Skip to main content
SpringerLink
Log in

Theory, literature and methodology

  • Chapter
  • First Online:
Motion Pictures and the Image of the City

Part of the book series: Film und Bewegtbild in Kultur und Gesellschaft ((BKG))

  • 437 Accesses

Abstract

Since the end of 20th century there has been a shift in focus from history to geography in the social sciences, a phenomenon that has been called the ‘spatial turn’ (Döring & Thielmann, 2008; Falkheimer & Jansson, 2006; Knowles, 2000; Warf & Arias, 2009). In combination with the ‘cultural turn’ that preceded it (Hall, 1990; Jameson, 1998; Oberg, 1960), the influence of the ‘spatial turn’ was apparent in the areas of both literary theory (e.g. Siegel, 1981; Timms & Kelley, 1985) and cinematic studies (e.g. Albrecht, 1986; Weiner, 1970) even earlier, and both the spatial connotations of the city and the symbolic meanings of landscape have been recognized in the humanities for quite some time.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Log in via an institution
Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  • Ahmed, Z.U. 1991. The influence of the components of a state’s tourist image on product positioning strategy. Tourism Management 12: 331- 340.

    Google Scholar 

  • Aitken, S.C., & Zonn, L.E. (Eds.). 1994. Place, Power, Situation and Spectacle. Maryland & London: Rowman & Littlefield Publishers.

    Google Scholar 

  • Albrecht, D. 1986. Designing dreams: Modern architecture in the movies. New York: Harper & Row.

    Google Scholar 

  • AlSayyad, N. 2000. The cinematic city: Between modernist utopia and postmodernist dystopia. Built Environment 26(4): 268-281.

    Google Scholar 

  • Altman,I. & Low, S.M. 1992. Place attachment. New York, U.S.A.: Plenum Press.

    Google Scholar 

  • Anderson, J. 2005. Edward Yang. Urbana and Chicago: University of Illinois Press.

    Google Scholar 

  • Bachelard, G. 1964. The poetics of space (M. Jolas, Trans.). New York: The Orion Press.

    Google Scholar 

  • Bakhtin, M. M. 1981. Forms of time and of the chronotope in the novel. In The Dialogic imagination, Eds., M. Holquist (C. Emerson & M. Holquist, Trans.), 84–258. Austin: University of Texas Press.(Original work published 1936)

    Google Scholar 

  • Bal, M. & Bryson, N. 1991. Semiotics and art history. Art Bulletin 73: 174-208.

    Google Scholar 

  • Ball M. & Smith, G.W.H. 1992. Analyzing visual data. London: Sage.

    Google Scholar 

  • Balshaw, M., & Kennedy, L. 2000. Urban space and representation. London: Pluto.

    Google Scholar 

  • Banks, M.& Morphy, H. 1997. Rethinking visual anthropology. New Haven: Yale University Press.

    Google Scholar 

  • Bateson, G. & Mead, M. 1942. Balinese character: A photographic analysis. New York: New York Academy of Sciences.

    Google Scholar 

  • Barthes, R. 1967. Elements of semiology. London: Jonathan Cape.

    Google Scholar 

  • Barthes, R. 1973. Mythologies (A. Lavers, Trans.). London: Paladin.

    Google Scholar 

  • Barthes, R. 1991. The responsibility of forms: Critical essays on music, art and representation. Berkeley: University of California Press.

    Google Scholar 

  • Bauman, Z. 2004. Identity. Cambridge: Polity.

    Google Scholar 

  • Becker, H.S. 1981. Exploring society photographically. Chicago: University of Chicago Press.

    Google Scholar 

  • Becker, H.S. 1986. Photography and sociology. In Doing things together: Selected papers, H.S. Becker, 255-273. Evanston: Northwestern University Press.

    Google Scholar 

  • Beeton, S. 2005. Film-Induced tourism. Clevedon: Channel View Publications.

    Google Scholar 

  • Beeton, S. 2010. The advance of film tourism. Tourism and Hospitality Planning & Development 7 (1): 1-6.

    Google Scholar 

  • Belting, H. 1994. Likeness and presence: A history of the image before the era of art (E. Jephcott, Trans.). Chicago: The University of Chicago Press.

