Skip to main content

Introduction: Colors, Natural and Synthetic, in the Ancient World

  • Chapter
  • First Online:
The Chemical History of Color

Part of the book series: SpringerBriefs in Molecular Science ((BRIESFHISTCHEM))

  • 3118 Accesses

Abstract

Color is important. It gives life to everything people do, think, and even say. In the days when color television sets were expensive, and the corner bar was in sole possession of one, the neighborhood center became the corner bar. Color sensation is a universal human experience. From the beginning of recorded history, references to color abound in connection with every aspect of human life.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 59.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 79.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

References

  1. Gerritsen F (1974) Theory and practice of color. Van Nostrand-Reinhold, New York, pp 9–18

    Google Scholar 

  2. The American heritage dictionary (1985) 2nd college edition. Houghton Mifflin, Boston, p 293

    Google Scholar 

  3. Orna MV (1978) The chemical origins of color. J Chem Educ 55:478–484

    Article  CAS  Google Scholar 

  4. Valladas H et al (2001) Radiocarbon AMS dates for Paleolithic cave paintings. Radiocarbon 43(2B):977–986

    Google Scholar 

  5. Curtis G (2006) The cave painters: probing the mysteries of the world’s first artists. Knopf, New York, pp 18, 64

    Google Scholar 

  6. Orna MV, Goodstein M (1998) Chemistry and artists’ colors. Spaulding, Wallingford 283

    Google Scholar 

  7. Fouqué F (1884) Bull Soc de Mines de France 12:36–37

    Google Scholar 

  8. Tite MS, Bimson M, Cowell MR (1984) Technological examination of Egyptian blue. In: Lambert JB (ed) Archaeological chemistry III. American Chemical Society, Washington, pp 215–242

    Google Scholar 

  9. Kühn H (1973) Terminal dates for paintings from pigment analysis. In: Young WJ (ed) Application of science in examination of works of art. Museum of Fine Arts, Boston, pp 199–205

    Google Scholar 

  10. Orna MV, Low MJD, Baer NS (1980) Synthetic blue pigments: ninth to sixteenth centuries. I. Literature. Stud Conserv 25:53–63

    Article  CAS  Google Scholar 

  11. Orna MV, Low MJD, Julian MM (1985) Synthetic blue pigments: ninth to sixteenth centuries. II. ‘Silver blue’. Stud Conserv 30:155–160

    Article  CAS  Google Scholar 

  12. Brown GM, Chidambaram R (1973) Dinuclear copper(II) acetate monohydrate: a redetermination of the structure by neutron diffraction analysis. Acta Crystallogr B29:2393–2403

    Google Scholar 

  13. Smith CS, Hawthorne JG (1974) Trans Am Philos Soc 64(4):3–128

    Article  Google Scholar 

  14. Langs DA, Hare CR (1967) J Chem Soc, Chem Commun 890–891

    Google Scholar 

  15. Gettens RJ, Stout GL (1966) Painting materials: a short encyclopedia. Dover, Garden City

    Google Scholar 

  16. Orna MV (1996) Copper-based synthetic medieval blue pigments. In: Orna MV (ed) Archaeological chemistry: organic, inorganic and biochemical analysis. American Chemical Society, Washington, pp 107–115

    Chapter  Google Scholar 

  17. Plesters J (1966) Ultramarine blue: natural and artificial. Stud Conserv 11:62–91

    Article  CAS  Google Scholar 

  18. Orna MV, Kozlowski AW, Baskinger A, Adams T (1994) Coordination chemistry of pigments and dyes of historical interest. In: Kauffman GB (ed) Coordination chemistry: a century of progress. American Chemical Society, Washington, pp 165–176

    Chapter  Google Scholar 

  19. Gettens RJ, Feller RL, Chase WT (1993) Vermilion and cinnabar. In: Roy A (ed) Artists’ Pigments: a handbook of their history and characteristics, vol 2. Oxford University Press, New York, pp 159–182

    Google Scholar 

  20. Schweppe H, Roosen-Runge H (1986) Carmine—cochineal carmine and kermes carmine. In: Feller RL (ed) Artists’ pigments: a handbook of their history and characteristics, vol 1. National Gallery of Art, Washington, pp 255–283

    Google Scholar 

  21. Schweppe H, Winter J (1997) Madder and alizarin. In: FitzHugh EW (ed) Artists’ Pigments: a handbook of their history and characteristics, vol 3. Oxford University Press, New York, pp 109–142

    Google Scholar 

  22. FitzHugh EW (1997) Orpiment and realgar. In: FitzHugh EW (ed) Artists’ Pigments: a handbook of their history and characteristics, vol 3. Oxford University Press, New York, pp 47–79

    Google Scholar 

  23. Gregory PF, Gordon P (1983) Organic chemistry in colour. Springer-Verlag, New York

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Mary Virginia Orna .

Rights and permissions

Reprints and permissions

Copyright information

© 2013 The Author(s)

About this chapter

Cite this chapter

Orna, M.V. (2013). Introduction: Colors, Natural and Synthetic, in the Ancient World. In: The Chemical History of Color. SpringerBriefs in Molecular Science(). Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-32642-4_1

Download citation

Publish with us

Policies and ethics