Zusammenfassung
Die Produktionsperspektive entstand Mitte der 70er Jahre aus einer Verbindung zahlreicher und weit gestreuter Forschungsarbeiten, die alle zu dem einfachen, aber zwingenden Schluß kamen, daß die bei der Herstellung kultureller Symbole benutzten gesellschaftlichen Arrangements den Inhalt und die Beschaffenheit der produzierten Symbole beeinflussen. So stellten beispielsweise Harrison und Cynthia White (1965) in ihrer Untersuchung über die Entstehung des Impressionismus im Frankreich des 19. Jahrhunderts die damals herrschenden Theorien in Frage, denen zufolge Veränderungen in der Kunst mit gesellschaftlichem Wandel oder dem Auftauchen einiger künstlerischer Genies einhergehen. Statt dessen fanden sie heraus, daß das bisherige System akademischer Kunstproduktion aufgrund innerer Widersprüche zusammengebrochen und es der von Pariser Kunsthändlern und Kunstkritikern etablierte Kunstmarkt war, der den Impressionisten ihren Aufstieg ermöglichte.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Literatur
Adler, Judith 1979. Artists in Offices: The Ethnography of an Academic Art Scene. New Brunswick, NJ: Transaction.
Alexander, Jeffrey C., Steve Seidman (Hg.) 1990. Culture and Society: Contemporary Debates. Cambridge, UK/New York: Cambridge University Press.
Altheide, David L., John M. Johnson. 1980. Bureaucratic Propaganda. Boston, Mass.: Allyn and Bacon.
Altheide, David L., Robert P. Snow. 1991. Media Worlds in the Postjournahsm Era. New York: Aldine.
Anderson, Benedict. 1983. Imagined Communities: The Origin and Spread of Nationalism. London: Verso.
Archer, Margaret S. 1988. Culture and Agency: The Place of Culture in Social Theory. New York: Cambridge University Press.
Aronowitz, Stanley. 1993. Roll over Beethoven: The Return of Cultural Strife. Hanover: Wesleyan University Press.
Balfe, Judith H. 1981. „Social Mobility and Modern Art: Abstract Expressionism and its Generative Audience.“ In Research in Social Movements, Conflict and Change 4: 235–51.
Balfe, Judith H. (Hg.) 1993. Paying the Piper. Urbana: University of Illinois Press.
Barrett, Marvin. 1978. Rich News, Poor News. New York: Crowell.
Banghman, James L. 1992. The Republic of Mass Culture. Baltimore: Johns Hopkins University Press.
Becker, Howard S. 1951. „The Professional Dance Musician and his Audience.“ In American Journal of Sociology 57: 193–209.
Becker, Howard S. 1982. Art Worlds. Berkeley: University of California Press.
Beisel, Nicola. 1992. „Constructing a Shifting Moral Boundary: Literature and Obscenity in Nineteenth Century America.“ In Michèle Lamont, Marcel Fournier (Hg.) Cultivating Differences: Symbolic Boundaries and the Making of Inequality. Chicago: University of Chicago Press.
Beisel, Nicola. 1993. „Censorship, the Politics of Interpretation, and the Victorian Nude.“ In American Sociological Review 58: 145–62.
Bell, Daniel. 1976. The Cultural Contradictions of Capitalism. New York: Basic Books.
Benedict, Ruth. 1934. Patterns of Culture. New York: Houghton Mifflin.
Bennett, H. Stith. 1980. On Becoming a Rock Musician. Amherst: University of Massachusetts Press.
Bensman, Joseph, Robert Lillienfeld. 1991. Craft and Consciousness. New York: Wiley.
Bird, Elizabeth. 1979. „Aesthetic Neutrality and the Sociology of Art.“ In Michèle Barrett, Philip Corrigan, Annette Kuhn, Janet Wolff (Hg.) Ideology and Cultural Production. New York: St Martin’s.
Blau, Judith R. 1984. Architects and Firms. Cambridge, MA: MIT Press.
Blau, Judith R. 1988. „Study of the Arts: A Reappraisal.“ In Annual Review of Sociology 14: 269–92.