    Google Scholar 

  • Benjamin, W. 1968. The work of art in the age of mechanical reproduction. In Illuminations, Ed. A. Hannah, (Zohn, H. Trans.), 211-244. London: Fontana. (Original work published 1936)

    Google Scholar 

  • Bohnsack, R. 2003. Qualitative Methoden der Bildinterpretation. Zeitschrift für Erziehungswissenschaft 5(2): 159-172.

    Google Scholar 

  • Bohnsack, R. 2006. Mannheims Wissenssoziologie als Methode. In Neue Perspektiven der Wissenssoziologie, Eds. D. Tänzler, H. Knoblauch, & H. Soeffner, 271-291. Konstanz: UVK.

    Google Scholar 

  • Bohnsack, R. 2008. The interpretation of pictures and the documentary method. Forum Qualitative Sozialforschung / Forum: Qualitative Social Research 9(3): Art. 26,http://nbn-resolving.de/urn:nbn:de:0114-fqs0803267. Retrieve on 20. July 2013.

  • Bohnsack, R. 2009. Qualitative Bild-und Videointerpretation: Die ducumentarische Method. Opladen & Farming Hills: Verlage Barbara Budrich.

    Google Scholar 

  • Bramwell, B., & Rawding, L. 1996. Tourism marketing images of industrial cities. Annals of Tourism Research 23(1): 201- 221.

    Google Scholar 

  • Bruno, G. 1987. Ramble city: Postmodernism and Blade Runner. October 41: 61-74.

    Google Scholar 

  • Bruno, G. 1993. Street walking on a ruined map. Princeton: Princeton University Press.

    Google Scholar 

  • Buck-Morss, S. 1989. The dialectics of seeing: Walter Benjamin and the Arcades Project. Cambridge: MIT Press.

    Google Scholar 

  • Burda, H. 2011. The digital wunderkammer. Munich: Petrarca verlag.

    Google Scholar 

  • Busby, G., & Klug, J. 2001. Movie-induced tourism: The challenge of measurement and other issues. Journal of Vacation Marketing 7(4): 316–332.

    Google Scholar 

  • Calvino, I. 1974. Invisible cities (W. Weaver, Trans.). London: Secker & Warburg. (Original work published 1972)

    Google Scholar 

  • Carl, D., Kindon, S., & Smith, K. 2007. Tourists’ experiences of film locations: New Zealand as ‘Middle-Earth’. Tourism Geographies 9(1): 49–63.

    Google Scholar 

  • Cheatwood, D. & Stasz, C. (1979). Visual sociology. In Images of information: Still photography in the social sciences, Ed. Jon C. Wagner, 261-283. London: Sage.

    Google Scholar 

  • Chiao, P. 2007a. [A Brighter Summer Day: An era being ignored on purpose]. In [Edward Yang: Taiwan’s contribution to world film history], Ed. J. Huang, 101-116. Taipei: Yuesheng culture industry, Ltd.

    Google Scholar 

  • Chiao, P. 2007b. [Mahjong: Exploitation and manipulation of modern civilization]. In [Edward Yang: Taiwan’s contribution to world film history], Ed. J. Huang, 165-171. Taipei: Yuesheng culture industry, Ltd.

    Google Scholar 

  • Chou, T. L. 2005. The transformation of spatial structure: From a monocentric to a polycentric city. In Globalizing Taipei: The political economy of spatial development, Ed. R. Y. W. Kwok, 55–77. New York: Routledge.

    Google Scholar 

  • Christopher, N. 1997. Somewhere in the night: Film noir and the American city. New York: The Free Press.

    Google Scholar 

  • Christmann, G. B. 2008. The power of photographs of buildings in the Dresden urban discourse: Towards a visual discourse analysis. Forum Qualitative Sozialforschung / Forum: Qualitative Social Research 9(3): Art. 11, http://nbnresolving.de/urn:nbn:de:0114-fqs0803115. Retrieve on 20.July,2013.

  • Chronis, A. 2012. Between place and story: Gettysburg as tourism imaginary. Annals of Tourism Research 39(4): 1797–1816.

    Google Scholar 

  • Collier, J. 1973. Alaskan Eskino education: A film analysis of cultural confrontation in the schools. New York: Holt, Rinehart and Winston.

