Abstract
After having introduced the three basic performance maps for onset, pitch, and loudness, we have to put these components together and ask for a better understanding of the combined situation. This means that we have to look for the simultaneous performance of all these parameters.
A taste for simplicity cannot last for long.
Eugene Delacroix
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References
Adorno Th W: Der getreue Korrepetitor (1963). Gesammelte Schriften, Bd. 15, Suhrkamp, Frankfurt am Main 1976
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© 2011 Springer-Verlag Berlin Heidelberg
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Mazzola, G. (2011). Combining Tempo, Tuning, and Dynamics. In: Musical Performance. Computational Music Science. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-11838-8_8
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DOI: https://doi.org/10.1007/978-3-642-11838-8_8
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