Skip to main content

Introduction

  • Chapter
  • First Online:
The Talent Industry
  • 379 Accesses

Abstract

This chapter identifies the challenge being faced by the UK television industry as it seeks to renew itself through the capture of new on- and off-screen talents. It examines some of the broader changes taking place in the industry, including increased competition from new over-the-top (OTT) services such as Netflix. It highlights the key role cultural intermediaries such as talent agents and commissioning editors of television play in identifying and developing new talent. Focusing on the key question of how television in the multi-platform era identifies, nurtures and develops talent, this chapter also raises definitional issues around how the term ‘talent’ is used in television and outlines the structure of the book.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 79.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

References

  • Beck, U. (2000). The Brave New World of Work. Cambridge: Polity Press.

    Google Scholar 

  • Bourdieu, P. (1984). Distinction: A Social Critique of the Judgement of Taste. Cambridge, MA: Harvard University Press.

    Google Scholar 

  • Corbett, R. (2006). The Autobiography of the Two Ronnies. London: Penguin.

    Google Scholar 

  • Davies, C. (2018, March 4). Tony Hall: BBC Must Fight US Tech Firms to Protect British Values. The Guardian. https://www.theguardian.com/media/tony-hall. Accessed 5 March 2018.

  • Dunleavy, T. (2018). Complex Serial Drama and Multiplatform Television. London: Routledge.

    Google Scholar 

  • Enders Analysis. (2017, March 14). How Is TV Catering for Oldest and Most Loyal Audience. London: Enders Analysis.

    Google Scholar 

  • Kuipers, G. (2014). Ethnographic Research and Cultural Intermediaries. In J. Smith Maguire & J. Matthews (Eds.), The Cultural Intermediaries Reader. London: Routledge.

    Google Scholar 

  • Landau, N. (2016). TV Outside the Box: Trailblazing in the Digital Television Revolution. New York: Focal Press.

    Google Scholar 

  • Littler, J. (2018). Against Meritocracy: Culture, Power and Myths of Mobility. London: Routledge.

    Google Scholar 

  • Lotz, A. (2017). Portals: A Treatise on Internet-Distributed Television. Ann Arbor: Michigan Publishing Services.

    Book  Google Scholar 

  • Oliver & Ohlbaum Associates. (2015). A Review of the BBC’s Arrangements for Managing On-Screen and On-Air Talent. London: Oliver & Ohlbaum Associates.

    Google Scholar 

  • Roussel, V. (2017). Representing Talent: Hollywood Agents and the Making of Movies. Chicago: The University of Chicago Press.

    Book  Google Scholar 

  • Sweney, M. (2018, February 14). Ryan Murphy Joins Netlflix in Unprecedented ‘Mega Deal’. The Guardian. https://www.theguardian.com/tv-and-radio/2018/feb/14/ryan-murphy-joins-netflix-in-unprecedented-mega-deal. Accessed 14 February.

  • Thompson, J. B. (2017). Merchants of Culture: The Publishing Business in the Twenty-First Century (2nd ed.). Cambridge: Polity Press.

    Google Scholar 

  • Tunstall, J. (1971). Journalist at Work: Specialist Correspondents, Their News Organizations, News-Sources and Competitor-Colleagues. London: Constable.

    Google Scholar 

  • Tunstall, J. (1993). Television Producers. London: Routledge.

    Book  Google Scholar 

  • Tunstall, J. (Ed.). (2001). Media Occupations and Professions: A Reader. Oxford: Oxford University Press.

    Google Scholar 

  • Tunstall, J. (2015). BBC and Television Genres in Jeopardy. Bern: Peter Lang.

    Book  Google Scholar 

  • Wolk, A. (2015). Over The Top: How the Internet Is (Slowly but Surely) Changing the Television Industry. London: Amazon.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Raymond Boyle .

Rights and permissions

Reprints and permissions

Copyright information

© 2018 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Boyle, R. (2018). Introduction. In: The Talent Industry. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-94379-4_1

Download citation

Publish with us

Policies and ethics