    Google Scholar 

  • Collier, J. 1979. Visual anthropology. In Images of information: Still photography in the social sciences, Ed. Jon C. Wagner, 271-282. London: Sage.

    Google Scholar 

  • Collier, J. & Collier, M. 1986. Visual anthropology: Photography as a research method. Albuquerque: University of New Mexico Press.

    Google Scholar 

  • Connell, J. 2012. Film tourism: Evolution, progress and prospects. Tourism Management 33(5): 1007–1029.

    Google Scholar 

  • Connell, J., & Meyer, D. 2009. Balamory revisited: An evaluation of the screen tourism destination-tourist nexus. Tourism Management 30: 194–207.

    Google Scholar 

  • Couldry, N. 1998. The view from inside the ‘simulacrum’: Visitors’ tales from the set of coronation street. Leisure Studies 17: 94–107.

    Google Scholar 

  • Crompton, J. L. 1979. An assessment of the image of Mexico as a vacation destination and the influence of geographical location upon the image. Journal of Travel Research 18(4): 18- 23.

    Google Scholar 

  • Dear, M.J. 2000. The postmodern urban condition. Oxford & Massachusetts: Blackwell publication.

    Google Scholar 

  • Davis, M. 2006. City of quartz: Excavating the future in Los Angeles (New ed.). London & New York: Verso.

    Google Scholar 

  • Davies, C.A. 1999. Using visual media. In Reflexive anthropology, Ed. C. A. Davies, 117-135. London: Routledge.

    Google Scholar 

  • Dezin, N.K. 1991. Images of postmodern society: Social theory and contemporary cinema. London:Sage Publication.

    Google Scholar 

  • Dianne, D. & Claudio, M. 1997. Image and destination: A geographical approach applied to Banff National Park, Canada. Tourism Review 52(2): 14–24.

    Google Scholar 

  • Doel, M.A. & Clark,D.B. 1997. From ramble city to the screening of the eye: Blade Runner, death and symbolic exchange. In The Cinematic city, Ed. D.B. Clark, 141-168, New York: Routledge.

    Google Scholar 

  • Döring, J., & Thielmann, T. (Eds.). 2008. Spatial turn: das Raumparadigma in den Kultur-und Sozialwissenschaften. Bielefeld: transcript Verlag.

    Google Scholar 

  • Donald, A. 1986. Designing dreams: Modern architecture in the movies. New York, Harper & Row.

    Google Scholar 

  • Donald, J. 1999. Imagining the modern city. Minneapolis: University of Minnesota Press.

    Google Scholar 

  • Easthope, A.(Ed.). 1993. Contemporary film theory. London & New York: Longman.

    Google Scholar 

  • Easthope, A. 1997. Cinécities in the sixties. In The cinematic city, Ed. D.B. Clark, 131-140. New York: Routledge.

    Google Scholar 

  • Emmison, M. & Smith, P. 2000. Researching the Visual. London: Sage.

    Google Scholar 

  • Fakeye, P.C., & Crompton, J.L. 1991. Image differences between prospective, first time, and repeat visitors to the Lower Rio Grande Valley. Journal of Travel Research 30(2): 10-16.

    Google Scholar 

  • Falkheimer, J., & Jansson, A. 2006. Geographies of communication: The spatial turn in media studies. Göteborg: Nordicom.

    Google Scholar 

  • Feldman, E.B., (Ed.). 1971. Varieties of visual experience: Art as image and idea. New York: Harry N. Abrams, Inc.

    Google Scholar 

  • Fridgen, J.D. 1987. Use of cognitive maps to determine perceived tourism region. Leisure Sciences 9(2): 101-117.

    Google Scholar 

  • Fyfe, N. R. (Ed.) 1999. Images of the street: Planning, identity and control in public space. London & New York: Routledge.

    Google Scholar 

  • Garfinkel, H. 1967. Studies in Ethnomethodology. Englewood Cliffs, New Jersey: Prentice-Hall.

    Google Scholar 

  • Goffman, E. 1979. Gender advertisements. Cambridge, Mass.: Harvard University Press.

    Google Scholar 

  • Goddard,W.G. 1966. Formosa: A study in Chinese History. London: MacMillan.

    Google Scholar 

  • Gunn, C. 1972.Vacationscape: Designing tourist regions. Austin: Bureau of Business Research, University of Texas.

