Skip to main content

Reanimating the Zombies of (Nineteenth-Century) London in Victorian Undead

  • Chapter
  • First Online:
Deviance in Neo-Victorian Culture
  • 237 Accesses

Abstract

The graphic novel Victorian Undead: Sherlock Holmes vs Zombies! (2010), written by Ian Edginton, illustrated by Davide Fabbri and set in London, is an example of neo-Victorian cultural and historical rewriting of the past: in an alternative late nineteenth-century (the story is set in 1898) London is invaded by a horde of ravenous zombies, against which Sherlock Holmes and Watson fight in order to save the British Empire. Whereas the depiction of zombies as social outcasts and racial aliens in Victorian Undead replicates Conan Doyle’s retracing of crimes as coming from the socially ‘deviant’ representatives of lower classes and colonial aliens, at the same time the image of Victorian zombies ravaging London streets reflects the impact that contemporary perceptions of urban of violence have on the re-visioning of the Victorian age. This chapter will also include references to psychogeographic studies, and to Iain Sinclair’s White Chappell, Scarlet Tracings, read in light of the issues raised in Victorian Undead.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 84.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Works Cited

  • Ackroyd, Peter. 2001. London: A Biography. Vintage: London.

    Google Scholar 

  • Agathocleous, Tanya. 2011. Urban Realism and the Cosmopolitan Imagination in the Nineteenth Century. Cambridge and New York: Cambridge University Press.

    Google Scholar 

  • Arata, Stephen D. 1990. The Occidental Tourist: Dracula and the Anxiety of Reverse Colonization. Victorian Studies 33 (4): 621–645.

    Google Scholar 

  • Arias, Rosario, and Patricia Pulham. 2010. Introduction. In Haunting and Spectrality in Neo-Victorian Fiction: Possessing the Past, ed. Rosario Arias and Patricia Pulham, ix–xxvi. Basingstoke: Palgrave.

    Chapter  Google Scholar 

  • Ascari, Maurizio. 2007. A Counter-History of Crime Fiction: Supernatural, Gothic, Sensational. Basingstoke: Palgrave.

    Chapter  Google Scholar 

  • Behlmer, George K. 2003. Grave Doubts: Victorian Medicine, Moral Panic, and the Signs of Death. Journal of British Studies 42 (2): 206–235.

    Article  Google Scholar 

  • Bishop, Kyle William. 2010. American Zombie Gothic: The Rise and Fall (and Rise) of the Walking Dead in Popular Culture, foreword by Jerrold E. Hogle. Jefferson: McFarland.

    Google Scholar 

  • Booth, William. 1890. In Darkest England and the Way Out. London: International Headquarters of the Salvation Army.

    Google Scholar 

  • Bowler, Alexia L., and Jessica Cox. 2009–2010. Introduction to Adapting the Nineteenth Century: Revisiting, Revising and Rewriting the Past. Neo-Victorian Studies. Special Issue: Adapting the Nineteenth Century 2 (2): 1–17.

    Google Scholar 

  • Chute, Hillary, and Marianne DeKoven. 2012. Comic Books and Graphic Novels. In The Cambridge Companion to Popular Fiction, ed. David Glover and Scott McCraken, 175–195. Cambridge: Cambridge University Press.

    Chapter  Google Scholar 

  • Clinard, Marshall B., and Robert F. Meier. 2008 [1957]. Sociology of Deviant Behaviour. Boston: Wadsworth Cengage Learning.

    Google Scholar 

  • Cohen, Jeffrey Jerome. 1996. Monster Culture (Seven Theses). In Monster Theory: Reading Culture, ed. Jeffrey Jerome Cohen, 3–25. London and Minneapolis: University of Minnesota Press.

    Chapter  Google Scholar 

  • Conrad, Joseph. 1998. Heart of Darkness and Other Tales, ed. Cedric Watts. Oxford and New York: Oxford University Press.

    Google Scholar 

  • Coverley, Merlin. 2010. Psychogeography. Harpenden: Pocket Essentials.

    Google Scholar 

  • Davie, Neil. 2006. Tracing the Criminal: The Rise of Scientific Criminology in Britain 1860–1919. Oxford: The Bardwell Press.

    Google Scholar 

  • Debord, Guy. 1981. Introduction to a Critique of Urban Geography [1955]. In Situationist International Anthology, ed. Ken Knabb, 23–27. Berkeley: Bureau of Public Secrets.

    Google Scholar 

  • Dendle, Peter. 2007. The Zombie as a Barometer of Cultural Anxiety. In Monsters and the Monstrous: Myths and Metaphors of Enduring Evil, ed. Niall Scott, 45–57. Rodopi: Amsterdam and New York.

    Google Scholar 

  • Dickens, Charles. 1861. The Uncommercial Traveller. London: Chapman and Hall.

