Abstract
Literary history of a near contemporary period is notoriously difficult to write. It often reads like a catalogue of names and titles or the sort of annual summary one finds in the New York Times Book Review. The writers and works covered are not “distanced” enough to be seen in true perspective and yet not near enough so as not to require too much background knowledge. As literary fashions come and go, literary reputations have their ups and downs, and the particularly popular names of one generation often suffer a particularly bad eclipse in the generation immediately after.
A public lecture the author delivered at the Ohio State University and the University of Minnesota in early summer, 1980.
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Notes
- 1.
There were altogether four translations of The Isles of Greece, of which the first, by Liang Qichao, was incomplete while the fourth, by Hu Shih, did not appear until 1914. The versions by Su Manshu and Ma Junwu, however, were available to readers of Lu Xun’s essay, and both had literary merits which made them popular, though each contained a number of inaccuracies.
- 2.
Some American critics share this view. Cf. ‘(Van Wyck Brooks) blamed the failure of American culture on the absence of a “collective spiritual life” and on the materialistic social pressures that transformed talented artists into vulgarians or cranks.’— Daniel Aaron, Writers on the Left, 1961, OUP Paperback, 1977, p. 10.
- 3.
Living China, New York, 1936, pp. 13–14.
- 4.
ibid., p. 17.
- 5.
Straw Sandals was published by the M.I.T. Press in 1974.
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© 2015 Foreign Language Teaching and Research Publishing Co., Ltd and Springer-Verlag Berlin Heidelberg
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Wang, Z. (2015). Lu Xun and Western Literature. In: Degrees of Affinity. China Academic Library. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-662-45475-6_9
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