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Analytical Psychology and the Art of Teaching

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Die Kulturelle Bedeutung der Komplexen Psychologie
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Abstract

A teacher returning to his work in an American college after making some real study of Analytical Psychology will find himself considering anew the familiar professional problems and discerning the existence of hitherto unsuspected ones. He will find himself questioning many accepted theories of pedagogy, altering his methods of instruction, approaching in a new way the students entrusted to his direction. He may, at first, find his zeal outrunning his discretion, and fall into the error of confusing his function with that of the psychological analyst. But he will soon recover awareness of the fact that, although the analyst is a teacher, the teacher of literature or philosophy or any other branch of knowledge is not and should not be an analyst. This return to common sense will not, however, relieve him from the necessity of asking himself where and how the theories of Analytical Psychology may legitimately be applied in the practise of his chosen art.

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Dieses Kapitel ist Teil des Digitalisierungsprojekts Springer Book Archives mit Publikationen, die seit den Anfängen des Verlags von 1842 erschienen sind. Der Verlag stellt mit diesem Archiv Quellen für die historische wie auch die disziplingeschichtliche Forschung zur Verfügung, die jeweils im historischen Kontext betrachtet werden müssen. Dieses Kapitel ist aus einem Buch, das in der Zeit vor 1945 erschienen ist und wird daher in seiner zeittypischen politisch-ideologischen Ausrichtung vom Verlag nicht beworben.

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© 1935 Julius Springer in Berlin

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Durham, W.H. (1935). Analytical Psychology and the Art of Teaching. In: Die Kulturelle Bedeutung der Komplexen Psychologie. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-94245-7_17

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  • DOI: https://doi.org/10.1007/978-3-642-94245-7_17

  • Publisher Name: Springer, Berlin, Heidelberg

  • Print ISBN: 978-3-642-93845-0

  • Online ISBN: 978-3-642-94245-7

  • eBook Packages: Springer Book Archive

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