Blau, Judith R., Kenneth C. Land, Kent Redding. 1992. „The Expansion of Religious Affiliation: An Explanation of the Growth of Church Participation in the United States 1850–1930.“ In Social Science Research 21: 329–52.
Bourdieu, Pierre. 1977. Outline of a Theory of Practice. Cembridge, UK: Cambridge University Press
Bourdieu, Pierre. 1984. Distinction: A Social Critique of the Judgement of Taste. Cambridge, MA: Harvard University Press.
Bourdieu, Pierre. 1985. „The Social Space and the Genesis of Groups.“ In Theory and Society 14: 723–44.
Bourdieu, Pierre. 1988. Homo Academicus. Stanford, CA: Stanford University Press.
Bourdieu, Pierre. 1990. Photography: A Middle-Brow Art. Stanford, CA: Stanford University Press.
Bourdieu, Pierre, Loic Wacquant. 1992. An Invitation to Reflexive Sociology. Chicago: University of Chicago Press.
Burnett, Robert. 1992. „Concentration and Diversity in the International Phonogram Industry.“ In Communication Research 19: 749–69.
Burnett, Robert, Robert Philip Weber. 1989. „Concentration and Diversity in the Popular Music Industry 1948–1986.“ Paper presented at the annual meeting of the American Sociological Association, San Francisco.
Cantor, Muriel G. 1987. „Popular Culture and the Portrayal of Women: Content and Control.“ In Beth B. Hess and Myra Ferree (Hg.). Analyzing Gender: A Handbook of Social Science Research. Beverly Hills, CA: Sage.
Cantor, Muriel G., Joel Cantor. 1992. Prime-time Television: Content and Control. Newbury Park, Calif.: Sage.
Cantor, Muriel G., Susanne Pingree. 1983. The Soap Opera. Beverly Hills, Calif.: Sage.
Clifford, James. 1988. The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art. Cambridge, Mass.: Harvard University Press.
Clignet, Remi. 1985. The Structure of Artistic Revolutions. Philadelphia: University of Pennsylvania Press.
Collins, Randall. 1992. „Women and the Production of Status Cultures.“ In Michèle Lamont, Marcel Fournier (Hg.) Cultivating Differences: Symbolic Boundaries and the Making of Inequality. Chicago: University of Chicago Press.
Coser, Lewis A. 1978. „Issue Editor: The Production of Culture.“ In Social Research 45, 2: 223–226.
Coser, Lewis A., Charles Kadushin, Walter W. Powell. 1981. Books: The Culture and Commerce of Publishing. New York: Basic Books.
Crane, Diana. 1976. „Reward Systems in Art, Science, and Religion.“ In Richard A. Peterson (Hg.) The Production of Culture. Beverly Hills, Calif.: Sage.
Crane, Diana. 1987. The Transformation of the Avant-Garde: The New York Art World 1940–1985. Chicago: University of Chicago Press.
Crane, Diana. 1992a. The Production of Culture: Media and the Urban Arts. Newbury Park, Calif.: Sage.
Crane, Diana. 1992b. „High Culture versus Popular Culture Revisited: A Reconceptualization of Recorded Cultures.“ In Michèle Lamont, Marcel Fournier (Hg.) Cultivating Differences: Symbolic Boundaries and the Making of Inequality. Chicago: University of Chicago Press.
Denzin, Norman K. 1991. Images of Postmodern Society: Social Theory and Contemporary Cinema. Newbury Park, Calif.: Sage.
DiMaggio, Paul. 1982. „Cultural Entrepreneurship in Nineteenth Century Boston, Parts I and II.“ In Media, Culture and Society 4: 33–50, 303–22.
DiMaggio, Paul. 1987. „Classification in Art.“ In American Sociological Review 52: 440–55.
DiMaggio, Paul. 1991. „Social Structure, Institutions, and Cultural Goods: The Case of the United States.“ In Pierre Bourdieu, James S. Coleman (Hg.) Social Theory for a Changing Society. Boulder, Coll.: Westview Press and Russell Sage Foundation.
