Abstract
At first sight, this chapter’s title provokes smiling astonishment since it sounds like: “Global strategies in dixieland?” It reminds us of those revival efforts, like Nicolas Harnoncourt’s reconstruction of performances of eighteenth century music with historical instruments. But in view of the collaborative context, and of the ontological position where we have located the free jazz phenomenon, such a program looks radically different.
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© 2009 Springer-Verlag Berlin Heidelberg
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(2009). Global Strategies for Free Jazz. In: Flow, Gesture, and Spaces in Free Jazz. Computational Music Science. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-540-92195-0_13
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DOI: https://doi.org/10.1007/978-3-540-92195-0_13
Publisher Name: Springer, Berlin, Heidelberg
Print ISBN: 978-3-540-92194-3
Online ISBN: 978-3-540-92195-0
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