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Homecoming in Neil Gaiman’s Neverwhere

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Mapping Home in Contemporary Narratives

Part of the book series: Geocriticism and Spatial Literary Studies ((GSLS))

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Abstract

Gaiman’s Neverwhere is an “urban” fantasy novel, which was originally a BBC mini-series (1996) and was later adapted as a graphic novel (2007), and it mitigates the same fears as discussed in Chapter 2 through an emphasis on individual agency in constructing home and by redefining the boundaries, networks, and nodes that can constitute an individual’s map of home. A key metaphor for home here is Door’s house, a space from which she can travel to disparate “rooms” in other places that remain a part of her home. Ultimately, the novel highlights the ways in which isolationist ideas of home can become more inclusive and adaptable through a networked approach to dwelling.

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Notes

  1. 1.

    Gaiman reiterates some of the back and forth in his Introduction to yet another version of the story, the Author’s Preferred Text edition of Neverwhere (xiii).

  2. 2.

    See Ted Friedman’s comparison of science fiction and fantasy genres for an eloquent introduction into the technology/magic metaphor more broadly.

  3. 3.

    See Tomlinson.

  4. 4.

    Gaiman, after all, satirizes most of the feudal and Victorian penchants of his secondary characters—from the mad Earl to the underhanded and impeccably dressed Marquis.

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Correspondence to Aleksandra Bida .

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Bida, A. (2018). Homecoming in Neil Gaiman’s Neverwhere. In: Mapping Home in Contemporary Narratives. Geocriticism and Spatial Literary Studies. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-97967-0_4

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