Skip to main content

Coming Straight from the Underground

  • Chapter
  • First Online:
I Got Something to Say
  • 1526 Accesses

Abstract

Often claimed but seldom researched, Oware explores the extent to which socially conscious themes are present in independent rap songs. Supposedly, independent rap is free of the misogyny, violence, and materialism found in popular rap. However, Oware reveals that male and female underground artists mimic the lyrics of mainstream rappers. Related to the topic of race, underground white rappers as a group engage in racial evasion—an avoidance of race-related subjects in their music—more so than rappers of color. Iggy Azalea illustrates this point, but Macklemore contradicts it by addressing the topic of white privilege in his lyrics. Overall, the author argues that the distinction between underground and mainstream rap is manufactured and mutable for some, but distinct and separate for others.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

eBook
USD 19.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 27.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 99.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

References

Discography

  • Apathy. 2006. “All About Crime.” Eastern Philosophy. Babygrande Records.

    Google Scholar 

  • Awkwafina. 2015. “Janet Reno Mad.” Yellow Ranger. Yellow Ranger Records.

    Google Scholar 

  • Awkwafina. 2015. “Mayor Bloomberg.” Yellow Ranger. Yellow Ranger Records.

    Google Scholar 

  • Awkwafina. 2015. “Yellow Ranger.” Yellow Ranger. Yellow Ranger Records.

    Google Scholar 

  • Azealia Banks. 2012. “Liquorice.” 1991. Interscope Records.

    Google Scholar 

  • Azealia Banks. 2014. “BBD.” Broke with Expensive Taste. Prospect Park Records.

    Google Scholar 

  • Brother Ali. 2012. “Dreaming in Color.” Mourning in America and Dreaming in Color. Rhymesayers Records.

    Google Scholar 

  • Brother Ali. 2012. “Letter to My Countryman.” Mourning in America and Dreaming in Color. Rhymesayers Records.

    Google Scholar 

  • Childish Gambino. 2011. “Bonfire.” Camp. Glassnote Records.

    Google Scholar 

  • Daye Jack Featuring Killer Mike. 2015. “Hands Up.” Easy. Warner Brothers.

    Google Scholar 

  • Dead Prez. 2000. “Police State.” Let’s Get Free. Loud Records.

    Google Scholar 

  • Dej Loaf. 2014. “Bird Call.” Sell Sole. World Records.

    Google Scholar 

  • Dej Loaf. 2014. “Problems.” Sell Sole. World Records.

    Google Scholar 

  • Dej Loaf. 2014. “Try Me.” Try Me. IBGM/Columbia Records.

    Google Scholar 

  • Dej Loaf. 2015. “We Winnin’.” #AndSeeThatsTheThing. IBGM/Columbia Records.

    Google Scholar 

  • Eminem. 2015. “White America.” The Eminem Show. Aftermath Records.

    Google Scholar 

  • Everlast From the Group La Coka Nostra. 2009. “Bang Bang.” A Brand You Can Trust. Suburban Noize Records.

    Google Scholar 

  • Fergie. 2014. “L.A. Love.” L.A. Love. BMG Rights Management.

    Google Scholar 

  • Iggy Azalea. 2011. “D.R.U.G.S.” D.R.U.G.S. Iggy Azalea.

    Google Scholar 

  • Iggy Azalea. 2014. “Goddess.” The New Classic. Dej Jam Recordings.

    Google Scholar 

  • Iggy Azalea. 2014. “Work.” The New Classic. Dej Jam Recordings.

    Google Scholar 

  • Ill Bill From the Group La Coka Nostra. 2009. “Brujeria.” A Brand You Can Trust. Suburban Noize Records.

    Google Scholar 

  • Immortal Technique. 2008. “Crimes of the Heart.” The 3rd World. Viper Records.

    Google Scholar 

  • Immortal Technique. 2008. “Harlem Renaissance.” The 3rd World. Viper Records.

    Google Scholar 

  • Immortal Technique. 2008. “Open Your Eyes.” The 3rd World. Viper Records.

    Google Scholar 

  • J. Cole. 2014. “Fire Squad.” 2014 Forest Hill Drive. Roc Nation/Columbia Records.

    Google Scholar 

  • Joey Badass. 2012. “Like Me.” B4.DA.$$. Cinematic Music Group.

