Abstract
The “figure of the senses” par excellence is synaesthesia, that is, a type of metaphor in which the connection of linguistic expressions referring to different sensory modalities generates a conceptual transfer between sensory domains (e.g., in fragrant music an auditory concept acquires olfactory qualities). However, there are also other figures that can have “sensory” instances, and such instances may easily be mistaken for synaesthesia. This chapter analyses examples of metonymy, hypallage, and simile, and discusses whether and how these figures interact with synaesthesia. It is also shown that, due to their different natures and properties, synaesthesia and the other figures “play” with the senses in different ways. In particular, preferences as to which senses are associated with which other senses can only be observed for synaesthesia. More generally, it is here argued that failing to distinguish between synaesthesia and other figures may result in a flawed discussion of synaesthesia.
I thank Michele Prandi and Bodo Winter for their comments and many helpful suggestions on an earlier version of this chapter.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Notes
- 1.
“Linguistic synaesthesia” is used in opposition to “neuropsychological synaesthesia”, the condition by which sensory modalities are associated in perceptual experience (Cytowic 1989; Simner and Hubbard 2013). Since this study deals with linguistic synaesthesia only, for sake of brevity in what follows I simply refer to synaesthesia without further specification.
- 2.
“[P]erception verbs like hear may exploit the Qualia values of their internal arguments, if those are entities whose primary function (purpose) is to emit a sound (bell, siren, alarm clock etc.)” (Pustejovsky and Ježek 2008: 197).
- 3.
Counterdirectional transfers are of course possible. As Ullmann (1957: 290) points out, the “laws” concerning synaesthetic transfers are “statistical in their very essence. They deal with ‘population figures’, common and recurrent patterns, but will yield no information concerning individual transfers”.
References
Anderson, E. R. (1998). A grammar of Iconism. London: Associated University Press.
Bethlehem, L. S. (1996). Simile and figurative language. Poetics Today, 17(2), 203–240.
Bretones-Callejas, C. (2001). Synaesthetic metaphors in English. Technical Reports, TR 01-008. Berkeley: ICSI.
Cacciari, C. (2008). Crossing the senses in metaphorical language. In R. W. Gibbs (Ed.), The Cambridge handbook of metaphor and thought (pp. 425–443). New York: Cambridge University Press.
Cytowic, R. E. (2002). Synesthesia: A union of the senses (2nd ed.). Cambridge: MIT Press (1st Edition: Springer–Verlag, 1989).
Davidson, D. (1978). What metaphors mean. Critical Inquiry, 5(1), 31–47.
Dombi, E. (1974). Synaesthesia and poetry. Poetics, 3(3), 23–44.
Downey, J. E. (1912). Literary synesthesia. The Journal of Philosophy, Psychology, and Scientific Methods, 9(18), 490–498.
Goodman, N. (1968). Languages of art. An approach to a theory of symbols. Indianapolis: The Bobbs-Merrill Company.
Hanks, P. (2005). Similes and sets: The English preposition like. In R. Blatná & V. Petkevič (Eds.), Jazyky a jazykovĕda (Languages and Linguistics: Festschrift for Professor Fr. Čermák). Prague: Philosophy Faculty of the Charles University. http://www.patrickhanks.com/uploads/5/1/4/9/5149363/similes_and_sets.pdf. Accessed January 27, 2018.
Ibarretxe-Antuñano, I. (2013). The power of the senses and the role of culture in metaphor and language. In R. Caballero & J. E. Díaz Vera (Eds.), Sensuous cognition: Explorations into human sentience: Imagination, (e)motion, and perception (pp. 109–133). Berlin: de Gruyter.
Lakoff, G., & Johnson, M. (1980). Metaphors we live by. Chicago: Chicago University Press.
Lakoff, G., & Johnson, M. (1999). Philosophy in the flesh. The embodied mind and its challenge to western thought. New York: Basic Books.
