Skip to main content

Generalized Voice Exchange

  • Conference paper
Mathematics and Computation in Music (MCM 2009)

Part of the book series: Communications in Computer and Information Science ((CCIS,volume 38))

Included in the following conference series:

  • 1030 Accesses

Abstract

The notion of voice exchange in ordered pitch-class space conforms closely to that of contextual inversion in neo-Riemannian theory: the melodic dyad (a, b) in one voice inverts in another voice, and we define an axis of inversion respectively for all such pairs. We may thus apply many of the transformational concepts of neo-Riemannian theory to a study of voice exchange. We draw our musical examples from the Prelude to Richard Wagner’s Tristan und Isolde, for which a separate analytical thread exists that considers aspects of tonality in relation to the voice exchange in the resolution of the Tristan Chord.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  1. Gollin, E.: Some Aspects of Three-Dimensional Tonnetze. Journal of Music Theory 42(2), 195–206 (1998)

    Article  Google Scholar 

  2. Mitchell, W.J.: The Tristan Prelude: Techniques and Structure. The Music Forum 1, 162–203 (1967)

    Google Scholar 

  3. Harrison, D.: Supplement to the Theory of Augmented-Sixth Chords. Music Theory Spectrum 17(2), 170–195 (1995)

    Article  Google Scholar 

  4. Rothgeb, J.: The Tristan Chord: Identity and Origin. Music Theory Online 1(1) (1995)

    Google Scholar 

  5. Rothstein, W.: The Tristan Chord in Historical Context: A Response to John Rothgeb. Music Theory Online 1(1) (1995)

    Google Scholar 

  6. Tymoczko, D.: Scale Theory, Serial Theory, and Voice Leading. Music Analysis 27(1), 1–49 (2008)

    Article  Google Scholar 

  7. Callender, C., Quinn, I., Tymoczko, D.: Generalized Voice-Leading Spaces. Science 320, 346–348 (2008)

    Article  MathSciNet  MATH  Google Scholar 

  8. Kochavi, J.: Contextually Defined Musical Transformations. Ph.D. dissertation, State University of New York, Buffalo (2002)

    Google Scholar 

  9. Peck, R.: Transformational Preservation and Set-Multiclasses. In: The Thirty-first Annual Meeting of the Society for Music Theory, Nashville, Tennessee (2008)

    Google Scholar 

  10. Hook, J.: Uniform Triadic Transformations. Ph.D. dissertation. Indiana University-Bloomington (2002)

    Google Scholar 

  11. Rothstein, W.: The Tristan Chord in Historical Context: A Response to John Rothgeb. Music Theory Online 1(1) (1995)

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2009 Springer-Verlag Berlin Heidelberg

About this paper

Cite this paper

Peck, R. (2009). Generalized Voice Exchange. In: Chew, E., Childs, A., Chuan, CH. (eds) Mathematics and Computation in Music. MCM 2009. Communications in Computer and Information Science, vol 38. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-02394-1_21

Download citation

  • DOI: https://doi.org/10.1007/978-3-642-02394-1_21

  • Publisher Name: Springer, Berlin, Heidelberg

  • Print ISBN: 978-3-642-02393-4

  • Online ISBN: 978-3-642-02394-1

  • eBook Packages: Computer ScienceComputer Science (R0)

Publish with us

Policies and ethics