Honky Tonk Filmmaking

Moody, Paul

doi:10.1007/978-3-319-94803-4_9

Paul Moody²

79 Accesses

Abstract

This chapter charts EMI’s withdrawal from big-budget Hollywood filmmaking in the wake of two critical and commercial disasters, Can’t Stop the Music and Honky Tonk Freeway, the latter of which lost the company over $20 million. Using documents from the BBFC and the private papers of some of the key directors and producers during this period, the chapter analyses the various problems faced by the company until its eventual takeover by Thorn.

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Notes

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Brunel University London, London, UK
Paul Moody

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Moody, P. (2018). Honky Tonk Filmmaking. In: EMI Films and the Limits of British Cinema. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-94803-4_9

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DOI: https://doi.org/10.1007/978-3-319-94803-4_9
Published: 20 October 2018
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-319-94802-7
Online ISBN: 978-3-319-94803-4
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)

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