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Designing with Shadow/in Architectural Lighting Design

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ICGG 2018 - Proceedings of the 18th International Conference on Geometry and Graphics (ICGG 2018)

Part of the book series: Advances in Intelligent Systems and Computing ((AISC,volume 809))

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Abstract

Light and shadow are different in terms of physical characteristic and its phenomenon but originally, they are synonymous. It is because light is first perceived by having shadow, and the shadow does not exist without light. As a lighting designer, I have been practicing my work understanding this “designing light = designing shadow” since 40 years ago. By keep saying “designing shadow” without saying “designing light”, strangely, it leads very different outcome. Especially, we have a masterpiece by Junichiro Tanizaki called In Praise of Shadow describing Japanese aesthetic sense which is different from Western one, and as a result of this, my lighting design comes to be different from that in Western countries. I published one book called Designing with Shadow in 2010. In this book, I mention 13 keywords to describe shadow, and explain the lighting design. These 13 keywords include the words which might not directly relate research on geometry and graphics such as “Sparkling”, “Ambient”, “Layer”, “Coloring” and “Ecology”. So, I select 5 keywords from my work which might relate geometry and graphics, and would like to explore the ecology of shadow and its meaning as a design element. First of all, it is “Gradation”. This is the most important phenomenon of light and shadow for me which is the range laying between white and black. In other words, it is range that is neither light nor shadow, or the phenomenon that occurs where light and shadow intersect. I perceive the depth of shadow to the gradation that gradually vanishes. Other 4 words are “Contrast”, “Utsuroi”, “Sequence” and “Urban Planning”. In particular, “Utsuroi” is the Japanese unique word showing a relaxed time shifting. We cannot find a proper word to translate this in other languages. This is also magic of shadow that shows sift of time in nature, and this is a part of Japanese aesthetic sense.

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References

  1. Mende, K., LPA: Designing with Shadow/Lighting Design for Urban Environments and Architecture. Rikuyosha Co., Ltd. (2010)

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  2. Mende, K., LPA: LPA 1990–2015/Tide of Architectural Lighting Design. Rikuyosha Co., Ltd. (2015)

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  3. Tanizaki, J.: In Praise of Shadows. Chuokoron-Shinsha, Inc. (1975)

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  4. Mende, K., LPA: A Manner in Architectural Lighting Design. TOTO Publishing Co. (1999)

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Correspondence to Kaoru Mende .

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Appendix

Appendix

See Projects 1, 2, 3, 4, 5, 6, 7, 8, 9, 10.

Project 1.
figure 10

Kyoto State Guest House, 2005 Kyoto, Japan/Nikken Sekkei

Project 2.
figure 11

Preservation and Restoration of the Tokyo Station Marunouchi Building, 2012, Tokyo, Japan/East Japan Railway Tokyo Construction Office, JR East Tokyo Electrical Construction and System Integration Office, JR East Design and JR East Consultants

Project 3.
figure 12

Aman New Delhi 2009, New Delhi, India/Kerry Hill Architects

Project 4.
figure 13

Kyoto Station Building, 1997, Kyoto, Japan/Hiroshi Hara + Atelier φ

Project 5.
figure 14

Reflections at Keppel Bay, 2011, Singapore/Studio Daniel Libeskind, DCA Architects

Project 6.
figure 15

China Central Television (CCTV), 2012, Beijing, China/OMA

Project 7.
figure 16

Jewel Changi Airport, on-going, Singapore/Safdie Architects, Benoy Architects, RSP Architects Planners and Engineers

Project 8.
figure 17

Commemorating the 50th Anniversary of the Reconstruction of Meiji Jingu, 2008 Tokyo, Japan

Project 9.
figure 18

Lighting Master Plan for Singapore’s City Centre

Project 10.
figure 19

Gardens by the Bay, Bay South, 2012, Singapore/Grant Associates, Wilkinson Eyre Architects, CPG Consultants

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Mende, K. (2019). Designing with Shadow/in Architectural Lighting Design. In: Cocchiarella, L. (eds) ICGG 2018 - Proceedings of the 18th International Conference on Geometry and Graphics. ICGG 2018. Advances in Intelligent Systems and Computing, vol 809. Springer, Cham. https://doi.org/10.1007/978-3-319-95588-9_6

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  • DOI: https://doi.org/10.1007/978-3-319-95588-9_6

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  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-319-95587-2

  • Online ISBN: 978-3-319-95588-9

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