Skip to main content
SpringerLink
Log in

„Fucking Dreams, Jesus Christ“

Filmische Subjektivität in den Traumsequenzen der Sopranos

  • Chapter
  • First Online:
Wie die Sopranos gemacht sind

  • 881 Accesses

Zusammenfassung

Die Traumsequenzen der HBO-Serie Sopranos sind bei vielen Serienfans unbeliebt – verständlicherweise. Filmträume machen es den Zuschauern nicht leicht. Sie produzieren Vieldeutigkeiten und unterminieren serienspezifische Rezeptionsgewohnheiten.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Log in via an institution
Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 54.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 69.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Bibliographie

  • Bach, Michaela. Erzählperspektive im Film: Eine erzähltheoretische Untersuchung mithilfe exemplarischer Filmanalysen. Essen 1997.

    Google Scholar 

  • Branigan, Edward. Point of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film. Berlin / New York / Amsterdam 1984.

    Google Scholar 

  • Burkhead, Cynthia. „Fishes and Football Coaches: The Narrative Necessity of Dreams in The Sopranos“. In: David Lavery / Douglas L. Howard / Paul Levinson, The Essential Sopranos Reader. Kentucky 2011, S. 149-156.

    Google Scholar 

  • Carney, Terry. „From Here to InFinnerty: Tony Soprano and the American Way“. In: David Lavery / Douglas L. Howard / Paul Levinson, The Essential Sopranos Reader. Kentucky 2011, S. 157-165.

    Google Scholar 

  • Chatman, Seymour. Coming to Terms: The Rhetoric of Narrative in Fiction and Film. Ithaca / London 1990.

    Google Scholar 

  • Golden, Cameron. „‚You’re Annette Bening? Dreams and Hollywood as Subtext in the Sopranos’. In: David Lavery, Reading the Sopranos. New York 2006, S. 91-103.

    Google Scholar 

  • Harold, James. „A moral Never-Never land: Identifying with Tony Soprano“. In: Richard Greene / Peter Vernezze, The Sopranos and Philosophy: I Kill Therefore I Am. Popular Culture and Philosophy 7. Illinois 2004, S. 137-146.

    Google Scholar 

  • Hartmann, Britta. „Diegetisieren, Diegese, Diskursuniversum“. In: Montage a/v, 16. 2. 2007, S. 3-69.

    Google Scholar 

  • Lavery, David. „Can this be the End of Tony Soprano?“. In: Ders., Reading the Sopranos. New York 2006, S. 3-14

    Google Scholar 

  • Metz, Christian. Die unpersönliche Enunziation oder der Ort des Films. Münster 1997.

    Google Scholar 

  • Pattie, David. „‚Whatever Happened to Stop and Smell the Roses?’ The Sopranos as Antitherapeutic Narrative“. In: David Lavery / Douglas L. Howard / Paul Levinson, The Essential Sopranos Reader. Kentucky 2011, S. 166-179.

    Google Scholar 

  • Sepinwall, Alan. „The stuff that Tony’s dreams are made of“. In: The Star-Ledger, 6/3/2006. Vernet, Marc. „Die Figur im Film“. In: Montage a/v, 15/2/2006, S. 11-44.

    Google Scholar 

Filmographie

  • Smultronstället (Wilde Erdbeeren, dt.; Schweden 1957). Drehbuch und Regie: Ingmar Bergman. The Criterion Collection 2002.

    Google Scholar 

  • The Godfather (Der Pate, dt.; USA 1972). Drehbuch: Mario Puzo, Francis Ford Coppola. Paramount Pictures 2004.

    Google Scholar 

Download references

Author information

Authors and Affiliations

  1. ETH Zentrum IFW E 33.1, ETH Zürich, Haldeneggsteig 87, 8003, Zürich, Schweiz

    Malte Bachem

Authors
  1. Malte Bachem
    View author publications

    You can also search for this author in PubMed Google Scholar

Corresponding author

Correspondence to Malte Bachem .

Editor information

Editors and Affiliations

  1. Stuttgart, Germany

    Claudia Bath

  2. Stuttgart, Germany

    Marlene Sophie Deines

  3. Stuttgart, Germany

    Uwe Durst

  4. Medienwissenschaft, Universität Marburg Medienwissenschaft, Marburg, Germany

    Vincent Fröhlich

  5. Stuttgart, Germany

    Sabrina Maag

  6. München, Germany

    Tom Reiss

  7. Weingarten, Germany

    Kristin Rheinwald

Rights and permissions

Reprints and permissions

Copyright information

© 2017 Springer Fachmedien Wiesbaden

About this chapter

Cite this chapter

Bachem, M. (2017). „Fucking Dreams, Jesus Christ“. In: Bath, C., et al. Wie die Sopranos gemacht sind. Springer VS, Wiesbaden. https://doi.org/10.1007/978-3-658-13337-5_8

Download citation

  • DOI: https://doi.org/10.1007/978-3-658-13337-5_8

  • Published:

  • Publisher Name: Springer VS, Wiesbaden

  • Print ISBN: 978-3-658-13336-8

  • Online ISBN: 978-3-658-13337-5

  • eBook Packages: Social Science and Law (German Language)

Publish with us

Policies and ethics

Search

Navigation