Abstract
We have described the Rubato concept in section 15.3. The software Rubato was first implemented in Objevtice C on NEXTSTEP from 1992 to 1996 by Oliver Zahorka and the author. Later, the software was ported in 2001 to Mac OSX by Jörg Garbers in a research project at the TU Berlin. This version is available from [118].
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References
Buteau Ch: Motivic Spaces of Scores Through RUBATO's MeloTopRUBETTE. In: Perspectives in Mathematical and Computational Music Theory, Mazzola G, Th Noll, E Lluis-Puebla (Eds.): Verlag epOs-Music, Osnabrück, pp. 330-342, 2004
Mazzola G et al.: Topos Theory for a Creative Analysis of Boulez's Structures. In: Naimpally S, G Di Maio (Eds.): Quaderni di Matematica, Theory And Applications of Proximity, Nearness and Uniformity, Vol. 23, 2009
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Mazzola, G. (2011). Performance Scores. In: Musical Performance. Computational Music Science. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-11838-8_20
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DOI: https://doi.org/10.1007/978-3-642-11838-8_20
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