    Google Scholar 

  • Dobraszczny, Paul. 2012. London Under London: Mapping Neo-Victorian Spaces of Horror. In Neo-Victorian Gothic: Horror, Violence and Degeneration in the Re-imagined Nineteenth Century, ed. Marie-Luise Kohlke and Christian Gutleben, 227–245. Amsterdam and New York: Rodopi.

    Google Scholar 

  • Doyle, Arthur Conan. 1996. The Adventures of Sherlock Holmes. Introduction and Notes by Julian Wolfreys. Ware: Wordsworth Classics.

    Google Scholar 

  • Edginton, Ian, and Davide Fabbri. 2010. Victorian Undead: Sherlock Holmes vs Zombies! La Jolla: Wildstorm Production, an imprint of DC Comics.

    Google Scholar 

  • Ellis, Havelock. 1972 [1890]. The Criminal. Montclair: Patterson Smith.

    Google Scholar 

  • Ferguson, Christine. 2009. Steam Punk and the Visualization of the Victorian: Teaching Alan Moore’s The League of Extraordinary Gentlemen and From Hell. In Teaching the Graphic Novel, ed. Stephen E. Tabachnick, 200–207. New York: The Modern Language Association of America.

    Google Scholar 

  • Flint, Kate. 2000. The Victorians and the Visual Imagination. Cambridge and New York: Cambridge University Press.

    Google Scholar 

  • Frank, Lawrence. 2003. Victorian Detective Fiction and the Nature of Evidence: The Scientific Investigations of Poe, Dickens, and Doyle. Basingstoke: Palgrave.

    Book  Google Scholar 

  • Freeman, Nicholas. 2007. Conceiving the City: London, Literature, and Art 1870–1914. Oxford and New York: Oxford University Press.

    Google Scholar 

  • Genette, Gérard. 1997. Palimpsests: Literature in the Second Degree [1982], trans. Channa Newman and Claude Doubinsky. Lincoln: University of Nebraska Press.

    Google Scholar 

  • Groes, Sebastian. 2011. The Making of London: London in Contemporary Literature. Basingstoke: Palgrave.

    Book  Google Scholar 

  • Gwynne, C.N. 1888. Are We Degenerating Physically? The Lancet, December 22: 1257.

    Google Scholar 

  • Hadley, Louisa. 2010. Victorian Fiction and Historical Narrative: The Victorians and Us. Basingstoke: Palgrave.

    Book  Google Scholar 

  • Heilmann, Ann, and Mark Llewellyn. 2010. Neo-Victorianism: The Victorians in the Twenty-First Century, 1999–2009. Basingstoke: Palgrave.

    Chapter  Google Scholar 

  • Ho, Elizabeth. 2006. Postimperial Landscapes: “Psychogeography” and Englishness in Alan Moore’s Graphic Novel From Hell: A Melodrama in Sixteen Parts. Cultural Critique 63: 99–121.

    Article  Google Scholar 

  • Hollingshead, John. 1862. Underground London. London: Groombridge and Sons.

    Google Scholar 

  • Joyce, Simon. 2007. The Victorians in the Rearview Mirror. Athens: Ohio University Press.

    Google Scholar 

  • Knight, Stephen. 1976. Jack the Ripper: The Final Solution. London: George G. Harrap.

    Google Scholar 

  • Kohlke, Marie-Luise, and Christian Gutleben. 2012. The (Mis)Shapes of Neo-Victorian Gothic: Continuations, Adaptations, Transformations. In Neo-Victorian Gothic: Horror, Violence and Degeneration in the Re-imagined Nineteenth Century, ed. Marie-Luise Kohlke and Christian Gutleben, 1–48. Amsterdam and New York: Rodopi.

    Google Scholar 

  • ———. 2015. Troping of the Neo-Victorian City: Strategies of Reconsidering the Metropolis. In Neo-Victorian Cities: Reassessing Urban Politics and Poetics, ed. Marie-Luise Kohlke and Christian Gutleben, 1–40. Leiden and Boston: Brill Rodopi.

    Google Scholar 

  • Lockhurst, Roger. 2012. The Public Sphere, Popular Culture and the True Meaning of the Zombie Apocalypse. In The Cambridge Companion to Popular Fiction, ed. David Glover and Scott McCraken, 68–85. Cambridge: Cambridge University Press.

    Chapter  Google Scholar 

  • Machen, Arthur. 1924. The London Adventure, or the Art of Wandering. London: Martin Secker.

    Google Scholar 

  • Mangham, Andrew. 2008. Life After Death: Apoplexy, Medical Ethics and the Female Undead. Women’s Writing 15 (3): 282–299.

    Article  Google Scholar 

  • ———. 2010. Buried Alive: The Gothic Awakening of Taphephobia. Journal of Literature and Science 3 (1): 10–22.

