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Comics Memory pp 281-285 | Cite as

Coda: A User Guide to Comics Memory

  • Maaheen Ahmed
  • Benoît Crucifix
Chapter
Part of the Palgrave Studies in Comics and Graphic Novels book series (PSCGN)

Abstract

This brief conclusion summarizes how memory in comics has been investigated through broad but intertwined understandings of both styles and archives in the volume. It also offers a guide to the variegated terrain of comics memory while also highlighting topics calling for further research.

References

  1. De Kosnik, Abigail. 2016. Rogue Archives: Digital Cultural Memory and Media Fandom. Cambridge: The MIT Press.Google Scholar
  2. Gardner, Jared. 2011. “Storylines.” SubStance 40 (1): 53–69.Google Scholar
  3. ———. 2012. Projections: Comics and the History of Twenty-First-Century Storytelling. Post 45. Stanford: Stanford University Press.Google Scholar
  4. Grennan, Simon. 2017. A Theory of Narrative Drawing. New York: Palgrave Macmillan.CrossRefGoogle Scholar
  5. Nora, Pierre. 1989. “Between Memory and History: Les Lieux de Mémoire.” Representations 26: 7–24.Google Scholar
  6. Rothberg, Michael. 2010. “Between Memory and Memory: From Lieux de Mémoire to Noeuds de Mémoire.” Yale French Studies 118/119: 3–12.Google Scholar
  7. Smolderen, Thierry. 2014. The Origins of Comics: From William Hogarth to Winsor McCay. Translated by Bart Beaty and Nick Nguyen. Jackson: University Press of Mississippi.Google Scholar

Copyright information

© The Author(s) 2018

Authors and Affiliations

  • Maaheen Ahmed
    • 1
  • Benoît Crucifix
    • 2
    • 3
  1. 1.Ghent UniversityGhentBelgium
  2. 2.University of LiègeLiègeBelgium
  3. 3.UCLouvainLouvainBelgium

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