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Newsreel Production, Distribution and Exhibition in Belgium, 1908–1994

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Researching Newsreels

Part of the book series: Global Cinema ((GLOBALCINE))

Abstract

This chapter surveys the history of newsreels in Belgium from the introduction of the newsreel genre by French companies and their international competitors (1908) to the disappearance of the main Belgian newsreel Belgavox (1994). It is based on original archival materials and secondary literature, and it contextualizes the Belgian film market within a broader international framework.

Until the Second World War, the open, liberal film market of Belgium was almost completely dependent on foreign suppliers of newsreels. Attempts to establish a local newsreel met with obstacles of a structural-economic (limited market), commercial (market agreements and package deals) and political nature (lack of official support). After the Second World War, the Belgavox newsreel was established. It was able to compete with large foreign enterprises owing to official Belgian support and, as a result, lasted longer than most other newsreels only disappearing in 1994.

In this edited collection on newsreels, Belgium serves as a case study of: (1) the ways in which large international companies competed with each other in small markets; (2) the ways in which local audiences, intelligentsia and authorities reacted to those newsreels; and (3) the difficulties smaller enterprises encountered when they tried to create and distribute their own newsreel. This contribution addresses not only the structure of the market, but also the historical reception and the content of the newsreels, which centred on ‘soft’ and small news items.

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Notes

  1. 1.

    Biltereyst, D. & Vande Winkel, R. (2009) Filmjournaals in België (1918–1994), pp. 53–92 in Belgisch Tijdschrift voor Nieuwste Geschiedenis, 39 (1–2).

  2. 2.

    Vande Winkel, R. (2006) Newsreel Series: World Overview, pp. 985–991 in Aitken, I. (ed.) Encyclopedia of the Documentary Film. New York; London: Routledge.

  3. 3.

    Convents, G. (2000) Van Kinetoscoop tot café-ciné. Leuven: Universitaire Pers Leuven, pp. 75–78.

  4. 4.

    Thys, M. (ed.) (1999) Belgian cinema/Le Cinéma Belge/De Belgische Film. Gent: Ludion, p. 34.

  5. 5.

    Bolen, F. (1978) Histoire authentique, anecdotique, folklorique et critique du cinéma belge depuis ses plus lointaines origines. Bruxelles: Memo & Codex, p. 34; Dooms, M.G. (1971), 25 ans d’actualités filmées belges. Bruxelles: Editions de la Fédération des Industries Belges.

  6. 6.

    Convents, G. (2009) Van gefilmde actualiteiten tot bioscoopjournaal in België: De ontwikkeling van het nieuws op het witte doek (1896–1918), pp. 27–52 in Belgisch Tijdschrift voor Nieuwste Geschiedenis, 39 (1–2).

  7. 7.

    Kerbamon, J. (1994) Pathé: Premier Empire du Cinéma. Paris: Editions du Centre Pompidou, p. 21.

  8. 8.

    Thys (1999), p. 52.

  9. 9.

    Ibid., p. 62.

  10. 10.

    Vincke, C. (1981) De evolutie van het filmjournaal in België. Brussel, Vrije Universiteit Brussel (unpublished Master’s thesis), p. 53.

  11. 11.

    Biltereyst, D. (2007) De disciplinering van een medium. Filmvertoningen tijdens het Interbellum, pp. 45–61 in Biltereyst, D. & Meers, P. (ed.) De Verlichte Stad. Een geschiedenis van bioscopen, filmvertoningen en filmcultuur in Vlaanderen. Leuven: LannooCampus.

  12. 12.

    Biltereyst, D. & Depauw, L. (2009) Overheidscontrole op gefilmd nieuws: De invloed van de Belgische Filmkeuringscommissie en de regering op filmactualiteiten (1919–1940), pp. 139–176 in Belgisch Tijdschrift voor Nieuwste Geschiedenis, 39 (1–2).

  13. 13.