    Google Scholar 

  • Hao, X., & Ryan, C. 2013. Interpretation, film language and tourist destinations: A case study of Hibiscus Town. Annals of Tourism Research 42: 334–358.

    Google Scholar 

  • Hall, S. 1990. The emergence of cultural studies and the crisis of the humanities. October 53: 11-23.

    Google Scholar 

  • Hall, S. 1997. Representation: Cultural representations and signifying practices. London: Sage.

    Google Scholar 

  • Harvey, D. 1990. The Condition of postmodernity: An enquiry into the origins of cultural change. Cambridge: Blackwell.

    Google Scholar 

  • Heath, S. 1976. Narrative space. Screen 17(3): 68-112.

    Google Scholar 

  • Heath, C., & Hindmarsh, J. 2002. Analysing interaction: Video, ethnography and situated conduct. In Qualitative research in action, Ed. T. May, 99-121. London: Sage.

    Google Scholar 

  • Heath, C. & vom Lehn, D. 2004. Configuring reception: (Dis-)regarding the ‘Spectator’ in museums and galleries. Theory, Culture & Society 21(6): 43-65.

    Google Scholar 

  • Holden, A. 2005. Tourism studies and the social science. London and New York: Routledge.

    Google Scholar 

  • Hopkins, J. 1994. A mapping of cinematic places. In Place, power, situation and spectacle, Eds. S.C. Aitken & L.E. Zonn, 47-66, Maryland & London: Rowman & Littlefield Publishers.

    Google Scholar 

  • Hodge, R. and Kress, G. 1988 Social semiotics. Cambridge: Polity Press.

    Google Scholar 

  • Hou, J.S., Lin, C.H.,& Morais, D.B. 2005. Antecedents of attachment to a cultural tourism destination: the case of Hakka and Non-Hakka Taiwanese Visitors to Pei-Pu, Taiwan. Journal of Travel Research 44(2): 221-233.

    Google Scholar 

  • Hsu, J. 2005. A site of transnationalism in the ‘Ungrounded Empire’: Taipei as an interface city in the cross-border business networks. Geoforum 36: 654–666.

    Google Scholar 

  • Huang, T.Y. 2006. The cosmopolitan imaginary and flexible identities of global city regions: articulating new cultural identities in Taipei and Shanghai. Inter-Asia Cultural Studies 7(3): 472-491.

    Google Scholar 

  • Huang, J. 2007. [Edward Yang: Taiwan’s contribution to world film history]. Taipei: Yuesheng culture industry, Ltd.

    Google Scholar 

  • Huang, S.L, Wong, J.H., Chen, T.C. 1998. A framework of indicator system for measuring Taipei’s urban sustainability. Landscape and Urban Planning 42: 15-27.

    Google Scholar 

  • Huang,S.L., Wang, S.H., & Budd, W., 2009. Sprawl in Taipei’s peri-urban zone: Responses to spatial planning and implications for adapting global environmental change. Landscape and Urban Planning 90: 20–32.

    Google Scholar 

  • Hudson, S., & Ritchie, J. R. B. 2006. Promoting destinations via film tourism: An empirical identification of supporting marketing initiatives. Journal of Travel Research 44: 387–396.

    Google Scholar 

  • Hung,W.C., Chen,Y.C., & Cheng, K.C. 2010. Comparing land cover patterns in Tokyo, Kyoto, and Taipei: Using ALOS multispectral images. Landscape and Urban Planning 97: 132–145.

    Google Scholar 

  • Hunt, J.D. 1975. Image as a factor in tourism development. Journal of Travel Research 15: 1-7.

    Google Scholar 

  • Hunter, A. 1974. Symbolic communities. Chicago: University of Chicago Press.

    Google Scholar 

  • Imdahl, M. 1996. Giottos Arenafresken: Ikonographie, Ikonologie, Ikonik. München: Fink. (Original work published 1980)

    Google Scholar 

  • Jacobs, J. 1961. The death and life of great American cities. New York: Random House.

    Google Scholar 

  • Jameson, F. 1988. Cognitive mapping. In Marxism and the interpretation of culture, Eds. C. Nelson, & L. Grossberg, 347-357. Urbana and Chicago, IL: University of Chicago Press.