DiMaggio, Paul. 1992. „Cultural Boundaries and Structural Change: The Extension of the High Culture Model to Theater, Opera, and the Dance, 1900–1940.“ In Michèle Lamont, Marcel Fournier (Hg.) Cultivating Differences: Symbolic Boundaries and the Making of Inequality. Chicago: University of Chicago Press.
DiMaggio, Paul, Kristin Stenberg. 1985. „Conformity and Diversity in the American Resident Stage.“ In Judith Balfe, Margaret Wyszomirski (Hg.) Art, Ideology, and Poli-tics. New York: Praeger.
Dubin, Steven C. 1992. Arresting Images: Impolitic Art and Uncivil Actions. New York: Routledge.
Ennis, Philip H. 1992. The Seventh Stream: The Emergence of Rock n’ Roll. Hanover, NH: Wesleyan University Press.
Faulkner, Robert R. 1983. Music on Demand: Composers and Careers in the Hollywood Film Industry. New Brunswick, N.J.: Transaction.
Featherstone, Mike. 1992. Consumer Culture and Postmodernism. Newbury Park, Calif.: Sage.
Fine, Gary Alan. 1979. „Small Groups and Culture Creation: The Ideoculture of Little League baseball teams.“ In American Sociological Review 44: 733–45.
Fine, Gary Alan. 1983. Shared Fantasy: Role-Playing Games as Social Worlds. Chicago: University of Chicago Press.
Fine, Gary Alan. 1992. „The Culture of Production: Aesthetic Choices and Constraints in Culinary Work.“ In American Journal of Sociology 97: 1268–1294.
Finke, Roger, Rodney Stark. 1992. The Churching of America: Winners and Losers in Our Religious Economy. New Brunswick, N.J.: Rutgers University Press.
Freilich, Morris (Hg.) 1989. The Relevance of Culture. New York: Bregen and Garvey.
Frith, Simon. 1983. Sound Effects: Youth, Leisure and the Politics of Rock’n’Roll. London: Constable.
Frith, Simon. 1992. „The Industrialization of Popular Music.“ In James Lull (Hg.) Music and Communication. Newbury Park, Calif.: Sage.
Frith, Simon, Howard Home. 1987. Art into Pop. London: Methuen.
Gans, Herbert J. 1974. Popular Culture and High Culture. New York: Basic Books.
Gans, Herbert J. 1979. Deciding What’s News. New York: Pantheon.
Garnham, Nicholas. 1986. „Contribution to a Political Economy of Masscommunication.“ In Richard Collins (Hg.) Media, Culture and Society: A Critical Reader. London: Sage.
Geertz, Clifford. 1973. The Interpretation of Cultures. New York: Basic.
George, Nelson. 1988. The Death of Rhythm and Blues. New York: Pantheon.
Giddens, Anthony. 1987. „Structuralism, Post-Structuralism, and the Production of Culture.“ In Anthony Giddens, Jonathan Turner (Hg.) Social Theory Today. Stanford, Calif.: University of Stanford Press.
Gilmore, Samuel. 1987. „Coordination and Convention: The Organization of the Concert Art World.“ In Symbolic Interaction 10: 209–27.
Gilmore, Samuel. 1988. „Schools of Activity and Innovation.“ In Sociological Quarterly 29: 202–19.
Gitlin, Todd. 1983. Inside Prime Time. New York: Pantheon.
Goodwin, Andrew. 1992. „Rationalization and Democratization in the New Technologies of Popular Music.“ In James Lull (Hg.) Music and Communication. Newbury Park, Calif.: Sage.
Gouldner, Alvin W. 1954. Wildcat Strike. Yellow Springs, Ohio: Antioch Press.
Greenfeld, Liah. 1989. Different Worlds. New York: Cambridge University Press.
Griswold, Wendy. 1981. „American Character and the American Novel.“ In American Journal of Sociology 86: 740–65.
Griswold, Wendy. 1986. Renaissance Revivals: City Comedy and Revenge Tragedy in the London Theatre 1576–1980. Chicago: University of Chicago Press.
