Musik, Aff ektivität, Erinnerung und Vermarktung bei Trainspotting

  • Senta Siewert
Part of the Film und Bewegtbild in Kultur und Gesellschaft book series (BKG)

Zusammenfassung

Der Rhythmus von Musik in der Kombination mit der Dynamik von Bildern kann die Protagonisten von Filmen voranpeitschen und zugleich den Puls der Filmzuschauer beschleunigen. Diese Affektivität wird im Folgenden nach einer Einführung in die Methode der „pragmatischen Poetik“ und einer Verortung in die Filmwissenschaftsforschung anhand des Entgrenzungsfilms Trainspotting (GB 1995) beschrieben.

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© Springer Fachmedien Wiesbaden 2016

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  • Senta Siewert

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