    Google Scholar 

  • Jameson, F. 1991. Postmodernism, or, the cultural logic of late capitalism. Durham: Duke University Press.

    Google Scholar 

  • Jameson, F. 1995. The geopolitical aesthetic: Cinema and space in the world system. London: British Film Institute.

    Google Scholar 

  • Jameson, F. 1998. The cultural turn: Selected writings on the Postmodern, 1983-1998. London & New York: Verso Books.

    Google Scholar 

  • Jim, C.Y. & Chen, W.Y. 2009. Diversity and distribution of landscape trees in the compact Asian city of Taipei. Applied Geography 29: 577–587.

    Google Scholar 

  • Kappelhoff, H. 2011.The Distribution of Emotions: Fassbinder and the Politics of Aesthetics. The Germanic Review: Literature, Culture, Theory 86(3):201-220.

    Google Scholar 

  • Keen, S. 2010. Narrative empathy. In Toward a cognitive theory of narrative acts, Ed. F. L. Aldama, 61-94. Austin: University of Texas Press.

    Google Scholar 

  • Kim, H. & Richardson, S. L. 2003. Motion picture impacts on destination images. Annals of Tourism Research 30(1): 216-237.

    Google Scholar 

  • Kim, S. 2012. Audience involvement and film tourism experiences: Emotional places, emotional experiences. Tourism Management 33: 376–387.

    Google Scholar 

  • Knapp,R.G.(Ed.).1980. China’s island frontier: Studies in the historical geography of Taiwan. Honolulu: The University Press of Hawaii.

    Google Scholar 

  • Knoblauch, H., Schnettler, B., Raab, J., & Soeffner, H. G. 2006. Video analysis: methodology and methods. Qualitative Audiovisual Data Analysis in Sociology. Frankfurt am Main: Lang.

    Google Scholar 

  • Knoblauch, H. & Schnettler, B. 2012. Videography: Analysing video data as a ‘focused’ ethnographic and hermeneutical exercise. Qualitative Research 12(3): 334–356.

    Google Scholar 

  • Knowles, A. K. 2000. Historical GIS: The spatial turn in social science history. Social Science History 24(3): 451-470.

    Google Scholar 

  • Konstantarakos, M. (Ed.). 2000. Spaces in European cinema. Exeter: Intellect Books.

    Google Scholar 

  • Labov, J. 2003. Kieslowski’s dialog, everyday life and the art of solidarity. In Screening the city, Eds. M. Shiel & T. Fitzmaurice, 113-134. London & New York: Verso Books.

    Google Scholar 

  • Lauterbur, P. 1973. Image formation by induced local interactions. Nature 242: 190-191.

    Google Scholar 

  • Lawson, F., & Baud-Bovy, M. 1977. Tourism and recreational development .London: Architectural Press.

    Google Scholar 

  • Lee, C. 2001. Predicting tourist attachment to destinations. Annals of Tourism Research 28: 229-232.

    Google Scholar 

  • Lefebvre, H. 1991. The production of space (D. Nicholson-smith, Trans.). Oxford: Blackwell Publishers, p.89.

    Google Scholar 

  • LeGates, T. R., & Stout, F. 2005. The city reader (3rd. ed.) London: Routledge.

    Google Scholar 

  • Lent, T.O. 1987. The dark side of the dream: The image of Los Angeles in film noir. Southern California Quarterly 69(4): winter, 329-348.

    Google Scholar 

  • Lewicka, M. 2011. Place attachment: How far have we come in the last 40 years? Journal of Environmental Psychology 31: 207-230.

    Google Scholar 

  • Lin, L. 2007. Representing atrocity in Taiwan: The 2/28 Incident and White Terror in fiction and film. New York: Columbia UP.

    Google Scholar 

  • Lin, T. C., & Jhen, M. H. 2009. Inequity of land valuation in the highly developed city of Taipei, Taiwan. Land Use Policy 26: 662–668.

    Google Scholar 

  • Liu, S.T. 2013. Settler urban legacies: A case study of Taipei City. Cities 31: 239-247.

    Google Scholar 

  • Low, S. M. 1992. Symbolic ties that bind. Place Attachment: Human Behavior and Environment 12: 164-185.

