Abstract
The aim of this study is practical: we want to afford useful compositional schemas and insights, for instance, for students who apply counterpoint in order to construct larger musical forms. For that, we inspect by computer the melodic hierarchies in classical contrapuntal textures. The current model is based on mapping the frequencies of melodic-motivic repetitions throughout an entire piece. Our application creates schemas that illustrate how commonly the melodic segments occur in the piece. The results seem to correspond well to our intuitive impressions of thematic hierarchies.
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© 2011 Springer-Verlag Berlin Heidelberg
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Tenkanen, A. (2011). Surveying Musical Form through Melodic-Motivic Similarities. In: Agon, C., Andreatta, M., Assayag, G., Amiot, E., Bresson, J., Mandereau, J. (eds) Mathematics and Computation in Music. MCM 2011. Lecture Notes in Computer Science(), vol 6726. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-21590-2_36
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DOI: https://doi.org/10.1007/978-3-642-21590-2_36
Publisher Name: Springer, Berlin, Heidelberg
Print ISBN: 978-3-642-21589-6
Online ISBN: 978-3-642-21590-2
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