    Google Scholar 

  • McCollum, Jean. 2012. Jane Eyre and Zombies. Nineteenth-Century Gender Studies 8 (3). http://www.ncgsjournal.com/issue83/mccollum.htm. Accessed 27 July 2017.

  • McLaughin, Joseph. 2000. Writing the Urban Jungle: Reading Empire in London from Doyle to Eliot. Charlottesville and London: University Press of Virginia.

    Google Scholar 

  • Miller, Thomas. 1852. Picturesque Sketches of London, Past and Present. London: Office of the National Illustrated Library.

    Google Scholar 

  • Mitchell, Rebecca N. 2017. Punch, Steampunk, and Victorian Graphic Narrativity. In Drawing on the Victorians: The Palimpsest of Victorian and Neo-Victorian Graphic Texts, ed. Anna Maria Jones and Rebecca N. Mitchell, 237–266. Athens: Ohio University Press.

    Google Scholar 

  • Pick, Daniel. 1996. Faces of Degeneration: A European Disorder c. 1848–c. 1948. Cambridge: Cambridge University Press.

    Google Scholar 

  • Platts, Todd K. 2013. Locating Zombies in the Sociology of Popular Culture. Sociology Compass 7: 547–560.

    Article  Google Scholar 

  • Poore, Benjamin. 2012. Sherlock Holmes and the Leap of Faith: The Forces of Fandom and Convergence in Adaptations of the Holmes and Watson Stories. Adaptation 6 (2): 158–171.

    Article  Google Scholar 

  • Rose, Margaret. 2009. Extraordinary Pasts: Steampunk as a Mode of Historical Representation. Journal of the Fantastic in the Arts 20 (3): 319–333.

    Google Scholar 

  • Rowbotham, Judith, and Kim Stevenson. 2003. Introduction: Behaving Badly. In Behaving Badly: Social Panic and Moral Outrage—Victorian and Modern Parallels, ed. Judith Rowbotham and Kim Stevenson, 1–14. Aldershot: Ashgate.

    Google Scholar 

  • Rhys, Jean. 1968. Wide Sargasso Sea. Harmondsworth: Penguin.

    Google Scholar 

  • Sinclair, Iain. 1997. Lights Out for Territory. London: Granta.

    Google Scholar 

  • ———. 2004. White Chappell, Scarlet Tracings. London: Penguin.

    Google Scholar 

  • Slutkin, Gary. 2011. The Observer, August 14. http://www.theguardian.com/uk/2011/aug/14/rioting-disease-spread-from-person-to-person (added emphasis). Accessed 25 July 2016.

  • Sweet, Matthew. 2001. Inventing the Victorians. London: Faber & Faber.

    Google Scholar 

  • ‘The Unquiet Dead’. 2005 [TV series]. dir. Euros Lyn. Written by Mark Gatiss. Doctor Who. UK: BBC1, 9 April.

    Google Scholar 

  • Thomas, Ronald R. 1994. The Fingerprint of the Foreigner: Colonizing the Criminal Body in 1890s Detective Fiction and Criminal Anthropology. ELH 61 (3): 655–683.

    Article  Google Scholar 

  • ———. 1999. Detective Fiction and the Rise of Forensic Science. Cambridge: Cambridge University Press.

    Google Scholar 

  • Wardrop, Murray. 2011. London Riots: Croydon Residents Leap from Burning Buildings as Capital Burns. The Telegraph, August 11. https://www.telegraph.co.uk/news/uknews/crime/8690213/London-riots-Croydon-residents-leap-from-burning-buildings-as-capital-burns.html. Accessed 25 July 2017.

  • Wolfreys, Julian. 1998. Writing London, Vol. 1: The Traces of the Urban Text from Blake to Dickens. Basingstoke: Palgrave.

    Book  Google Scholar 

  • ———. 2002. Victorian Hauntings: Spectrality, Gothic, the Uncanny and Literature. Basingstoke: Palgrave.

    Google Scholar 

  • Wood, Robin. 1968. Hollywood from Vietnam to Regan. New York: Columbia University Press.

    Google Scholar 

  • Wynne, Catherine. 2013. Introduction: From Baker Street to Undershaw and Beyond. In Sherlock Holmes and Conan Doyle: Multi-media Afterlives, ed. Sabine Vanacher and Catherine Wynne, 1–18. Basingstoke: Palgrave.

    Google Scholar 

  • Žižek, Slavoj. 1992. Looking Awry: An Introduction to Jacques Lacan Through Popular Culture. Cambridge: The MIT Press.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Rights and permissions

Reprints and permissions

Copyright information

© 2018 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Tomaiuolo, S. (2018). Reanimating the Zombies of (Nineteenth-Century) London in Victorian Undead. In: Deviance in Neo-Victorian Culture. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-96950-3_4

Download citation

Publish with us

Policies and ethics