    Google Scholar 

  • Lu, A. (Ed.). 2010. Taipei Filmmakers2007-. Taipei: Taipei City Department of Cultural Affairs & Taipei Film Commission.

    Google Scholar 

  • Lynch, K. 1960. The image of the city. Cambridge: The Technology Press and Harvard University Press.

    Google Scholar 

  • MacCabe, C. 1995. Preface. In The geopolitical aesthetic: Cinema and space in the world system, F. Jameson, ix- xvi. London: British Film Institute.

    Google Scholar 

  • Macionis, N., & Sparks, B. 2009. Film-induced tourism: An incidental experience. Tourism Review International 13(2): 93–102.

    Google Scholar 

  • Mackay, G.L. 1895. From Far Formosa. The Caxton Press, New York.

    Google Scholar 

  • Mannheim, K. 1952. On the interpretation of Weltanschauung. In Essays in the sociology of knowledge, K. Mannheim, 33-83. London: Routledge & Kegan Paul.

    Google Scholar 

  • Mannheim, K. 1980. Eine soziologische Theorie der Kultur und ihrer Erkennbarkeit (Konjunktives und kommunikatives Denken). In Karl Mannheim: Strukturen des Denkens, Eds. D. Kettler,V. Meja, N. Stehr, 155-322. Frankfurt a. M.: Suhrkamp.

    Google Scholar 

  • Mannheim, K. 1982. Structures of thinking. London: Routledge & Kegan Paul.

    Google Scholar 

  • Manzo, L. C., & Devine-Wright, P. 2014. Place attachment : Advances in theory, methods and applications. Oxon & New York: Routledge.

    Google Scholar 

  • Mayo, E. J., & Jarvis, J. P. 1981. The psychology of leisure travel. Boston: CBI.

    Google Scholar 

  • McArthur, C. 1997. Chinese boxes and Russian dolls. In The cinematic city, Ed. D.B. Clark, 19-44. New York: Routledge.

    Google Scholar 

  • Mead, M. 1963. Anthropology and the camera: In The encyclopedia of photography (Vol.1), Ed. W. D. Morgan. New York: Greystone Press.

    Google Scholar 

  • Mead, M. 1975. Visual anthropology in a discipline of words. In Principles of visual anthropology, Ed. P. Hockings, 3-10. Mouton: The Hague.

    Google Scholar 

  • Metz, C. 1964. Le cinéma: langue ou langage ? Communications 4: 52-90.

    Google Scholar 

  • Metz, C. 1974. Film language: A semiotics of the cinema (M. Taylor, Trans.). New York: Oxford University Press.

    Google Scholar 

  • Metz, C. 2002. Movies and methods: Selected works on semiotics (Y. Li, Trans.). Shanghai: Sanlian Bookstore Press.

    Google Scholar 

  • Mintzer, J. 2013. Will you still love me tomorrow? The Hollywood Reporter, Berlin Daily 11-02: 16-17.

    Google Scholar 

  • Mirzoeff, N. 1998. The visual culture reader. London: Routledge.

    Google Scholar 

  • Mirzoeff, N. 1999. An introduction to visual culture. London: Routledge.

    Google Scholar 

  • Monaco, J. 2009. How to read a film: Movies, media, multimedia. (4th ed.). London: Oxford University Press.

    Google Scholar 

  • Mulvey, L. 1989. Visual and other pleasures. London: Macmillan.

    Google Scholar 

  • Natter, W. 1994. The city as cinematic space: Modernism and place in Berlin, symphony of a city. In Place, power, situation and spectacle, Eds. S. Aitkin & L. Zonn, 203- 227. Maryland & London: Rowman & Littlefield Publishers.

    Google Scholar 

  • Neumann, D. (Ed.) 1996. Film architecture: Set design from Metropolis to Blade Runner. Munich & New YorK: Prestel.

    Google Scholar 

  • Oberg, K. 1960. Cultural shock: Adjustment to new cultural environments. Practical Anthropology 7(4): 177-182.

    Google Scholar 

  • Panofsky, E. 1955. Iconography and iconology: An introduction to the study of Renaissance art. In Meaning in the visual arts, E. Panofsky, 51-81. Harmondsworth & Middlesex: Penguin Books.

