Abstract
The title of this chapter states Music Theories in the plural and not the singular Music Theory or Theory of Music. Probably no single theory will ever cover the enormous richness ofmusic in the world, although there have been promising endeavors to extract certain principles common to most. This is a boon and a bane at the same time: a bane, because all attempts at reducing music to a single set of rules have failed so far to satisfy adherents of universally valid systems; a boon, since it relieves music lovers from the potential danger of the dreaded reduction ofmusic to amere systemof rules, devoid of all mysticism cherished by many. Even putting aside all aspects of the subjective, this state of affairs promises new vistas for future musical activity, since the reservoir of new and modified theories for generating new music seems inexhaustible.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Author information
Authors and Affiliations
Corresponding author
Rights and permissions
Copyright information
© 2009 Springer-Verlag Berlin Heidelberg
About this chapter
Cite this chapter
Milmeister, G. (2009). Overview of Music Theories. In: The Rubato Composer Music Software. Computational Music Science. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-00148-2_1
Download citation
DOI: https://doi.org/10.1007/978-3-642-00148-2_1
Published:
Publisher Name: Springer, Berlin, Heidelberg
Print ISBN: 978-3-642-00147-5
Online ISBN: 978-3-642-00148-2
eBook Packages: Computer ScienceComputer Science (R0)