Abstract
The industrial landscapes of the 19th and 20th century in Central Germany, like those elsewhere, had little or nothing to do with cultural/historical aesthetics. The socialist concept of culture in East Germany concentrated exclusively on the results of the activities of the productive citizens, without concerning itself with aesthetic aspects of the relationship between landscape and industry.
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Leaflet of the Ferropolis Museum and Events GmbH
www.expo2000-sachsen-anhalt.de
www.ferropolis-online.de
www.goitzsche.com
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© 2002 Springer-Verlag Berlin Heidelberg
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Stottmeister, U. (2002). Art Projects in Post Mining Landscapes: Visions Became Reality. In: Mudroch, A., Stottmeister, U., Kennedy, C., Klapper, H. (eds) Remediation of Abandoned Surface Coal Mining Sites. Environmental Engineering. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-662-04734-7_7
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DOI: https://doi.org/10.1007/978-3-662-04734-7_7
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