Abstract
The mirror metaphor bestrides and divides studies on images in law in two opposing factions, either confirming or dissenting the Law the notion of law by doubling or deferring its presence. Whereas legal history tends to read pictures and iconographies as depictions of a legal reality, art historical iconology interprets images beyond their conceptual historical evidence of the mirror surface, leaving it undecidable whether the reflection is real or present, or an event that is not assured and part of the artistic process. The paper explores the stability and abyssal structure of both formalising and revealing forces of the mirror axiom, asking how images reflect or constitute legal phenomena.
The image in a mirror is merely the shadow
arranged by the brilliance of the material receiving it.
Pliny, Natural History, IX, 97 (33–45)
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Behrmann, C. (2018). The Mirror Axiom: Legal Iconology and The Lure of Reflection. In: Huygebaert, S., Martyn, G., Paumen, V., Bousmar, E., Rousseaux, X. (eds) The Art of Law. Ius Gentium: Comparative Perspectives on Law and Justice, vol 66. Springer, Cham. https://doi.org/10.1007/978-3-319-90787-1_3
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