Abstract
Museum of Water invites people to gather water: any water in any bottle, encouraging people to look closely at this extraordinary substance and detail the way it impacts on their life. It is both live artwork and museum, a chorus of voices from all ages, races and social backgrounds, influenced by each donor, changing shape with each new gift and comment. This is a museum that remembers your words; it moves beyond treating people as visitors or audience, instead making everyone donor, curator, protagonist and custodian. It seeks to engender a new relationship between people and the world, a responsibility for care, fostering the role of custodian in each of us. Museum of Water began in 2013 and has travelled to 50 sites worldwide, been visited by over 60,000 people, and was nominated for European Museum of the Year 2016. It has used its work to curate wide, cross-cultural programmes to explore questions of water, migration, fear, climate change and urbanisation through science, literature, ecology and anthropology, music and play. Water is the most important substance for human life, and is the substance at the front line of Climate Change. Questions of access, ownership and care will define the coming century: this Museum and its programmes help to equip people to play an active role in the situations and debates to come. This paper details the work of this unusual museum, exploring its spectacular public engagement and the radical challenge it presents to previous systems of collecting and to traditional processes and economies, how it treasures a substance and experience that we cannot hold onto, the process of evaporation itself. Museum of Water is an act of witness, providing a platform for different voices, and an instigating force for future care. This paper will look at the different systems and ways of listening it promotes, supporting responsibility and bravery for the coming century: how to look more closely and not look away.
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Notes
- 1.
Frizzell (2014).
- 2.
Al-Qattan (2016).
- 3.
Perkovic (2017).
- 4.
Collection can be viewed at www.museumofwater.co.uk; not all audio files available for public use.
- 5.
A visitor to Museum of Water in Moseley Baths, Birmingham.
- 6.
For further examination of poldering, please see http://one-europe.net/to-polder-or-not-to-polder-that-s-the-question.
- 7.
Benjamin (1969).
- 8.
Walley (2017).
- 9.
Walley (2017).
- 10.
Bottle can be viewed at www.museumofwater.co.uk; audio not yet available publically.
- 11.
Unattributed, part of Museum of Water UK collection of The Water We Would Have Brought.
- 12.
Maguire (2015).
- 13.
Neimanis (2012).
- 14.
Benjamin (1969).
- 15.
The Swimmers’ Manifesto (2017).
- 16.
Donna Haraway: Story Telling for Earthly Survival (2016).
- 17.
Solnit (2017).
References
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Benjamin W (1969) The Work of art in the age of mechanical reproduction. In: Arendt H (ed) Illuminations (trans. Zohn H, from the 1935 essay). Schocken Books, New York, p 4
Donna Haraway: Story Telling for Earthly Survival (2016) Documentary film dir. Fabrizio Terranova, Belgium. http://earthlysurvival.org
Frizzell N (2014) The Guardian Newspaper, UK edition
http://one-europe.net/to-polder-or-not-to-polder-that-s-the-question
Maguire S (2015) From Dublin to Ramallah, in Almost the Equinox, Selected Poems. Chatto and Windus
Neimanis, A (2012) Hydrofeminism: or, on becoming a body of water. In: Gunkel H, Nigianni C, Söderbäck F (eds) Undutiful daughters: mobilizing future concepts, bodies and subjectivities in feminist thought and practice. Palgrave Macmillan, New York, p 108
Perkovic J (2017) Realtime. http://www.realtimearts.net/article/137/12538
Solnit R (2017) A short history of silence. In: The mother of all questions. Granta Books, Great Britain, p 23
The Swimmers’ Manifesto (2017) Museum of Water at Perth Festival. Available as a podcast on Sonic Encounters and Conversations on Water. www.perthfestival.com.au/event/museum-of-water
Walley R and Walley T (2017) Part of the series Conversations on Water recorded for Perth Festival, available for listening on the Sound Archive at www.museumofwater.co.uk
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This paper was written to bring attention to the work of Museum of Water and to share the processes of our work, in case others could benefit.
Museum of Water is an unusual museum, presenting a radical challenge to previous systems of collecting and to traditional processes and economies, how it treasures a substance and experience that we cannot hold onto, the process of evaporation itself. It is a challenge to a capitalist society that thrives on things it can buy and sell: it bottles water but it doesn’t commodify it. Museum of Water explores our borders. It understands water as a shared resource, and seeks to embolden our connectedness and care. Its focus on a mundane substance has occasionally meant it is underestimated as a museum, and its double status as live artwork is sometimes underappreciated, but the understandings from each different discipline intrinsically support its presence and importance. By inviting us to re-consider our relationship to water, and making space for each different opinion, this Museum makes us all protagonists in our water history. The Museum continues to travel to different sites around the world, collaborating with people to help us all to question our inheritance and explore the estate of water, as we come under increasing global pressure to share. Water questions will define the coming century, so empowering people to engage in the questions and to influence their surroundings is crucial work. Through its work and its programmes, Museum of Water helps to equip us, because we are all implicated. This Museum makes custodians of us all.
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Sharrocks, A. (2019). Treasuring Evaporation: The Radical Challenge of a Museum of Water. In: Leal Filho, W., Lackner, B., McGhie, H. (eds) Addressing the Challenges in Communicating Climate Change Across Various Audiences. Climate Change Management. Springer, Cham. https://doi.org/10.1007/978-3-319-98294-6_29
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