Abstract
The perception of pop music and music cultures depends not only on their self-image and own forms of communication but relies just as much on the way they have been negotiated and depicted in audiovisual mass media.
This is a preview of subscription content, log in via an institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsPreview
Unable to display preview. Download preview PDF.
References
Austerlitz, Saul, 2008. Money For Nothing. A History of the Music Video from the Beatles to the White Stripes. London and New York: Bloomsbury Academic.
Baker, Michael Brendan, 2011. Rockumentary: Style, Performance & Sound in a Documentary Genre. Montréal: McGill University. http://digitool.library.mcgill.ca/thesisfile104569.pdf. Last accessed: 15.03.2015.
Bingham, Dennis, 2010. Whose Lives Are They Anyway? The Biopic as Contemporary Film Genre. New Brunswick: Rutgers.
Cohen, Thomas F., 2012. Playing To The Camera. Musicians and Musical Performance in Documentary Cinema. London: Wallflower Press.
Denisoff, R. Serge and William D. Romanowski, 1991. Risky Business: Rock in Film. New Brunswick: Transaction.
Donnelly, Kevin J., 2001. Pop Music in British Cinema. A Chronicle. London: British Film Institute.
Edgar, Robert, Kirsty Fairclough-Isaacs and Benjamin Halligan (eds.), 2013. The Music Documentary. Acid Rock To Electropop. New York and London: Routledge.
Ehrenstein, David and Bill Reed, 1982. Rock on Film. New York: Delilah.
Elder, R. Bruce, 2007. Hans Richter and Viking Eggling: The Dream of Universal Language and the Birth of the Absolute Film. In: Avant-Garde Film, ed. by Alexander Graf and Dietrich Scheunemann. pp. 3–54. Amsterdam and New York: Editions Rodopi.
Franklin, Peter, 2011. Seeing Through Music. Gender and Modernism in Classic Hollywood Film Scores. Oxford: Oxford University Press.
Fricke, Harald, 1981. Norm und Abweichung. Eine Pilosophie der Literatur. München: Beck.
Frith, Simon, Andrew Goodwin and Lawrence Grossberg (eds.), 1993. Sound and Vision. The Music Video Reader. London and New York. Routledge.
Grant, Barry Keith, 2012. The Hollywood Film Musical. Chichester: Wiley-Blackwell.
Gunning, Tom, 1990. The Cinema of Attractions. Early Cinema, Its Spectator and the Avant Garde. In:Early Cinema: Space Frame Narrative, ed. by Thomas Elsaesser. pp. 56–62. London: British Film Institute.
Heinze, Carsten and Bernd Schoch, 2012. Musikfilme im dokumentarischen Format. Zur Geschichte und Theorie eines Subgenres des Dokumentarfilms. In: Rundfunk und Geschichte. Nr. 1-2/2012. pp. 32–59.
Inglis, Ian (ed.), 2003. Popular Music And Film. London and New York: Wallflower.
James, David. E., 1996. Power Misses: Essays Across (un)popular Culture. London and New York: Verso.
Keazor, Henry and Thorsten Wübbena, 2007. Video Thrills the Radio Star. Musikvideos: Geschichten, Themen, Analysen. Bielefeld: transcript.
Kiefer, Bernd and Marcus Stiglegger (eds.), 2004. Pop & Kino. Von Elvis zu Eminem. Mainz: Bender Verlag.
Maas, Georg, and Schudack, Achim, 2008. Der Musikfilm. Ein Handbuch für die pädagogische Praxis. Mainz: Schott.
Muir, John Kenneth, 2007. The Rock and Roll Film Encyclopedia. Milwaukee: Applause Theater and Cinema Books.
Mulholland, Garry, 2010. Popcorn: Fifty Years of Rock ‘n’ Roll Movies. London: Orion.
Mundy, John, 1999. Popular Music On Screen. From Hollywood Musical To Music Video. Manchester: Manchester University Press.
Mungen, Anno, 2003. The Music Is The Message: The Day Jimi Hendrix Buried His Guitar – Film, Musical Instrument, and Performance As Music Media. In: Popular Music And Film, ed. By Ian Inglis. pp. 60–77. London and New York: Wallflower.