Griswold, Wendy. 1992. „The Writing on the Mud Wall: Nigerian Novels and the Imaginary Village.“ In American Sociological Review 57: 709–24.
Grossberg, Lawrence. 1992. „Rock and Roll in Search of an Audience.“ In James Lull (Hg.) Music and Communication. Newbury Park, Calif.: Sage. 152–75.
Gusfield, Joseph R. 1963. Symbolic Crusade: Status Politics and the American Temperance Movement. Urbana, Ill.: University of Illinois Press.
Halbwachs, Maurice. 1992 (1941, 1952). On Collective Memory. Chicago: University of Chicago Press.
Hall, John R., Mary Jo Neitz. 1993. Culture: Sociological Perspectives. Englewood Cliffs, N.J.: Prentice Hall.
Hall, John R. 1987. Gone From the Promised Land: Jonestown in American cultural history. New Brunswick, N.J.: Transachon.
Hall, Stewart, Tony Jefferson (Hg.) 1976. Resistance Through Rituals: Youth Subcultures in Post-War Britain. London: Hutchinson.
Hebdige, Dick. 1979. Subculture: The Meaning of Style. London: Methuen.
Heirich, Max. 1976. „Cultural Breakthroughs.“ In Richard A. Peterson (Hg.) The Production of Culture. Beverly Hills, Calif.: Sage.
Hirsch, Paul. 1972. „Processing Fads and Fashions: An Organization Set Analysis of the Cultural Industry System.“ In American Journal of Sociology 77: 639–59.
Hobsbawm, Eric J. 1983. „Introduction: Inventing Traditions, Mass-Producing Traditions: Europe, 1870–1914.“ In Eric Hobsbawm, Terence Ranger (Hg.) The Invention of Tradition. Cambridge, UK: Cambridge University Press.
Honneth, Axel, Hermann Kocyba, Bernd Schwibs. 1986. „The Struggle for Symbolic Order: An Interview with Pierre Bourdieu.“ In Theory, Culture, Society 3: 35–51.
Hughes, Michael, Richard A. Peterson. 1983. „Isolating Cultural Choice Patterns in the US Population.“ In American Behavioral Scientist 26: 459–78.
Iannaccone, Laurence R. 1991. „The Consequences of Religious Market Structure.“ In Rationality and Society 3: 156–77.
Johansson, Thomas, Fredrick Miegel. 1992. Do the Right Thing: Lifestyle and Identity in Contemporary Youth Culture. Stockholm: Almquist and Wiksell.
Kealy, Edward R. 1979. „From Craft to Art: The Case of Sound Mixers and Popular Music.“ In Work and Occupations 6: 3–29.
Keil, Charles. 1966. Urban Blues. Chicago: University of Chicago Press.
Kurtz, Lester. 1983. „The Politics of Heresy.“ In American Journal of Sociology 88: 85–115.
Lachmann, Richard. 1988. „Graffiti as Career and Ideology.“ In American Journal of Sociology 94: 229–50.
Laing, Dave. 1985. One Chord Wonders: Power and Meaning in Punk Rock. Milton Keynes: Open University Press.
Lang, Gladys Engel, Kurt Lang. 1990. Etched in Memory: The Building and Survival of Artistic Reputation. Chapel Hill, London: University of North Carolina Press.
Lamont, Michèle. 1992. Money, Morals, and Manners: The Culture of the French and the American Upper-middle Class. Chicago: University of Chicago Press.
Lamont, Michèle, Marcel Fournier (Hg.) 1992. Cultivating Differences: Symbolic Boundaries and the Making of Inequality. Chicago: University of Chicago Press.
Latour, Bruno. 1987. Science in Action. Cambridge, Mass.: Harvard University Press.
Leach, Edmund R. 1954. Political Systems of Highland Burma. Boston: Beacon Press.
Levine, Lawrence. 1988. Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America. Cambridge, Mass.: Harvard University Press.
Liebes, Tamar, Elihu Katz. 1990. The Export of Meaning: Cross-Cultural Readings of Dallas. New York: Oxford University Press.
Long, J. Scott. 1992. „Measures of Sex Differences in Scientific Productivity.“ In Social Forces 71: 159–78.
