Abstract
The graphic novel Victorian Undead: Sherlock Holmes vs Zombies! (2010), written by Ian Edginton, illustrated by Davide Fabbri and set in London, is an example of neo-Victorian cultural and historical rewriting of the past: in an alternative late nineteenth-century (the story is set in 1898) London is invaded by a horde of ravenous zombies, against which Sherlock Holmes and Watson fight in order to save the British Empire. Whereas the depiction of zombies as social outcasts and racial aliens in Victorian Undead replicates Conan Doyle’s retracing of crimes as coming from the socially ‘deviant’ representatives of lower classes and colonial aliens, at the same time the image of Victorian zombies ravaging London streets reflects the impact that contemporary perceptions of urban of violence have on the re-visioning of the Victorian age. This chapter will also include references to psychogeographic studies, and to Iain Sinclair’s White Chappell, Scarlet Tracings, read in light of the issues raised in Victorian Undead.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Works Cited
Ackroyd, Peter. 2001. London: A Biography. Vintage: London.
Agathocleous, Tanya. 2011. Urban Realism and the Cosmopolitan Imagination in the Nineteenth Century. Cambridge and New York: Cambridge University Press.
Arata, Stephen D. 1990. The Occidental Tourist: Dracula and the Anxiety of Reverse Colonization. Victorian Studies 33 (4): 621–645.
Arias, Rosario, and Patricia Pulham. 2010. Introduction. In Haunting and Spectrality in Neo-Victorian Fiction: Possessing the Past, ed. Rosario Arias and Patricia Pulham, ix–xxvi. Basingstoke: Palgrave.
Ascari, Maurizio. 2007. A Counter-History of Crime Fiction: Supernatural, Gothic, Sensational. Basingstoke: Palgrave.
Behlmer, George K. 2003. Grave Doubts: Victorian Medicine, Moral Panic, and the Signs of Death. Journal of British Studies 42 (2): 206–235.
Bishop, Kyle William. 2010. American Zombie Gothic: The Rise and Fall (and Rise) of the Walking Dead in Popular Culture, foreword by Jerrold E. Hogle. Jefferson: McFarland.
Booth, William. 1890. In Darkest England and the Way Out. London: International Headquarters of the Salvation Army.
Bowler, Alexia L., and Jessica Cox. 2009–2010. Introduction to Adapting the Nineteenth Century: Revisiting, Revising and Rewriting the Past. Neo-Victorian Studies. Special Issue: Adapting the Nineteenth Century 2 (2): 1–17.
Chute, Hillary, and Marianne DeKoven. 2012. Comic Books and Graphic Novels. In The Cambridge Companion to Popular Fiction, ed. David Glover and Scott McCraken, 175–195. Cambridge: Cambridge University Press.
Clinard, Marshall B., and Robert F. Meier. 2008 [1957]. Sociology of Deviant Behaviour. Boston: Wadsworth Cengage Learning.
Cohen, Jeffrey Jerome. 1996. Monster Culture (Seven Theses). In Monster Theory: Reading Culture, ed. Jeffrey Jerome Cohen, 3–25. London and Minneapolis: University of Minnesota Press.
Conrad, Joseph. 1998. Heart of Darkness and Other Tales, ed. Cedric Watts. Oxford and New York: Oxford University Press.
Coverley, Merlin. 2010. Psychogeography. Harpenden: Pocket Essentials.
Davie, Neil. 2006. Tracing the Criminal: The Rise of Scientific Criminology in Britain 1860–1919. Oxford: The Bardwell Press.
Debord, Guy. 1981. Introduction to a Critique of Urban Geography [1955]. In Situationist International Anthology, ed. Ken Knabb, 23–27. Berkeley: Bureau of Public Secrets.
Dendle, Peter. 2007. The Zombie as a Barometer of Cultural Anxiety. In Monsters and the Monstrous: Myths and Metaphors of Enduring Evil, ed. Niall Scott, 45–57. Rodopi: Amsterdam and New York.
Dickens, Charles. 1861. The Uncommercial Traveller. London: Chapman and Hall.
