Skip to main content

Part of the book series: Lecture Notes in Computer Science ((LNISA,volume 8002))

  • 1198 Accesses

Abstract

How did blind Milton create so lexically rich and syntactically complex a poem as Paradise Lost? Lexical and phrasal repetitions, routinely collected by full-text retrieval programs, contribute data that can be interpreted within the model of language production theorized by present-day cognitive psychology and neuroscience. A single memory network, focused on Milton’s famous line in Book I, "the Arch-fiend lay / Chain’d on the burning lake," illustrates how Milton’s extended working memory overcame the constraining chunkiness of flow-state composition.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  • Atwood, M.: Writing with intent: essays, reviews, personal prose: 1983-2005. Carroll and Graf, New York (2005)

    Google Scholar 

  • Baddeley, A.: Working memory and language: an overview. Journal of Communication Disorders 36(3), 189–208 (2003)

    Article  Google Scholar 

  • Choueka, J.: Computerized full-text retrieval systems and research in the humanities: The Responsa project. Computers and the Humanities 14(3), 153–169 (1980)

    Article  MathSciNet  Google Scholar 

  • Choueka, J., Klein, S.T., Neuwitz, E.: Automatic retrieval of frequent idiomatic and collocational expressions in a large corpus. ALLC Journal 4(1), 34–38 (1983)

    Google Scholar 

  • Cowan, N.: The Magical number 4 in short-term memory: a reconsideration of mental storage capacity. Behavorial and Brain Sciences 24, 87–185 (2000)

    Article  Google Scholar 

  • Csikszentmihalyi, M.: Creativity: flow and the psychology of discovery and invention. Harper Perennial, New York (1996)

    Google Scholar 

  • Darbishire, H. (ed.): The Early lives of Milton. Constable, London (1932)

    Google Scholar 

  • Diekhoff, J.S. (ed.): Milton on himself: Milton’s utterances upon himself and his works. Cohen and West, London (1965)

    Google Scholar 

  • Ellamil, M., Dobson, C., Beeman, M., Christoff, K.: Evaluative and generative modes of thought during the creative process. Neuro Image 59(2), 1783–1794 (2011)

    Google Scholar 

  • French, J.M. (ed.): The Life records of John Milton. Rutgers University Press, New Brunswick (1948-1958)

    Google Scholar 

  • Lancashire, I.: Forgetful muses: reading the author in the text. University of Toronto Press, Toronto (2010)

    Book  Google Scholar 

  • Lancashire, I., Bradley, J., McCarty, W., Stairs, M., Wooldridge, T.R.: Using TACT with electronic texts: a guide to text-analysis computing tools, version 2.1 for MS-DOS and PC DOS. Modern Language Association of America, New York (1996)

    Google Scholar 

  • Le, X., Lancashire, I., Hirst, G., Jokel, R.: Longitudinal detection of dementia through lexical and syntactic changes in writing: a case study of three British novelists. Literary and Linguistic Computing 26(4), 435–461 (2011)

    Article  Google Scholar 

  • Levelt, W.J.M.: Spoken word production: a theory of lexical access. Proceedings of the National Academy of Sciences of the United States of America 98(23), 13464–13471 (2001)

    Article  Google Scholar 

  • Lucy, Juliet: Composition process. In: Dobranski, S.B. (ed.) Milton in Context, pp. 15–25. Cambridge University Press, Cambridge (2010)

    Google Scholar 

  • Milton, John.: An Epitaph on the admirable Dramaticke Poet, W. Shakespeare. Mr. William Shakespeares comedies, histories, and tragedies. London: T. Cotes for R. Allot. A5r (1632)

    Google Scholar 

  • Milton, John: John Milton’s complete poetical works reproduced in photographic facsimile. A Critical text edition. In: Fletcher, H.F. (ed.) vol. III. University of Illinois Press, Urbana (1948)

    Google Scholar 

  • Milton, John: The Student’s Milton. Patterson, F. A. (ed.). Appleton-Century-Crofts, New York (1933)

    Google Scholar 

  • Parker, W.R.: Milton: a biography. Clarendon Press, Oxford (1968)

    Google Scholar 

  • Raichle, M.E., et al.: A Default mode of brain function. Proceedings of the National Academy of Sciences of the United States of America 98(2), 676–682 (2001)

    Article  Google Scholar 

  • Revard, S.P.: Milton’s muse and the daughters of memory. English Literary Renaissance 9, 432–441 (1979)

    Article  Google Scholar 

  • Tulving, E.: Episodic memory: from mind to brain. Annual Review of Psychology 53, 1–25 (2002)

    Article  Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2014 Springer-Verlag Berlin Heidelberg

About this chapter

Cite this chapter

Lancashire, I. (2014). Paradise Lost and Milton’s Associative Memory. In: Dershowitz, N., Nissan, E. (eds) Language, Culture, Computation. Computing of the Humanities, Law, and Narratives. Lecture Notes in Computer Science, vol 8002. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-45324-3_6

Download citation

  • DOI: https://doi.org/10.1007/978-3-642-45324-3_6

  • Publisher Name: Springer, Berlin, Heidelberg

  • Print ISBN: 978-3-642-45323-6

  • Online ISBN: 978-3-642-45324-3

  • eBook Packages: Computer ScienceComputer Science (R0)

Publish with us

Policies and ethics