Abstract
Evaluation in the research field of New Interfaces for Musical Expression (NIME) has recently reached high attention (Barbosa, Malloch, Huot, & Wanderley, 2015). A tendency towards a musician-centered perspective can be observed by a majority of evaluation studies that investigated the performer’s perspective (Barbosa et al., 2015; Morreale, Angeli, & O’Modhrain, 2014). This emphasis has apparently been present since the beginning of the NIME-conference in 2001 and may be a result of the conference’s origin from the field of Human-Computer Interaction (HCI) (e.g. Wanderley & Orio, 2002).
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Schmid, GM. (2017). Introduction. In: Evaluating the Experiential Quality of Musical Instruments. BestMasters. Springer, Wiesbaden. https://doi.org/10.1007/978-3-658-18420-9_1
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DOI: https://doi.org/10.1007/978-3-658-18420-9_1
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Publisher Name: Springer, Wiesbaden
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Online ISBN: 978-3-658-18420-9
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