    Google Scholar 

  • Pendergast, S. & Pendergast, T. (Eds). 2001. Edward Yang . In International Dictionary of Films and Filmmakers (Vol. 2: Directors). (4th ed.), 1092-1094. Detroit: St. James Press.

    Google Scholar 

  • Peucker, B. 2007. The material image: Art and the real in film. Stanford: Stanford University Press.

    Google Scholar 

  • Penz, F., & Thomas, M. (Eds.). 1997. Cinema & architecture: Méliès, Mallet-Stevens, multimedia. London: British Film Institute.

    Google Scholar 

  • Pink, S. 2001. More visualizing, more methodologies: On video, reflexivity and qualitative research. Sociological Review 49(1): 586-59.

    Google Scholar 

  • Pink, S. 2007. Doing visual ethnography: Images, media and representation in research (2nd ed.). London: Sage.

    Google Scholar 

  • Pretes, M. 1995. Postmodern tourism: The Santa Claus industry. Annals of Tourism Research 22(1): 1–15.

    Google Scholar 

  • Proshansky, H. M., Fabian, A. K., & Kaminoff, R. 1983. Place-identity: Physical world socialization of the self. Journal of Environmental Psychology 3: 57-83.

    Google Scholar 

  • Riley, R., Baker, D., & van Doren, C. S. 1998. Movie-induced tourism. Annals of Tourism Research 25(4): 919–935.

    Google Scholar 

  • Rose, G. 2001. Visual methodologies: An introduction to the interpretation of visual methods (1st ed.). London: Sage Publications.

    Google Scholar 

  • Said, E. W. 1994. Orientalism (Rev. ed.). New York: Vintage Books.

    Google Scholar 

  • Salazar, N. 2012. Tourism imaginaries: A conceptual approach. Annals of Tourism Research 39(2): 863–882.

    Google Scholar 

  • Saussure, F. de 1959. Course in General Linguistics. New York: Philosophical Library.

    Google Scholar 

  • Saxena, A., Chung, S.H., & Ng, A.Y. 2008. 3-D depth reconstruction from a single still Image. International Journal of Computer Vision 76: 53–69.

    Google Scholar 

  • Schnettler, B.& Raab, J. 2008. Interpretative visual analysis: Developments, state of the art and pending problems. Forum Qualitative Sozialforschung / Forum: Qualitative Social Research 9(3): Art. 31. http://nbnresolving.de/urn:nbn:de:0114-fqs0803314.

  • Selwyn, T. (Ed.) 1996. The tourist image: Myths and myth making in tourism. Chichester: John Wiley & Sons.

    Google Scholar 

  • Shandley, R., Jamal, T., & Tanase, A. 2006. Location shooting and the filmic destination: Transylvanian myths and the post-colonial tourism enterprise. Journal of Tourism and Cultural Change 4(3): 137–158.

    Google Scholar 

  • Shepard, R.N. 1978.The mental image. American Psychologist 33(2): 125-137.

    Google Scholar 

  • Shiel, M., & Fitzmaurice, T. 2003. Screening the city. London & New York: Verso Books.

    Google Scholar 

  • Siegel, A. 1981. The image of the American city in popular literature, 1820-1870. New York & London: Kennikat Press.

    Google Scholar 

  • Slater, D. 1998. Analyzing cultural objects: Content analysis and semiotics. In Researching society and culture, Ed. C. Seale, 233-244. London: Sage.

    Google Scholar 

  • Smith,P. M. 2001. Transnational urbanism: Locating globalization. Massachusetts & Oxford: Blackwell Publishers.

    Google Scholar 

  • Stout, F. 2011. Visions of a new reality: The city and the emergence of modern visual culture. In The City Reader, Eds. T. R. LeGates & F. Stout (Rev.ed.), 147-150). London: Routledge. (Original work published 1999)

    Google Scholar 

  • Tay, W. S. 1995. Ideology, identity, and architecture: Modernism, postmodernism, and antiquarianism in Taiwan. The Humanities Bulletin 4: 85–96.

    Google Scholar 

  • Timms, E., & Kelley, D. (Eds.). 1985. Unreal city: Urban experience in modern European literature and art. Manchester: Manchester University Press.

    Google Scholar 

  • Toy, M. (Ed.). 1994. Architecture and film. London: Academy Editions, New York: St. Martin’s Press.