    Google Scholar 

  • Joey Badass. 2012. “Piece of Mind.” B4.DA.$$. Cinematic Music Group.

    Google Scholar 

  • Joey Badass. 2012. “Save the Children.” B4.DA.$$. Cinematic Music Group.

    Google Scholar 

  • Kanye West. 2005. “Gold Digger.” Last Registration. Roc-A-Fella Records.

    Google Scholar 

  • Kanye West. 2012. “Clique.” Kanye West Presents Good Music Cruel Summer. G.O.O.D. Music/Island Def Jam Music.

    Google Scholar 

  • Kanye West and Jay-Z. 2014. “Ham.” Watch the Throne. Roc-A-Fella Records.

    Google Scholar 

  • Kreayshawn. 2012. “Gucci Gucci.” Somethin’ Bout Kreay. Columbia Records.

    Google Scholar 

  • Kreayshawn. 2012. “K234ys0nixz.” Somethin’ Bout Kreay. Columbia Records.

    Google Scholar 

  • Lil Dicky. 2015. “Save Dat Money.” Professional Rapper. CMSN Records.

    Google Scholar 

  • Lil Dicky. 2015. “White Crime.” Professional Rapper. CMSN Records.

    Google Scholar 

  • Macklemore & Ryan Lewis. 2012. “Same Love.” The Heist. Macklemore, LLC-ADA.

    Google Scholar 

  • Macklemore & Ryan Lewis. 2012. “Thrift Shop.” The Heist. Macklemore, LLC-ADA.

    Google Scholar 

  • Macklemore & Ryan Lewis. 2012. “Wing$.” The Heist. Macklemore, LLC-ADA.

    Google Scholar 

  • Macklemore & Ryan Lewis. 2016. “White Privilege II.” This Unruly Mess I’ve Made. Macklemore, LLC-ADA.

    Google Scholar 

  • Masta Ace From the Group EMC. 2008. “Make It Better.” The Show. Traffic Entertainment/M3 Records.

    Google Scholar 

  • MF Doom Featuring Raekwon. 2009. “Yessir.” Born Like This. Lex Records.

    Google Scholar 

  • M.I.A. 2008. “Birdflu.” Kala. XL Interscope.

    Google Scholar 

  • M.I.A. 2008. “Hussel.” Kala. XL Interscope.

    Google Scholar 

  • M.I.A. 2008. “Paper Planes.” Kala. XL Interscope.

    Google Scholar 

  • Mos Def. 2004. “The Rape Over.” The New Danger. Geffen Records.

    Google Scholar 

  • Post Malone. 2015. “White Iverson.” White Iverson. Republic Records.

    Google Scholar 

  • Q-Tip From the Group Tribe Called Quest. 1991. “Check the Rhime.” The Low End Theory. Jive Records.

    Google Scholar 

  • Rich the Kid Featuring Takeoff. 2014. “Goin’ Crazy.” Goin’ Crazy. Quality Control Music.

    Google Scholar 

  • Rick Ross. 2012. “So Sophisticated.” Street Talking. GP Music Group.

    Google Scholar 

  • Roc Marciano. 2010. “Hide My Tears.” Marcberg. Fat Beats Records.

    Google Scholar 

  • Slaine and Everlast From the Group La Coka Nostra. 2009. “Hardcore Chemical.” A Brand You Can Trust. Suburban Noize Records.

    Google Scholar 

  • Slaine From the Group La Coka Nostra. 2009. “Fuck Tony Montana.” A Brand You Can Trust. Suburban Noize Records.

    Google Scholar 

  • Vinnie Paz. 2010. “Monster’s Ball.” Season of the Assassin. Enemy Soil Records.

    Google Scholar 

  • Vinnie Paz. 2010. “Righteous Kill.” Season of the Assassin. Enemy Soil Records.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Matthew Oware .

Rights and permissions

Reprints and permissions

Copyright information

© 2018 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Oware, M. (2018). Coming Straight from the Underground. In: I Got Something to Say. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-90454-2_5

Download citation

  • DOI: https://doi.org/10.1007/978-3-319-90454-2_5

  • Published:

  • Publisher Name: Palgrave Macmillan, Cham

  • Print ISBN: 978-3-319-90453-5

  • Online ISBN: 978-3-319-90454-2

  • eBook Packages: Social SciencesSocial Sciences (R0)

Publish with us

Policies and ethics