Skip to main content

Computer Mediated Visual Communication in Live Musical Performance: What’s the Score?

  • Conference paper
Arts and Technology (ArtsIT 2011)

Abstract

The document on the music stand in front of performing musicians has become reterritorialized by dynamic and interactive notation enabled by computational and communications technologies. The implications are far reaching for how we create, how we play, and how we listen to music. Considering the mediated musical score as a collaborative workspace, issues of awareness and structural relationship models that were latent in traditional scores now become foregrounded. A survey of current practices illustrates different score-based collaboration and communications strategies and provides motivation for a new “anticipatory” interactive scoring system.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  1. Emmerson, S.: ”Live” versus ”real-time”. Contemporary Music Review 10, 95–101 (1994)

    Article  Google Scholar 

  2. Brown, C., Bischoff, J.: Indigenous to the Net: Early Network Music Bands in the San Francisco Bay Area, http://crossfade.walkerart.org/brownbischoff/IndigenoustotheNetPrint.html

  3. McCarthy, C., Bligh, J., Jennings, K., Tangney, B.: Virtual collaborative learning environments for music: Networked drumsteps. Computers & Education 44, 173–195 (2005)

    Article  Google Scholar 

  4. Ishii, H., Wisneski, C., Orbanes, J., Chun, B., Paradiso, J.: PingPongPlus: design of an athletic-tangible interface for computer-supported cooperative play. In: SIGCHI, pp. 394–401 (1999)

    Google Scholar 

  5. Fencott, R., Bryan-Kinns, N.: Hey Man, you’re invading my Personal Space! Privacy and Awareness in Collaborative Music. In: NIME, Sydney, Australia (2010)

    Google Scholar 

  6. Didkovsky, N.: Density Trajectory Studies: Organizing Improvised Sound. Contemporary Music Revs. 29, 75–80 (2010)

    Article  Google Scholar 

  7. Hajdu, G.: Quintet. net: An environment for composing and performing music on the Internet. Leonardo 38, 23–30 (2005)

    Article  Google Scholar 

  8. Smallwood, S., Trueman, D., Cook, P.R., Wang, G.: Composing for laptop orchestra. Computer Music Journal 32, 9–25 (2008)

    Article  Google Scholar 

  9. Freeman, J.: Extreme sight-reading, mediated expression, and audience participation: Real-time music notation in live performance. Computer Music Journal 32, 25–41 (2008)

    Article  Google Scholar 

  10. McClelland, C., Alcorn, M.: Exploring New Composer/Performer Interactions Using Real-Time Notation. In: Proceedings of the International Computer Music Conference, Belfast (2008)

    Google Scholar 

  11. Kim-Boyle, D.: Real-time Score Generation for Extensible Open Forms. Contemporary Music Revs. 29, 3–15 (2010)

    Article  Google Scholar 

  12. Bryan-Kinns, N., Healey, P.G., Thirlwell, M.: Graphical Representations for Group Music Improvisation. In: IGC, London (2003)

    Google Scholar 

  13. Sauer, T.: Notations 21. Mark Batty Publisher, New York (2009)

    Google Scholar 

  14. Vickery, L., Hope, C.: The Aesthetics of the Screen Score. In: CreateWorld 2010, Brisbane, Australia, pp. 48–57 (2010)

    Google Scholar 

  15. Smule: Experience Social Music, http://www.smule.com/

  16. François, A.R.J., Chew, E., Thurmond, D.: Visual Feedback in Performer Machine Interaction for Musical Improvisation. In: NIME, New York (2007)

    Google Scholar 

  17. Merritt, T., Kow, W., Ng, C., McGee, K., Wyse, L.: Who makes what sound?: supporting real-time musical improvisations of electroacoustic ensembles. In: CHI, pp. 112–119 (2010)

    Google Scholar 

  18. McKenna, S.: Animated Graphic Notation. In: ISEA 2011, Istanbul (2011)

    Google Scholar 

  19. Barri, T.: Versum: Audiovisual Composing in 3D. In: ICAD, pp. 18–21 (2009)

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2012 ICST Institute for Computer Science, Social Informatics and Telecommunications Engineering

About this paper

Cite this paper

Balachandran, S., Wyse, L. (2012). Computer Mediated Visual Communication in Live Musical Performance: What’s the Score?. In: Brooks, A.L. (eds) Arts and Technology. ArtsIT 2011. Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, vol 101. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-33329-3_7

Download citation

  • DOI: https://doi.org/10.1007/978-3-642-33329-3_7

  • Publisher Name: Springer, Berlin, Heidelberg

  • Print ISBN: 978-3-642-33328-6

  • Online ISBN: 978-3-642-33329-3

  • eBook Packages: Computer ScienceComputer Science (R0)

Publish with us

Policies and ethics