Dobraszczny, Paul. 2012. London Under London: Mapping Neo-Victorian Spaces of Horror. In Neo-Victorian Gothic: Horror, Violence and Degeneration in the Re-imagined Nineteenth Century, ed. Marie-Luise Kohlke and Christian Gutleben, 227–245. Amsterdam and New York: Rodopi.
Doyle, Arthur Conan. 1996. The Adventures of Sherlock Holmes. Introduction and Notes by Julian Wolfreys. Ware: Wordsworth Classics.
Edginton, Ian, and Davide Fabbri. 2010. Victorian Undead: Sherlock Holmes vs Zombies! La Jolla: Wildstorm Production, an imprint of DC Comics.
Ellis, Havelock. 1972 [1890]. The Criminal. Montclair: Patterson Smith.
Ferguson, Christine. 2009. Steam Punk and the Visualization of the Victorian: Teaching Alan Moore’s The League of Extraordinary Gentlemen and From Hell. In Teaching the Graphic Novel, ed. Stephen E. Tabachnick, 200–207. New York: The Modern Language Association of America.
Flint, Kate. 2000. The Victorians and the Visual Imagination. Cambridge and New York: Cambridge University Press.
Frank, Lawrence. 2003. Victorian Detective Fiction and the Nature of Evidence: The Scientific Investigations of Poe, Dickens, and Doyle. Basingstoke: Palgrave.
Freeman, Nicholas. 2007. Conceiving the City: London, Literature, and Art 1870–1914. Oxford and New York: Oxford University Press.
Genette, Gérard. 1997. Palimpsests: Literature in the Second Degree [1982], trans. Channa Newman and Claude Doubinsky. Lincoln: University of Nebraska Press.
Groes, Sebastian. 2011. The Making of London: London in Contemporary Literature. Basingstoke: Palgrave.
Gwynne, C.N. 1888. Are We Degenerating Physically? The Lancet, December 22: 1257.
Hadley, Louisa. 2010. Victorian Fiction and Historical Narrative: The Victorians and Us. Basingstoke: Palgrave.
Heilmann, Ann, and Mark Llewellyn. 2010. Neo-Victorianism: The Victorians in the Twenty-First Century, 1999–2009. Basingstoke: Palgrave.
Ho, Elizabeth. 2006. Postimperial Landscapes: “Psychogeography” and Englishness in Alan Moore’s Graphic Novel From Hell: A Melodrama in Sixteen Parts. Cultural Critique 63: 99–121.
Hollingshead, John. 1862. Underground London. London: Groombridge and Sons.
Joyce, Simon. 2007. The Victorians in the Rearview Mirror. Athens: Ohio University Press.
Knight, Stephen. 1976. Jack the Ripper: The Final Solution. London: George G. Harrap.
Kohlke, Marie-Luise, and Christian Gutleben. 2012. The (Mis)Shapes of Neo-Victorian Gothic: Continuations, Adaptations, Transformations. In Neo-Victorian Gothic: Horror, Violence and Degeneration in the Re-imagined Nineteenth Century, ed. Marie-Luise Kohlke and Christian Gutleben, 1–48. Amsterdam and New York: Rodopi.
———. 2015. Troping of the Neo-Victorian City: Strategies of Reconsidering the Metropolis. In Neo-Victorian Cities: Reassessing Urban Politics and Poetics, ed. Marie-Luise Kohlke and Christian Gutleben, 1–40. Leiden and Boston: Brill Rodopi.
Lockhurst, Roger. 2012. The Public Sphere, Popular Culture and the True Meaning of the Zombie Apocalypse. In The Cambridge Companion to Popular Fiction, ed. David Glover and Scott McCraken, 68–85. Cambridge: Cambridge University Press.
Machen, Arthur. 1924. The London Adventure, or the Art of Wandering. London: Martin Secker.
Mangham, Andrew. 2008. Life After Death: Apoplexy, Medical Ethics and the Female Undead. Women’s Writing 15 (3): 282–299.
———. 2010. Buried Alive: The Gothic Awakening of Taphephobia. Journal of Literature and Science 3 (1): 10–22.
McCollum, Jean. 2012. Jane Eyre and Zombies. Nineteenth-Century Gender Studies 8 (3). http://www.ncgsjournal.com/issue83/mccollum.htm. Accessed 27 July 2017.
