market power resulting from copyright ownership may be considerable. Hence, the question arises whether competition law can serve as a vehicle to ensure reasonable access conditions and prevent an artificial supply shortfall.
Martin R.F. Senftleben is Professor of Intellectual Property and Director of the Kooijmans Institute for Law and Governance at the Vrije Universiteit Amsterdam and Of Counsel at Bird & Bird.
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Notes
- 1.
- 2.
- 3.
- 4.
Directive 2001/29/EC of the European Parliament and of the Council of 22 May 2001, on the harmonisation of certain aspects of copyright and related rights in the information society (OJ 2001 L 167, 10).
- 5.
Court of Justice, 1 December 2011, Painer, C-145/10, ECLI:EU:C:2011:798, para. 132–133.
- 6.
Court of Justice, id., para. 134.
- 7.
Court of Justice, 3 September 2014, Deckmyn, C-201/13, ECLI:EU:C:2014:2132, para. 22–23.
- 8.
Court of Justice, id., para. 25–27.
- 9.
M.R.F. Senftleben (2012), 395–398.
- 10.
Court of Justice, 1 December 2011, Painer, C-145/10, ECLI:EU:C:2011:798, para. 132; 3 September 2014, Deckmyn, C-201/13, ECLI:EU:C:2014:2132, para. 26.
- 11.
- 12.
Court of Justice, 11 September 2014, Technische Universität Darmstadt, C-117/13, ECLI:EU:C:2014:2196, para. 43.
- 13.
M.R.F. Senftleben / L. Anemaet (2015), 6.
- 14.
P. Bourdieu (1992/1999), 385.
- 15.
In this sense also J.E. Cohen (2006), 154–155.
- 16.
As to a potential combination of human rights and competition considerations, see T. Mylly (2013), 115–117.
- 17.
Court of Justice, 13 February 1979, Hoffmann-La Roche, C-85/76, 1979 ECR 461, para. 38.
- 18.
European Commission (1997), para. 7.
- 19.
European Commission (1997), para. 13.
- 20.
European Commission (1997), para. 20.
- 21.
European Commission, 29 July 2003, COMP/M.3197, Candover/Cinven/Bertelsmann-Springer, para. 14–15; European Commission, 15 February 1999, IV/M.1377, Bertelsmann/Wissenschaftsverlag Springer, para. 9–12.
- 22.
European Commission (1997), para. 20.
- 23.
R.M. Hilty (2009), 639.
- 24.
J. Drexl (2013), 75.
- 25.
European Commission (1997), para. 41.
- 26.
See the analysis of research on the social psychology of creativity by J.E. Cohen (2006), 154–155.
- 27.
Use by one actor does not restrict the ability of another actor to benefit as well.
- 28.
Unauthorized parties (“free riders”) cannot be prevented from use.
- 29.
- 30.
- 31.
G. Pessach (2003), 1077.
- 32.
- 33.
J. Drexl (2013), 75.
- 34.
P. Bourdieu (1992/1999), 370.
- 35.
P. Bourdieu (1992/1999), 372 and 379–380.
- 36.
For examples in the field of literature and music, see P. Bourdieu (1992/1999), 379–384.
- 37.
Reference to “single source” situation, as described by Hilty.
- 38.
European Commission, 29 July 2003, COMP/M.3197, Candover/Cinven/Bertelsmann-Springer, para. 13.
- 39.
European Commission, 29 July 2003, COMP/M.3197, Candover/Cinven/Bertelsmann-Springer, para. 14.
- 40.
European Commission, 29 July 2003, COMP/M.3197, Candover/Cinven/Bertelsmann-Springer, para. 14–15; European Commission, 15 February 1999, IV/M.1377, Bertelsmann/Wissenschaftsverlag Springer, para. 9–12.
- 41.
- 42.
- 43.
Court of Justice, 29 April 2004, IMS Health, C-418/01, [2004] ECR I-05039, para. 34–35.
- 44.
Court of Justice, 29 April 2004, IMS Health, C-418/01, [2004] ECR I-05039, para. 38 and operative part.
- 45.
M.R.F. Senftleben (2013), 85–91.
- 46.
Court of Justice, 6 April 1995, “Magill”, C-241/91 P and C-242/91 P, [1995] ECR I-743, para. 7.
- 47.
Court of Justice, 6 April 1995, “Magill”, C-241/91 P and C-242/91 P, [1995] ECR I-743, para. 91.
- 48.
Court of Justice, 29 April 2004, IMS Health, C-418/01, [2004] ECR I-05039, para. 38.
- 49.
M. Lamping (2015), 139.
- 50.
Court of Justice, 19 December 2013, C-202/12, ECLI:EU:C:2013:850, para. 8–14.
- 51.
Court of Justice, 19 December 2013, C-202/12, ECLI:EU:C:2013:850, para. 41.
- 52.
Court of Justice, 29 April 2004, IMS Health, C-418/01, [2004] ECR I-05039, para. 38 and operative part.
- 53.
- 54.
- 55.
- 56.
- 57.
- 58.
B. Conde Gallego (2006), 27.
- 59.
B. Conde Gallego (2006), 28.
- 60.
With regard to this particular form of compulsory licensing, see R.M. Hilty / M.R.F. Senftleben (2015), 330–337.
- 61.
For an in-depth analysis of a potential interplay of human rights and competition law, see T. Mylly (2009).
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Senftleben, M.R.F. (2017). Impacts of Competition Law: Monolithic Copyright, Market Power and Market Definition. In: Liu, KC., Hilty, R. (eds) Remuneration of Copyright Owners. MPI Studies on Intellectual Property and Competition Law, vol 27. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-662-53809-8_15
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