Lehrer, A. (1978). Structures of the lexicon and transfers of meaning. Lingua, 45, 95–123.
Levine, C. (2013). Rhyme, rhythm, violence: Elizabeth Barrett Browning on slavery. In M. Bevis (Ed.), The Oxford handbook of victorian poetry (pp. 309–322). Oxford: Oxford University Press.
Levinson, S. C., & Majid, A. (2014). Differential ineffability and the senses. Mind and Language, 29, 407–427.
Marotta, G. (2011). Perché i colori chiassosi non fanno chiasso? Vincoli semantici e sintattici sulle associazioni sinestetiche. Archivio Glottologico Italiano, 96(2), 195–220.
Marotta, G. (2012). Sinestesie tra vista, udito e dintorni. Un’analisi semantica distribuzionale. In M. Catricalà (Ed.), Sinestesie e monoestesie. Prospettive a confronto (pp. 19–51). Milano: Franco Angeli.
Paillard, M. (2002). From figures of speech to lexical units: an English-French contrastive approach to hypallage and metonymy. In B. Altenberg & S. Granger (Eds.), Lexis in contrast. Corpus-based approaches (pp. 175–185). Amsterdam: John Benjamins.
Paissa, P. (1995). La sinestesia. Storia e analisi del concetto. Brescia: La Scuola.
Petőfi, S. J. (1969). On the structural analysis and typology of poetic images. In F. Kiefer (Ed.), Studies in syntax and semantics (pp. 187–230). Dordrecht: Reidel.
Prandi, M. (2004). The building blocks of meaning. Amsterdam/Philadelphia: John Benjamins.
Prandi, M. (2010). Typology of metaphors: Implications for translation. Mutatis mutandis, 3(2), 304–332.
Prandi, M. (2017). Conceptual conflicts in metaphor and figurative language. New York, London: Routledge.
Pustejovsky, J. (2011). Coercion in a general theory of argument selection. Journal of Linguistics, 49(6), 1401–1431.
Pustejovsky, J., & Ježek, E. (2008). Semantic coercion in language: Beyond distributional analysis. In A. Lenci (Ed.), Distributional models of the Lexicon in linguistics and cognitive science. (Special issue of Italian Journal of Linguistics, 20 (1), 181–214).
Ronga, I., Bazzanella, C., Rossi, et al. (2012). Linguistic synaesthesia, perceptual synaesthesia, and the interaction between multiple sensory modalities. Pragmatics & Cognition, 20(1), 135–167.
San Roque, L., Kendrick, K. H., Norcliffe, et al. (2015). Vision verbs dominate in conversation across cultures, but the ranking of non-visual verbs varies. Cognitive Linguistics, 26, 31–60.
Searle, J. R. (1993 [1979]). Metaphor. In A. Ortony (Ed.), Metaphor and thought (2nd ed., pp. 92–123). Cambridge: Cambridge University Press.
Shen, Y., & Cohen, M. (1998). How come silence is sweet but sweetness is not silent: A cognitive account of directionality in Poetic synaesthesia. Language and Literature, 7(2), 123–140.
Shen, Y., & Gil, D. (2008). Sweet fragrances from Indonesia: A universal principle governing directionality in synaesthetic metaphors. In W. van Peer & J. Auracher (Eds.), New beginnings in literary studies (pp. 49–71). Newcastle upon Tyne: Cambridge Scholars Publishing.
Simner, J., & Hubbard, E. M. (Eds.). (2013). Oxford handbook of synesthesia. Oxford: Oxford University Press.
Strik Lievers, F. (2015). Synaesthesia: A corpus-based study of cross-modal directionality. Functions of Language, 22(1), 69–94.
Strik Lievers, F. (2016). Synaesthetic metaphors in translation. Studi e Saggi Linguistici, LIV, 1, 43–69.
Strik Lievers, F. (2017). Figures and the senses. Towards a definition of synaesthesia. Review of Cognitive Linguistics, 15(1), 83–101.