    Google Scholar 

  • Tuan,Y. 1974. Topohilia: A study of environmental perception attitudes, and values. New Jersey: Prentice-Hall Inc.

    Google Scholar 

  • Tuan, Y. 1975. Place: An experiential perspective. Geographical Review 65: 151-165.

    Google Scholar 

  • Tuan,Y. 1977. Space and place: The perspective of experience. Minneapolis: University of Minnesota Press.

    Google Scholar 

  • Van Fraassen, B.C. 1980. The scientific image. New York: Oxford University Press.

    Google Scholar 

  • Vidler, A. 1993. The explosion of space: Architecture and the filmic imaginary. Assemblage (21): 45-59.

    Google Scholar 

  • Wagner-Willi, M. 2006. On the multidimensional analysis of Video-Data: Documentary interpretation of interaction in schools. In Video analysis: Methodology and methods, Eds. H. Knoblauch, B. Schnettler,J. Raab, & H. Soeffner, 143-153. Frankfurt am Main: Peter Lang.

    Google Scholar 

  • Warf, B., & Arias, S. (Eds.). 2009. The spatial turn: Interdisciplinary perspectives. Oxon & New York: Routledge.

    Google Scholar 

  • Weickert, J. 2008. Anisotropic diffusion in image processing. Stuttgart: B. G. Teubner.

    Google Scholar 

  • Weiner, H.R. 1970. The Cinema and the city. Journal of Popular Culture 3: 825.

    Google Scholar 

  • Weng, J. 2006. Origins of the Name Formosa. (Han Lin She Hui Tian Di) 5: 2.

    Google Scholar 

  • Williamson, J.E. 1978. Decoding advertisements: Ideology and meaning in advertising. London: Marion Boyars.

    Google Scholar 

  • Williams, D. R., Patterson M. E., Roggenbuck J. H. and Watson. 1992. Beyond the commodity metaphor: examining emotional and symbolic attachment to place. Leisure Sciences 14: 29-46.

    Google Scholar 

  • Wolf, A.P. 1978. Studies in Chinese society. Stanford, Califonia: Stanford UP.

    Google Scholar 

  • Wollen, P. 1972. Signs and Meaning in the Cinema. London: Secker and Warburg.

    Google Scholar 

  • Wulf, C. 1999. Bild und Phantasie. Zur historischen Anthropologie des Bildes. In Bild-Bilder-Bildung, Eds. G. Schäfer/ C. Wulf, 331-344. Weinheim: Deutscher Studienverlag.

    Google Scholar 

  • Yeh, E. Y., & Davis, D. W. 2005. Taiwan film directors: A treasure island. New York: Columbia University press.

    Google Scholar 

  • Zenon, P. 2003. Return of the mental image: Are there really pictures in the brain? Trends in Cognitive Sciences 7(3): 113–118.

    Google Scholar 

  • Žižek, S. 2001. The fright of real tears: Krzysztof Kieślowski between theory and post-theory. London: BFI Publishing.

    Google Scholar 

  • Žižek, S. 2007. Forword. In Sociology through the projector, B. Diken & C. A. Laustsen, viii-xi. Oxon& New York: Routledge.

    Google Scholar 

Download references

Author information

Authors and Affiliations

  1. School of Tourism Management, Sun Yat-Sen University, Guangzhou, China

    Xiaofei Hao

Authors
  1. Xiaofei Hao
    View author publications

    You can also search for this author in PubMed Google Scholar

Corresponding author

Correspondence to Xiaofei Hao .

Rights and permissions

Reprints and permissions

Copyright information

© 2016 Springer Fachmedien Wiesbaden

About this chapter

Cite this chapter

Hao, X. (2016). Theory, literature and methodology. In: Motion Pictures and the Image of the City. Film und Bewegtbild in Kultur und Gesellschaft. Springer VS, Wiesbaden. https://doi.org/10.1007/978-3-658-14340-4_2

Download citation

  • DOI: https://doi.org/10.1007/978-3-658-14340-4_2

  • Published:

  • Publisher Name: Springer VS, Wiesbaden

  • Print ISBN: 978-3-658-14339-8

  • Online ISBN: 978-3-658-14340-4

  • eBook Packages: Social SciencesSocial Sciences (R0)

Publish with us

Policies and ethics

Search

Navigation