Abstract
The sensation of roughness is produced by sounds with a strong time structure, such as amplitude-modulated sounds. For single sinusoidally amplitude-modulated tones, the dependence of roughness on the important physical parameters (degree of modulation, modulation frequency, carrier frequency, SPL) was systematically studied by TERHARDT (1968/a,b;1974), but there are only few investigations about the roughness of more complex sounds.
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References
Terhardt, E.(1968 a). “ber die durch amplitudenmodulierte Sinustöne hervorgerufene Hörempfindung,” Acustica 20, 210–214.
Terhardt, E. (1968 b). “ber akustische Rauhigkeit und Schwan- kungsstärke,” Acustica 20, 215–224.
Terhardt, E. (1974). “On the Perception of Periodic Sound Fluctuations (Roughness),” Acustica 30, in press.
Zwicker, E. and Feldtkeller, R. (1967). Das Ohr als Nachrichtenempfänger (S. Hirzel Verlag, Stuttgart).
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© 1974 Spinger-Verlag Berlin Heidelberg
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Vogel, A. (1974). Roughness and its Relation to the Time — Pattern of Psychoacoustical Excitation. In: Zwicker, E., Terhardt, E. (eds) Facts and Models in Hearing. Communication and Cybernetics, vol 8. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-65902-7_32
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DOI: https://doi.org/10.1007/978-3-642-65902-7_32
Publisher Name: Springer, Berlin, Heidelberg
Print ISBN: 978-3-642-65904-1
Online ISBN: 978-3-642-65902-7
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