Neumann-Braun, Klaus, 1999. Viva MTV!: Popmusik im Fernsehen. 3Rd Edition. Frankfurt: Suhrkamp.
Niebling, Laura, 2014. These Go To 11! Rock Hard Magazine 331. pp. 84–85.
Nichols, Bill, 2010. Introduction To Documentary. Second Edition. Bloomington and Indianapolis: Indiana University Press.
Pawella, Frank, 2008. Lichtgestalt und tragischer Held: Inszenierungen und Ikonographien des Popstars im Musikfilm. Saarbrücken: VDM Verlag.
Railton, Diane and Paul Watson, 2011. Music Video and the Politics of Representation. Edinburgh: Edinburgh University Press.
Scheurer, Timothy E., 2008. Music and Mythmaking in Film. Genre and the Role of the Composer. Jefferson: McFarland.
Stahl, Matt, 2013. Unfree Masters. Popular Music and the Politics of Work. Durham and London: Duke University Press.
Stiglegger, Marcus, 2004. Rock’n’Roll Cinema. Hermetische Welten. In: Pop & Kino. Von Elvis zu Eminem, ed. By Bernd Kiefer and Marcus Stiglegger. pp. 182–194. Mainz: Bender Verlag.
Stilwell, Robynn. 2004. Music Of The Youth Revolution. Rock Through The 1960s. In: The Cambridge History of Twentieth Century Music, ed. by Nicholas Cook and Anthony Pople. pp. 418–452. Cambridge et al: Cambridge Press.
Slowik, Michael, 2014. After The Silents. Hollywood Film Music in the Early Sound Era. 1926–1934. New York and Chichester: Columbia University Press.
Stock, Walter 1977. Film und Musik. Eine Dokumentation über Musikfilm und Filmmusik. Aachen: Mainz.
Struck, Jürgen, 1985. Rock Around the Cinema: Spielfilme/Dokumentationen Videoclips. Reinbek: Rowohlt.
Tannenbaum, Rob and Craig Marks, 2012. I Want My MTV. The Uncensored Story of the Music Video Revolution. Revised Edition. New York: Plume.
Trainer, Adam, 2012. “No Future For You”: The Sex Pistols and the Politics of Cinematic Reimagenings. In: Violating Time. History, Memory and Nostalgia in Cinema, ed. by Christina Lee. pp. 142–158. New York and London: Continuum.
Vernallis, Carol, 2004. Experiencing Music Video. Aesthetics and Cultural Context. New York and Chichester: Columbia University Press.
Wedel, Michael, 2007. Der deutsche Musikfilm. Archäologie eines Genres 1914-1945. München: Ed. text + kritik.
Weibel, Peter, 1987. Von der visuellen Musik zum Musikvideo. In: Clip, Klapp, Bum: Von der visuellen Musik zum Musikvideo, ed. by Veruschka Bódy and Peter Weibel. pp. 53–164. Köln: DuMont.
Weinstein, Deena, 2000. Heavy Metal: The Music and Its Culture. Boston: Da Capo Press.
Windisch, Anna Katharina and Claus Tieber, 2012. Musikfilm. In: Lexikon der Filmbegriffe. http://filmlexikon.uni-kiel.de/index.php?action=lexikon&tag=det & id=7699. Last accessed: 03.02.2015.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2016 Springer Fachmedien Wiesbaden
About this chapter
Cite this chapter
Niebling, L. (2016). The Category of Music Film. In: Heinze, C., Niebling, L. (eds) Populäre Musikkulturen im Film. Film und Bewegtbild in Kultur und Gesellschaft. Springer VS, Wiesbaden. https://doi.org/10.1007/978-3-658-10896-0_2
Download citation
DOI: https://doi.org/10.1007/978-3-658-10896-0_2
Publisher Name: Springer VS, Wiesbaden
Print ISBN: 978-3-658-10895-3
Online ISBN: 978-3-658-10896-0
eBook Packages: Social Science and Law (German Language)