Abstract
When you have put all the ingredients together, from community to large form, you are confronted with the most annoying question: Where will I be positioned in the local or global marketplace? After all, you want or have to make a living out of your profession as a composer. Of course, you can become a teacher or even a university professor of composition and then you have also answered the survival question, but this is not our concern here. We want to think about earning money as a composer, not as a teacher.
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© 2011 Springer-Verlag Berlin Heidelberg
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Mazzola, G., Park, J., Thalmann, F. (2011). Commercial Aspects. In: Musical Creativity. Computational Music Science. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-24517-6_16
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DOI: https://doi.org/10.1007/978-3-642-24517-6_16
Publisher Name: Springer, Berlin, Heidelberg
Print ISBN: 978-3-642-24516-9
Online ISBN: 978-3-642-24517-6
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