Lopes, Paul D. 1992. „Innovation and Diversity in the Popular Music Industry, 1969–1990.“ In American Sociological Review 57: 56–71.
Lull, James. 1987. „Thrashing in the Pit: An Ethnography of San Francisco Punk Subculture.“ In T. R. Lindlof (Hg.) Natural Audiences: Qualitative Research on Media Uses and Effects. Norwood, N.J.: Ablex.
Lynch, Michael. 1985. Art and Artifact in Laboratory Science. London: Routledge and Kegan Paul.
Markert, John. 1984. „Beyond Gatekeepers: Romance Publishing and the Production of Culture.“ Unpublished PhD dissertation, Vanderbilt University, Nashville, Tenn.
Martorella, Rosanne. 1982. The Sociology of Opera. South Hadley, MA: Bergin.
McCall, Michael M. 1977. „Art without a Market: Creating Artistic Value in a Provincial Art World.“ In Symbolic Interaction 1: 32–43.
Mills, C. Wright. 1963 (1959). „The Cultural Apparatus.“ In Power, Politics and People: The Collected Essays of C. Wright Mills. New York: Ballantine.
Molotch, Harvey, Marilyn Lester. 1974. „News as Purposive Behavior.“ In American Sociological Review 39: 101–12.
Moorhouse, H. F. 1991. Driving Ambitions: A Social Analysis of the American Hot Rod Enthusiasm. Manchester: University of Manchester Press.
Moulin, Raymonde. 1987. The French Art Market. New Brunswick, N.J.: Rutgers University Press.
Neapolitan, J. 1986. „Art, Craft, and Art/Craft Segments among Craft Media Workers.“ In Work and Occupations 13: 203–16.
Nimmo, Dan, James E. Combs. 1983. Mediated Political Realities. New York: Longman.
Nooy, de W. 1991. „Social Networks and Classification in Literature.“ In Poetics 20: 507–37.
Parenti, Michael. 1993. Inventing Reality: The Politics of News Media. New York: St Martin’s.
Parsons, Talcott. 1961. „Culture and the Social System: Introduction.“ In Talcott Parsons, Edward Shils, Kaspar D. Naegele, Jesse R. Pitts (Hg.) The Origins of Society, Volume 2. New York: Free Press.
Peiss, Kathy. 1986. Cheap Amusements: Working Women and Leisure in Turn-of-the-Century New York. Philadelphia: Temple University Press.
Peterson, Richard A. 1972. „A Process Model of the Folk, Pop, and Fine Art Phrases of Jazz.“ In Charles Nanry (Hg.) American Music: from Storyville to Woodstock. New Brunswick, N.J.: Transaction Books and EP Dutton.
Peterson, Richard A. 1976. „The Production of Culture: A Prolegomenon.“ In Richard A. Peterson (Hg.) The Production of Culture. Beverly Hills, Calif.: Sage.
Peterson, Richard A. 1978. „The Production of Cultural Change: The Case of Contemporary Country Music. In Social Research 45: 292–314.
Peterson, Richard A. 1979. „Revitalizing the Culture Concept.“ In Annual Review of Sociology 5: 137–166.
Peterson, Richard A. 1981: „Entrepreneurship and Organization.“ In Paul C. Nystrom and William H. Starbuck (Hg.) Handbook of Organizational Design. New York: Oxford University Press.
Peterson, Richard A. 1983. „Patterns of Cultural Choice: Prolegomenon.“ In American Behavioral Scientist 26: 422–38.
Peterson, Richard A. 1985. Six Constraints on the Production of Literary Works. In Poetics 14: 45–67.
Peterson, Richard A. 1986. „Stained Glass Television: A Female Evangelist Joins the Electronic Church.“ In Journal of Popular Culture 19: 95–105.
Peterson, Richard A. 1990. „Why 1955? Explaining the Advent of Rock Music.“ In Popular Music 9: 97–116.
Peterson, Richard A. 1992a. „Melding Ethnographic and Humanist Definitions of Culture.“ In Culture 63: 10–11.
