Abstract
This paper introduces a doctoral research project which is developing an innovative digital research methodology based around a MySql [2] database. The project’s aim is to deliver an innovative re-presentation of sound art discourse from a digitized, post-modern, post-Cageian perspective.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
References
CRiSAP (Creative Research into Sound Art Practice) (2006), http://www.crisap.org
W3C. OWL Web Ontology Language Guide (2004) [cited 2007 2.10.2007], http://w3.org/TR/owl-guide
Kahn, D.W.G.: Wireless Imagination, Sound, Radio and the Avant-Garde. MIT Press, Cambridge (1992)
Lander, D.: Sound by Artists. Art Metropole & Walter Philips Gallery, Toronto (1990)
Bull, M.: The Auditory Culture Reader. Berg (2004)
Cox, C.: Audio Culture - Readings in Modern Music. Continuum International Publishing Group Ltd (2004)
Toop, D.: Haunted Weather. Serpent’s Tail (2004)
Toop, D.: Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds. Serpent’s Tail (1996)
UbuWeb, http://www.ubu.com/
The Australian Sound Design Project, http://www.sounddesign.unimelb.edu.au/site/about.html
Sonic Arts Research Archive, http://www.sara.uea.ac.uk/
Deleuze, G., Guattari, F.: A Thousand Plateaus: Capitalism and Schizophrenia. University of Minnesota Press (1987)
Apache, http://www.apache.org/
Kahn, D.: Noise Water Meat. MIT Press, Cambridge (2001)
Shaw-Miller, S.R.: Analysing musical multimedia (Book Review); Noise, water, meat (Book Review). Art History 24(1), 139–146 (2001)
Sobaskie, J.W.: Noise, Water, Meat: A History of Sound in the Arts (review)(2001)
Hunter, A.: Stuttering Screams and Beastly Poetry (2001) [cited 19th March 2007], http://www.electronicbookreview.com/thread/musicsoundnoise/undigitized
Clark, You’re Twisting My Melon, in Variant, pp. 8–9 (2000)
Macromedia Director, http://www.adobe.com/products/director/
Pure Data (PD), http://puredata.info/
Processing, http://www.processing.org/
XML, http://www.xml.com/
SuperCollider, http://www.audiosynth.com/
Guattari, F.B.: Paul, Chaosmosis: An Ethico-Aesthetic Paradigm (1995)
Berners-Lee, T.: Semantic Web Road Map (1998), http://www.w3.org/DesignIssues/Semantic.html
Berners-Lee, T.: Sematic Web - XML (2000), http://www.w3.org/2000/Talks/1206-xml2k-tbl
Berners-Lee, T., Hendler, J., Lassila, O.: The Semantic Web. Scientific American, 05(01) (2001)
Web 3D Consortium, http://www.web3d.org/
BS Contact VRML/X3D, http://www.bitmanagement.com/
Flux Player, http://www.mediamachines.com/
Octaga Player, http://www.octaga.com/
Xj3D, http://www.xj3d.org/
FreeWRL, http://freewrl.sourceforge.net/
Blaxxun, http://www.blaxxun.com
Geroimenko, V., Chaomei, C. (eds.): Visualising Information Using SVG and X3D. Springer, London (2005)
Brutzman, D., Leonard, D.: X3D Extensible 3D Graphics for Web Authors. Morgan Kaufman, San Francisco (2007)
Pohja, M.: X3D and VRML Sound Components. [cited 09.07.2007]; mikko.pohja@hut.fi: http://www.tml.tkk.fi/Opinnot/Tik-111.590/2002s/Paperit/pohja_x3d_sound_OK.pdf
Bregman, A.S.: Auditory Scene Analysis: The Perceptual Organization of Sound.
Blesser, B., Linda-Ruth, S.: Spaces Speak, are you listening? MIT Press, Cambridge (2007)
Smalley, D.: Space-Form and the acousmatic image. Organised Sound 12(1), 35–58 (2006)
Moody, N.: Helian X3D Browser
Author information
Authors and Affiliations
Editor information
Rights and permissions
Copyright information
© 2008 Springer-Verlag Berlin Heidelberg
About this paper
Cite this paper
Taylor, J.M. (2008). The ImmApp: A Digital Application for Immersive Interaction with Sound Art Archives. In: Kronland-Martinet, R., Ystad, S., Jensen, K. (eds) Computer Music Modeling and Retrieval. Sense of Sounds. CMMR 2007. Lecture Notes in Computer Science, vol 4969. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-540-85035-9_29
Download citation
DOI: https://doi.org/10.1007/978-3-540-85035-9_29
Publisher Name: Springer, Berlin, Heidelberg
Print ISBN: 978-3-540-85034-2
Online ISBN: 978-3-540-85035-9
eBook Packages: Computer ScienceComputer Science (R0)