McLaughin, Joseph. 2000. Writing the Urban Jungle: Reading Empire in London from Doyle to Eliot. Charlottesville and London: University Press of Virginia.
Miller, Thomas. 1852. Picturesque Sketches of London, Past and Present. London: Office of the National Illustrated Library.
Mitchell, Rebecca N. 2017. Punch, Steampunk, and Victorian Graphic Narrativity. In Drawing on the Victorians: The Palimpsest of Victorian and Neo-Victorian Graphic Texts, ed. Anna Maria Jones and Rebecca N. Mitchell, 237–266. Athens: Ohio University Press.
Pick, Daniel. 1996. Faces of Degeneration: A European Disorder c. 1848–c. 1948. Cambridge: Cambridge University Press.
Platts, Todd K. 2013. Locating Zombies in the Sociology of Popular Culture. Sociology Compass 7: 547–560.
Poore, Benjamin. 2012. Sherlock Holmes and the Leap of Faith: The Forces of Fandom and Convergence in Adaptations of the Holmes and Watson Stories. Adaptation 6 (2): 158–171.
Rose, Margaret. 2009. Extraordinary Pasts: Steampunk as a Mode of Historical Representation. Journal of the Fantastic in the Arts 20 (3): 319–333.
Rowbotham, Judith, and Kim Stevenson. 2003. Introduction: Behaving Badly. In Behaving Badly: Social Panic and Moral Outrage—Victorian and Modern Parallels, ed. Judith Rowbotham and Kim Stevenson, 1–14. Aldershot: Ashgate.
Rhys, Jean. 1968. Wide Sargasso Sea. Harmondsworth: Penguin.
Sinclair, Iain. 1997. Lights Out for Territory. London: Granta.
———. 2004. White Chappell, Scarlet Tracings. London: Penguin.
Slutkin, Gary. 2011. The Observer, August 14. http://www.theguardian.com/uk/2011/aug/14/rioting-disease-spread-from-person-to-person (added emphasis). Accessed 25 July 2016.
Sweet, Matthew. 2001. Inventing the Victorians. London: Faber & Faber.
‘The Unquiet Dead’. 2005 [TV series]. dir. Euros Lyn. Written by Mark Gatiss. Doctor Who. UK: BBC1, 9 April.
Thomas, Ronald R. 1994. The Fingerprint of the Foreigner: Colonizing the Criminal Body in 1890s Detective Fiction and Criminal Anthropology. ELH 61 (3): 655–683.
———. 1999. Detective Fiction and the Rise of Forensic Science. Cambridge: Cambridge University Press.
Wardrop, Murray. 2011. London Riots: Croydon Residents Leap from Burning Buildings as Capital Burns. The Telegraph, August 11. https://www.telegraph.co.uk/news/uknews/crime/8690213/London-riots-Croydon-residents-leap-from-burning-buildings-as-capital-burns.html. Accessed 25 July 2017.
Wolfreys, Julian. 1998. Writing London, Vol. 1: The Traces of the Urban Text from Blake to Dickens. Basingstoke: Palgrave.
———. 2002. Victorian Hauntings: Spectrality, Gothic, the Uncanny and Literature. Basingstoke: Palgrave.
Wood, Robin. 1968. Hollywood from Vietnam to Regan. New York: Columbia University Press.
Wynne, Catherine. 2013. Introduction: From Baker Street to Undershaw and Beyond. In Sherlock Holmes and Conan Doyle: Multi-media Afterlives, ed. Sabine Vanacher and Catherine Wynne, 1–18. Basingstoke: Palgrave.
Žižek, Slavoj. 1992. Looking Awry: An Introduction to Jacques Lacan Through Popular Culture. Cambridge: The MIT Press.
Author information
Authors and Affiliations
Rights and permissions
Copyright information
© 2018 The Author(s)
About this chapter
Cite this chapter
Tomaiuolo, S. (2018). Reanimating the Zombies of (Nineteenth-Century) London in Victorian Undead. In: Deviance in Neo-Victorian Culture. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-96950-3_4
Download citation
DOI: https://doi.org/10.1007/978-3-319-96950-3_4
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-319-96949-7
Online ISBN: 978-3-319-96950-3
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)