Peterson, Richard A. 1992b. „Understanding Audience Segmentation: From Elite and Mass to Omnivore and Univore.“ In Poetics 21: 243–58.
Peterson, Richard A. 1992c. „Class Unconsciousness in Country Music.“ In Melton A. McLaurin, Richard A. Peterson (Hg.) You Wrote My Life: Lyrical Themes in Country Music. Philadelphia: Gordon and Breach.
Peterson, Richard A. 1992d. „La fabrication de l’authenticite: la country music.“ In Actes de la Recherche en Sciences Sociales 93: 3–20.
Peterson, Richard A. 1993. „The Battle for Classical Music on the Air.“ In Judith Balfe (Hg.) Paying the Piper. Urbana: University of Illinois Press.
Peterson, Richard A., David G. Berger. 1975. „Cycles in Symbol Production: the Case of Popular Music.“ In American Sociological Review 40: 158–73.
Peterson, Richard A., John Ryan. 1983. „Success, Failure, and Anomie in Arts and Crafts Work: Breaking into Commercial Country Music Songwriting.“ In Research in the Sociology of Work 2: 301–23.
Peterson, Richard A., Albert J. Simkus, 1992. „How Musical Tastes Mark Occupational Status Groups.“ In Michèle Lamont, Marcel Fournier (Hg.) Cultivating Differences: Symbolic Boundaries and the Making of Inequality. Chicago: University of Chicago Press.
Pevsner, Nikolous. 1940. Academies of Art. New York: Macmillan.
Powell, Walter W. 1978. „Publishers’ Decision Making: What Criteria Do They Use in Deciding Which Books to Publish?“ In Social Research 45: 227–52.
Powell, Walter W., Rebecca Friedkin. 1983. „Political and Organizational Influences on Public Television Programming.“ In Mass Communication Review Yearbook 4: 413–38.
Press, Andrea L. 1991. Women Watching Television: Gender, Class, and Generation in the American Television Experience. Philadelphia: University of Pennsylvania Press.
Radway, Janice. 1984. Reading the Romance: Women, Patriarchy, and Popular Literature. Chapel Hill: University of North Carolina Press.
Robinson, Denna Campbell, Elizabeth B. Beck, Marlene Cuthbert. 1991. Music at the Margins: Popular Music and Global Cultural Diversity. Newbury Park, Calif.: Sage.
Rosenblum, Barbara. 1978. Photographers at Work. New York: Holmes and Meyers.
Rosengren, Karl Erik. 1983: The Climate of Literature: Sweden’s Literary Frame of Reference, 1953–1976. Lund: Studentlitteratur.
Rothenbuhler, Eric W., John W. Dimmick. 1982. „Popular Music: Concentration and Diversity in the Industry, 1974–1980.“ In Journal of Communication 32: 143–49.
Rothenbuhler, Eric W., Tom McCourt. 1992. „Commercial Radio and Popular Music.“ In James Lull (Hg.) Music and Communication. Newbury Park, Calif.: Sage.
Ryan, John. 1985. The Production of Culture in the Music Industry. New York: University Press of America.
Ryan, John, Richard A. Peterson. 1982. „The Product Image: The Fate of Creativity in Country Music Songwriting.“ In Annual Reviews of Communication Research 10: 11–32.
Ryan, John, Richard A. Peterson. 1993. „Occupational and Organizational Consequences of the Digital Revolution in Music Making.“ In Current Research on Occupations and Professions 8.
Sato, Ikuya. 1991. Kamikaze Biker: Parody and Anomy in Affluent Japan. Chicago: University of Chicago Press.
Scheppele, Kim L. 1988. Legal Secrets: Equality and Efficiency in the Common Law. Chicago: University of Chicago Press.
Scheppele, Kim L. 1993. „Just the facts, ma’am’: sexualised Violence, Evidentiary Habits, and the Revisions of Truth.“ In New York Law School Review 109: 28–32.
Schiller, Herbert I. 1992. Mass Communications and the American Empire. Boulder: Westview Press.
Schudson, Michael. 1978. Discovering the News: A Social History of American Newspapers. New York: Basic Books.
