Skip to main content

Part of the book series: Springer Series in Optical Sciences ((SSOS,volume 19))

  • 518 Accesses

Abstract

When we focus our eyes on a uniformly colored area of a painting, the color that we perceive is often influenced by the colors of surrounding areas. In the preceding chapter, it was mentioned that this psychological phenomenon is called simultaneous contrast. Artists and designers deal with it in striving for specific color effects.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 89.00
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 119.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  1. International Lighting Vocabulary. CIE Publication No. 17 (E-1.1) (CIE, Paris 1970)

    Google Scholar 

  2. R.M. Johnston, R.E. Park: Color and appearance. Color Eng. 4(6), 14–19 (1976)

    Google Scholar 

  3. R.W.G. Hunt: The specification of colour appearance. I. Concepts and terms. Color Res. Appl. 2(2), 55–68 (1977)

    Article  Google Scholar 

  4. K. Richter: Cube-root color spaces and chromatic adaptation. Color Res. Appl. 5(1), 25–43 (1980)

    Article  Google Scholar 

  5. A.R. Barlee: Uniform color spaces and colorimeter performance. J. Oil Colour Chem. Assoc. 49(4), 275–298 (1966)

    Google Scholar 

  6. D. Jameson, L.M. Hurvich: The science of color appearance. Color Eng. 5(5), 29–36, 43 (1967)

    Google Scholar 

  7. L.M. Hurvich, D. Jameson: Some quantitative aspects of an opponent-colors theory. II. Brightness, saturation, and hue in normal and dichromatic vision. J. Opt. Soc. Am. 45, 602–616 (1955)

    Article  ADS  Google Scholar 

  8. J.C. Fish: The Perception of Color by Ralph M. Evans (Book review). Color Res. Appl. 2(4), 197–199 (1977)

    Article  MathSciNet  Google Scholar 

  9. R.M. Evans: Fluorescence and its appearance. J. Color Appearance 1(4), 4 (1972)

    Google Scholar 

  10. R.M. Evans: “The Perception of Color”, in Advances in Chemistry Series 107 (American Chemical Society, Washington, D.C. 1971) pp. 43–68

    Google Scholar 

  11. D.B. Judd: The Language of Drawing and Painting by Arthur Pope (Book review). J. Opt Soc. Am. 40, 122 (1950)

    Google Scholar 

  12. W.D. Wright: The basic concepts and attributes of colour order systems. Color Res. Appl. 9(4), 229–233 (1984)

    Article  Google Scholar 

  13. A.R. Robertson: Colour order systems: An introductory review. Color Res. Appl. 9(4), 234–240 (1984)

    Article  ADS  Google Scholar 

  14. G. Wyszecki, W.S. Stiles: Color Science: Concepts and Methods, Quantitative Data and Formulas (Wiley, New York 1967) (2nd ed. 1982)

    Google Scholar 

  15. H. Osborne (ed.): The Oxford Companion to Art (Oxford University Press, Oxford 1970)

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Rights and permissions

Reprints and permissions

Copyright information

© 1987 Springer-Verlag Berlin Heidelberg

About this chapter

Cite this chapter

Agoston, G.A. (1987). Perceived Colors. In: Color Theory and Its Application in Art and Design. Springer Series in Optical Sciences, vol 19. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-540-34734-7_3

Download citation

  • DOI: https://doi.org/10.1007/978-3-540-34734-7_3

  • Publisher Name: Springer, Berlin, Heidelberg

  • Print ISBN: 978-3-540-17095-2

  • Online ISBN: 978-3-540-34734-7

  • eBook Packages: Springer Book Archive

Publish with us

Policies and ethics