Skip to main content

Growing Pains: Young People and Violence in Peru’s Fiction Cinema

  • Chapter
  • First Online:
New Visions of Adolescence in Contemporary Latin American Cinema

Part of the book series: New Directions in Latino American Cultures ((NDLAC))

  • 323 Accesses

Abstract

The process of ‘coming of age’ has been used as a narrative device in much of the contemporary fiction cinema that has emerged from Peru since 2000. While critical attention has been paid to the topic of violence itself as a metaphor for the struggle for identity and nation formation in Latin America, and the image of the young person is a widely debated device for exploring the processes of self-discovery, this essay looks specifically at the use of the image of adolescence at the centre of this period of turbulence in Peru through analysis of two of the landmark films of this era: Paper Dove (dir. Francisco Aguilar 2003) and Bad Intentions (dir. Rosario García Montero 2011).

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 79.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 99.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 139.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Bibliography

  • Anon. 2004. No es tan fragil la paloma. In Diario del Festival, La Havana Cuba, 7.

    Google Scholar 

  • Bedoya, Ricardo. 2003. Un aprendizaje perverso: Paloma de Papel. El Dominical, October 5.

    Google Scholar 

  • Billig, Michael. 1995. Banal Nationalism. London: Sage.

    Google Scholar 

  • De Cárdenas, Federico. 2004. Paloma de papel. In Tren de Sombras, vol. 2, 42.

    Google Scholar 

  • Driscoll, Catherine. 2002. Girls. New York and Chichester: Columbia University Press.

    Google Scholar 

  • ———. 2011. Teen Film: A Critical Introduction. Oxford and New York: Berg.

    Google Scholar 

  • El agua inmóvil. 2011. Las malas intenciones Berlinale 2011. YouTube Video. Available here http://www.youtube.com/watch?v=SNYsuH3iD_M. Accessed 9 Oct 2017.

  • Freud, Sigmund. 1955 [1919]. ‘The Uncanny’. In The Standard Edition of the Complete Psychological Works of Sigmund Freud, trans. James Strachey, vol. 17, 217–256. London: Hogarth Press. 

    Google Scholar 

  • Hardcastle, Anne, Roberta Morosini, and Kendall B. Tarte (eds.). 2009. Coming of Age on Film: Stories of Transformations in World Cinema. Newcastle-upon-Tyne: Cambridge Scholars Publishing.

    Google Scholar 

  • Hjort, Mette. 2000. Themes of Nation. In Cinema and Nation, ed. Mette Hjort and Scott Mackenzie, 95–110. London and New York: Routledge.

    Google Scholar 

  • Kaplan, E. Ann. 2005. Trauma Culture: The Politics of Terror and Loss in Media and Literature. New Brunswick and London: Rutgers University Press.

    Google Scholar 

  • Kristeva, Julia. 1989. Black Sun: Depression and Melancholia. New York: Columbia University Press.

    Google Scholar 

  • Lebeau, Vicky. 2008. Childhood and Cinema. London: Reaktion Books.

    Google Scholar 

  • Lury, Karen. 2010. The Child in Film: Tears, Fears and Fairy Tales. London: I.B. Tauris.

    Google Scholar 

  • Madedo, Fernando, and Ana Fanelli. 2004. Por un cine humanista. Otrocampo Festivales. Accessible here http://www.otrocampo.com/festivales/marde104/fabrizioaguilar.html. Accessed 9 Oct 2017.

  • Marks, Laura. 2000. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Durham: Duke University Press.

    Google Scholar 

  • Matheou, Demetrious. 2010. Peruvian Tales. New South American Cinema, 371–390. London: Faber and Faber.

    Chapter  Google Scholar 

  • Mauceri, Philip. 1996. State Under Siege: Development and Policy-Making in Peru. Colorado: Westview Press.

    Google Scholar 

  • Morillo Cano, Nadia. 2003. Alzando el Vuelo: Entrevista a Fabrizio Aguilar. Butaca Sanmarquina 18: 19–20.

    Google Scholar 

  • Podalsky, Laura. 2007. Out of Depth: The Politics of Disaffected Youth and Contemporary Latin American Cinema. In Youth Culture in Global Cinema, ed. Timothy Shary and Alexandra Sheibel, 109–130. Austin: University of Texas Press.

    Google Scholar 

  • ———. 2011. The Politics of Affect and Emotion in Contemporary Latin American Cinema: Argentina, Brazil, Cuba, and Mexico. New York and Basingstoke: Palgrave Macmillan.

    Google Scholar 

  • Portocarrero, Gonzalo, and Jorge Komadina. 2001. Modelos de Identidad y Sentidos de Pertenencia en Perú y Bolivia. Lima: IEP.

    Google Scholar 

  • Quispe, Gabriel. 2009. Aldo Martiátegui de “Película senderoide” a “Paloma de papel”. Cinencuentro, November 16. Available here https://www.cinencuentro.com/2009/11/16/aldo-mariategui-tilda-de-pelicula-senderoide-a-paloma-de-papel/. Accessed 9 Oct 2017.

  • Rocha, Carolina, and Georgia Seminet (eds.). 2012. Representing History, Class, and Gender in Spain and Latin America: Children and Adolescents in Film. New York and Basingstoke: Palgrave Macmillan.

    Google Scholar 

  • Rojas, Pablo. 2003. Urpillay: Paloma de Papel. Butaca Sanmarquina 18: 9.

    Google Scholar 

  • Shaw, Deborah, and Deborah Martin (eds.). 2017. Latin American Women Filmmakers: Production, Politics, Poetics. London: I.B. Tauris.

    Google Scholar 

  • Shohat, Ella, and Robert Stam. 1994. Unthinking Eurocentrism: Multiculturalism in the Postmodern Age. London and New York: Routledge.

    Google Scholar 

  • Smith, Andrea M. 2015. Girls on the Run: The Young Female Body in Exile in South American Film. MIFLC, 163–181.

    Google Scholar 

  • Thomas, Sarah. 2014. “Yo No Soy Invisible”: Imaginative Agency in Las malas intenciones. In Screening Minors in Latin American Cinema, ed. Carolina Rocha and Georgia Seminet, 53–67. Lanham: Lexington Books.

    Google Scholar 

  • Turner, Victor. 1994 [1967]. Betwixt and Between: The Liminal Period in Rites of Passage. In Betwixt and Between: Patterns of Masculine and Feminine Initiation, ed. Louis Carus Mahdi, Steven Foster, and Meredith Little, 3–23. Peru, IL: Open Court Publishing.

    Google Scholar 

  • Wilson, Emma. 2003. Cinema’s Missing Children. London: Wallflower Press.

    Google Scholar 

  • Yi, Esther. 2012. Five Questions with The Bad Intentions Director Rosario García-Montero. Filmmaker Magazine, December 17. Available here http://filmmakermagazine.com/60860-five-questions-with-the-bad-intentions-director-rosario-garcia-monteros/. Accessed 9 Oct 2017.

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Sarah Barrow .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2018 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Barrow, S. (2018). Growing Pains: Young People and Violence in Peru’s Fiction Cinema. In: Maguire, G., Randall, R. (eds) New Visions of Adolescence in Contemporary Latin American Cinema. New Directions in Latino American Cultures. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-89381-5_8

Download citation

Publish with us

Policies and ethics