Schwartz, Barry. 1991. „Social Change and Collective Memory: The Democratization of George Washington.“ In American Sociological Review 56: 221–36.
Schwartz, Lawrence H. 1988. Creating Faulkner’s Reputation: The Politics of Modern Literary Criticism. Knoxville: University of Tennessee Press.
Shively, JoEllen. 1992. „Cowboys and Indians: Perceptions of Western Films Among American Indians and Anglos.“ In American Sociological Review 57: 725–34.
Simpson, Charles R. 1981. Soho: The Artist in the City. Chicago: University of Chicago Press.
Steward, Margaret S. 1983. „Women Who Chose a Man’s Career: A Study of Women in Ministry.“ In Psychology of Women Quarterly 19: 95–105.
Tetzlaff, David. 1992. „Popular Culture and Social Control in Late Capitalism.“ In Paddy Scanneil (Hg.) Culture and Power. London: Sage.
Thurston, Carol. 1987. The Romance Revolution: Romantic Novels for Women and Quest for a New Sexual Identity. Urbana: University of Illinois Press.
Tuchman, Gaye. 1978. Making News: A Study in the Construction of Reality. New York: Free Press.
Tuchman, Gaye. 1989. Edging Women Out: Victorian Novelists, Publishers, and Social Change. New Haven: Yale University Press.
Turow, Joseph. 1992. Media Systems in Society. New York: Longman.
Warner, R. Steven. 1993. „Work in Progress: Toward a New Paradigm for the Sociological Study of Religion in the United States.“ In American Journal of Sociology 98: 44–95.
Waterman, Christopher A. 1990. Juju: A Social History and Ethnography of an African Popular Music. Chicago: University of Chicago Press.
Weinstein, Deena. 1991. Heavy Metal: A Cultural Sociology. New York: Lexington.
White, Harrison C., Cynthia A. White. 1965. Canvases and Careers. New York: Wiley.
Wolff, Janet. 1981. The Social Production of Art. London: Macmillan.
Wolff, Janet. 1989. „Against Sociological Imperialism: The Limits of Sociology in the Aesthetic Sphere.“ Presented at the annual meetings of the American Sociological Association, San Francisco.
Wolff, Janet, John Sneed (Hg.) 1988. The Culture of Capital: Art, Power, and the Nineteenth-Century Middle Class. Manchester: Manchester University Press.
Zolberg, Vera L. 1980. „Displayed Art and Performed Music: Selective Innovation and the Structure of Artistic Media.“ In The Sociological Quarterly 21: 219–31.
Zolberg, Vera L. 1990. Constructing a Sociology of the Arts. New York: Cambridge University Press.
Zolberg, Vera L. 1992. „Barrier or Leveler? The Case of the Art Museum.“ In Michèle Lamont, Marcel Fournier (Hg.) Cultivating Differences: Symbolic Boundaries and the Making of Inequality. Chicago: University of Chicago Press.
Zuckerman, Harriet. 1988. „The Sociology of Science.“ In Neil J. Smelser (Hg.) Handbook of Sociology. Newbury Park, Calif.: Sage.
Zuckerman, Harriet, Jonathan R. Cole, John T. Bruer (Hg.) 1991. The Outer Circle: Women in the Scientific Community. New York: Norton.
Editor information
Rights and permissions
Copyright information
© 2000 Springer Fachmedien Wiesbaden
About this chapter
Cite this chapter
Peterson, R.A. (2000). Kultursoziologie aus Sicht der Produktionsperspektive: Fortschritte und Ausblick. In: Müller, HP., Sigmund, S. (eds) Zeitgenössische amerikanische Soziologie. VS Verlag für Sozialwissenschaften, Wiesbaden. https://doi.org/10.1007/978-3-322-97358-0_11
Download citation
DOI: https://doi.org/10.1007/978-3-322-97358-0_11
Publisher Name: VS Verlag für Sozialwissenschaften, Wiesbaden
Print ISBN: 978-3-8100-1672-0
Online ISBN: 978-3-322-97358-0
eBook Packages: Springer Book Archive