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Cognitive Implications of Musical Perception

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Part of the book series: Lecture Notes in Computer Science ((LNISA,volume 4969))

Abstract

Any musical experience is innately pertinent to cognition and psychology. This paper discusses various aspects of musical cognition, including notions of timbre in relation to spectromorphology, a term coined by Denis Smalley, a notable writer on aesthetics of electroacoustic music. Furthermore, a cognitive model will serve to explain inherent inter-relationships involving multi-modal perception.

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References

  1. Lockhart, A., Keller, D.: Exploring Cognitive Process Through Music Composition. In: Proceedings of the International Computer Music Conference (2006)

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Richard Kronland-Martinet Sølvi Ystad Kristoffer Jensen

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© 2008 Springer-Verlag Berlin Heidelberg

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Lockhart, A. (2008). Cognitive Implications of Musical Perception. In: Kronland-Martinet, R., Ystad, S., Jensen, K. (eds) Computer Music Modeling and Retrieval. Sense of Sounds. CMMR 2007. Lecture Notes in Computer Science, vol 4969. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-540-85035-9_11

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  • DOI: https://doi.org/10.1007/978-3-540-85035-9_11

  • Publisher Name: Springer, Berlin, Heidelberg

  • Print ISBN: 978-3-540-85034-2

  • Online ISBN: 978-3-540-85035-9

  • eBook Packages: Computer ScienceComputer Science (R0)

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