Abstract
This chapter starts from some representing discussions on visual art related to visuality, creative process, and aesthetic experience in the Chinese classical arena (Shih Tao). The philosophical implications and the aesthetical references in these discussions are analyzed and studied, with reference to the Confucian and the Daoist contexts.
This chapter was originally published in Journal of Somaesthetics, Denmark: Aalborg University Press, Issue Vol.1 No. 1 (2015), February, 2015. http://journals.aau.dk/index.php/JOS/article/view/1074.
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Man, E.K.W. (2015). Metaphysics, Corporeality and Visuality: A Developmental and Comparative Review of the Discourses on Chinese Ink Painting. In: Issues of Contemporary Art and Aesthetics in Chinese Context. Chinese Contemporary Art Series. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-662-46510-3_6
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DOI: https://doi.org/10.1007/978-3-662-46510-3_6
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