Strik Lievers, F., & Winter, B. (2018). Sensory language across lexical categories. Lingua, 204, 45–61.
Sweetser, E. (1990). From etymology to pragmatics. Metaphorical and cultural aspects of semantic structure. Cambridge: Cambridge University Press.
Targhetta, F. (2008). Corrado Govoni 1903–1907 (Unpublished Ph.D. dissertation). Università di Padova. http://paduaresearch.cab.unipd.it/584/1/targhetta-2008-corrado_govoni_1903-1907.pdf. Accessed January 27, 2018.
Tornitore, T. (2000). Sinestesie. Proposta di definizione e classificazione. Lingua e Stile, XXXV, 2, 303–314.
Ullmann, S. (1942). Composite metaphors in Longfellow’s poetry. The Review of English Studies, 18(70), 219–228.
Ullmann, S. (1957). The principles of semantics. Glasgow: Jackson.
Verbeek, C. (2017). Scented colours: The role of olfaction in Futurism and olfactory (re-)constructions. In I. Heywood (Ed.), Sensory arts and design (pp. 107–120). London/ Oxford: Bloomsbury.
Werning, M., Fleischhauer, J., Beseoglu, H. (2006). The cognitive accessibility of synaesthetic metaphors. In R. Sun & N. Miyake (Eds.), Proceedings of the Twenty eighth Annual Conference of the Cognitive Science Society (pp. 2365–2370).
Williams, J. (1976). Synaesthetic adjectives: A possible law of semantic change. Language, 52, 461–478.
Winter, B. (2016a). The sensory structure of the English lexicon (Unpublished Ph.D. dissertation). UC Merced.
Winter, B. (2016b). Taste and smell words form an affectively loaded part of the English lexicon. Language, Cognition and Neuroscience, 31, 975–988.
Primary sources
Barrett Browning, E. (1850). Poems (Vol. 1). London: Chapman and Hall.
Dowson, E. C. (1919). The poems and prose Of Ernest Dowson. New York: The Modern Library.
Govoni, C. (1924). Il quaderno dei sogni e delle stelle. Milano: Mondadori.
Longfellow, H. W. (1866). The complete works of Henry Wadsworth Longfellow Boston. Massachusetts: Ticknor & Fields.
Marinetti, F. T. (1925). I nuovi poeti futuristi. Milano: Edizioni Futuriste di Poesia.
Payne, R. L. (2004). A selection of modern Italian poetry in Translation. Montreal: McGill-Queen’s University Press.
Shelley, P. B. (1818). The revolt of Islam. A poem, in twelve Cantos. London: C. and J. Ollier.
Süskind, P. (1985). Das Parfum: Die Geschichte eines Mörders. Zürich: Diogenes. (J. E. Woods. Perfume: The story of a murder: New York: Vintage International, 1986, Trans.).
Swinburne, A. C. (1866). Poems and ballads. London: John Camden Hotten, Piccadilly.
The British National Corpus (BNC). Version 3 (BNC XML Edition) (2007) Distributed by Oxford University Computing Services on behalf of the BNC Consortium. http://www.natcorp.ox.ac.uk/.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2018 Springer Nature Switzerland AG
About this chapter
Cite this chapter
Strik Lievers, F. (2018). Synaesthesia and Other Figures. What the Senses Tell Us About Figurative Language. In: Baicchi, A., Digonnet, R., Sandford, J. (eds) Sensory Perceptions in Language, Embodiment and Epistemology. Studies in Applied Philosophy, Epistemology and Rational Ethics, vol 42. Springer, Cham. https://doi.org/10.1007/978-3-319-91277-6_11
Download citation
DOI: https://doi.org/10.1007/978-3-319-91277-6_11
Published:
Publisher Name: Springer, Cham
Print ISBN: 978-3-319-91276-9
Online ISBN: 978-3-319-91277-6
eBook Packages: Religion and PhilosophyPhilosophy and Religion (R0)