    Bernard, Y. (1993) L’Éclipse: L’Histoire d’une maison de production et de distribution cinématographique en France de 1906 à 1923. Paris: Université Paris VIII, p. 30; Albéra, F. & Gili, J.A. (2001) Dictionnaire du Cinéma Français des Années Vingt. Paris: AFRHC, pp. 169–176.

  14. 14.

    Fielding, R. (1978) The March of Time, 1935–1951. New York: Oxford University Press.

  15. 15.

    Vincke (1981), p. 58.

  16. 16.

    Reynebau, M. (1994) Cultuur, pp. 13–73 in R. Gobyn en W. Spried (ed.), De jaren ‘30 in België: de massa in verleiding. Brussel: ASLK—Ludion. For Belgium’s demography, see http://statbel.fgov.be/nl/statistieken/cijfers/bevolking/volkstelling/ (accessed 17 November 2017).

  17. 17.

    Biltereyst and Depauw (2009).

  18. 18.

    Vande Winkel, R. & Biltereyst, D. (2012) Filmed News and Nationalism in Belgium: Flemish Events at the Crossroads of Politics, Culture and Commerce (1929–1942), pp. 379–399 in Historical Journal of Film, Radio and Television, 32 (3).

  19. 19.

    Vande Winkel, R. (2004) Nazi newsreels in Europe, 1939–1945: The many faces of Ufa’s foreign weekly newsreel (Auslandstonwoche) versus German’s weekly newsreel (Deutsche Wochenschau), pp. 5–34 in Historical Journal of Film, Radio and Television, 24 (1); Vande Winkel, R. (2009), Belgische onderwerpen van de door de bezetter gecontroleerde UFA en BELGA filmjournaals, 1940–1944, pp. 199–236, in Belgisch Tijdschrift voor Nieuwste Geschiedenis, 39 (1–2).

  20. 20.

    Vincke (1981), p. 68; Bolen (1978), p. 231.

  21. 21.

    Dooms (1971).

  22. 22.

    Bolen (1978), p. 231; Vincke (1981), pp. 68–71.

  23. 23.

    Grobben, J. (1979) De prinsen van Belgavox, pp. 24–26 in Knack, 9 (11).

  24. 24.

    Bolen (1978), p. 232; Vincke (1981), pp. 70–71.

  25. 25.

    Bolen (1978), p. 292; Vincke (1981), p. 71.

  26. 26.

    Venken, E. (1961) Analyse du contenu des actualités cinématographiques, pp. 31–51 in Études et Recherches – Techniques de Diffusion Collective, 5.

  27. 27.

    Vincke (1981), p. 72.

  28. 28.

    Biltereyst, D. & Vande Winkel, R. (2009).

  29. 29.

    De Poorter, F. (1969) Het filmjournaal. Een marginaal informatiemedium, pp. 24–41 in Tijdschrift voor sociale wetenschappen, 15 (1); Vincke (1981), p. 76.

  30. 30.

    Grobben (1979); Vincke (1981), pp. 77 and 89.

  31. 31.

    Biltereyst, D. & Vande Winkel, R. (2004) Bewegend Geheugen. Een gids naar audiovisuele bronnen over Vlaanderen. Gent: Academia Press, p. 124.

  32. 32.

    Catelin, J. (2002) Gentse filmactualiteiten: het regionaal filmjournaal van Daska-films. Gent: Universiteit Gent (unpublished Master’s thesis); D’Hollander, K. (2005), Voir la vie en rose in West-Vlaanderen. Een kwalitatief en een kwantitatief onderzoek naar de geschiedenis van een regionaal filmjournaal in België. Gent: Universiteit Gent (unpublished Master’s thesis).

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Vande Winkel, R., Biltereyst, D. (2018). Newsreel Production, Distribution and Exhibition in Belgium, 1908–1994. In: Chambers, C., Jönsson, M., Vande Winkel, R. (eds) Researching Newsreels. Global Cinema. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-91920-1_12

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