Abstract
This chapter is about Nobel Prize-winning Nigerian playwright Wole Soyinka’s 1965 play The Road as a play about commuting. In particular, I argue that The Road takes up commuting as a moment of transition between the working day and the day without work, between the hope of progress and the despair of deindustrialization, between production and anti-production, or the break-down of the machine in the space of reproduction. The play is critical of the postcolonial state for its failures to deliver on the road to prosperity, and, at the same time, it presents the coming-apart of old paradigms of progress through work and gives a sense of their replacement by a metaphysics of indebtedness, or sacrifice to the gods. The Road magnifies the marginal social situation of Nigeria’s drivers (touts) that becomes the dominant paradigm of global labor under a later era financial globalization. The Road thus stands at the crux between local and global culture, between nostalgia for old class alliances and archaic ritualistic practices on the one hand and, on the other, a recognition of new forms of global accumulation
Parts of this chapter are taken from my book Promissory Notes: On the Literary Conditions of Debt , to be published in 2019 by Lever Press.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Works Cited
Balogun, F. Odun. 1988. Wole Soyinka and the Literary Aesthetic of African Socialism. Black Literature Forum 22 (3) (Autumn): 503–530.
Baudrillard, Jean. 1998. The Consumer Society: Myths & Structures. London: Sage.
Bauman, Zygmunt. 2004. Wasted Lives: Modernity and Its Outcasts. Cambridge, UK and Malden, MA: Polity.
Deleuze, Gilles, and Félix Guattari. 1983. Anti-Oedipus, trans. Robert Hurley, Mark Seem, and Helen R. Lane. Minneapolis, MN: University of Minnesota Press.
Feuser, Willfried F. 1988. Wole Soyinka: The Problem of Authenticity. Black American Literature Forum 22 (3) (Autumn): 555–575.
Hunt, Geoffrey. 1988. Two African Aesthetics: Soyinka vs. Cabral. In Marxism and African Literature, ed. Georg M. Gugelberger, 64–93. London: Currey.
Jeyifro, Biodun. 1985. The Truthful Lie: Essays in a Sociology of African Drama. London: New Beacon Books.
Marlowe, Christopher. 1616. The Tragical History of Doctor Faustus, ed. Rev. Alexander Dyce. Newgate: John Wright.
Okpara, Enoch E. 1988. The Rôle of Touts in Passenger Transport in Nigeria. The Journal of Modern African Studies 26 (2): 327–335.
Phillips, K.J. 1990. Exorcising Faustus from Africa: Wole Soyinka’s ‘The Road’. Comparative Literature Studies 27 (2): 140–157.
Soyinka, Wole. 1973. Collected Plays I. Oxford, UK and New York: Oxford University Press.
———. 1976. Myth, Literature and the African World. London, New York, and Melbourne: Cambridge University Press.
———. 1997. The Writer in an African State. Transition 75 (76): 350–356.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2018 The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerland AG
About this chapter
Cite this chapter
Goodman, R.T. (2018). The Commute: The Bend in Progress, Reproduction on The Road. In: Scapp, R., Seitz, B. (eds) Philosophy, Travel, and Place. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-98225-0_13
Download citation
DOI: https://doi.org/10.1007/978-3-319-98225-0_13
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-319-98224-3
Online ISBN: 978-3-319-98225-0
eBook Packages: Religion and PhilosophyPhilosophy and Religion (R0)