Abstract
This introduction situates contemporary cultural representations of adolescence in Latin America within their filmic and socio-historic contexts. Attention is paid to recent developments in cinematic theories concerning child protagonists, before productive distinctions are drawn between the emotional registers and epistemological possibilities of childhood and adolescence. The introduction places particular importance on the role of gender in the formation of on-screen teenage subjectivities, and discusses how cinematic portrayals of teenage protagonists have often conceived of adolescence as a period of both creative transition and threatening unknowability. The introduction concludes with an overview of the structure and scope of the book.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Bibliography
Abramo, Helena. 1994. Cenas juvenis - punks e darks no espetáculo urbano. São Paulo: Página Aberta.
Aguilar, Gonzalo. 2008. New Argentine Film: Other Worlds. New York: Palgrave Macmillan.
Ariès, Philippe. 1962. Centuries of Childhood: A Social History of Family Life. New York: Alfred A. Knopf.
Bentes, Ivana. 2003. The Sertão and the Favela in Contemporary Brazilian Film. In The New Brazilian Cinema, ed. Lucia Nágib, 121–138. London: I.B. Tauris.
———. 2005. The Aesthetics of Violence in Brazilian Film. In City of God in Several Voice: Brazilian Social Cinema as Action, ed. Else Riberio Pires Vieira, 82–92. Nottingham, England: Critical, Cultural and Communications Press.
Bond Stockton, Kathryn. 2004. Growing Sideways or Versions of the Queer Child: The Ghost, the Homosexual, the Freudian, the Innocent and the Interval of Animal. In Curioser: On the Queerness of Children, ed. Steven Bruhm and Natasha Hurley, 277–316. Minneapolis: University of Minnesota Press.
Brown, Christopher, and Pam Hirsch (eds.). 2014. The Cinema of the Swimming Pool. Oxford: Peter Lang.
Bruhm, Steven, and Natasha Hurley. 2004. Curiouser: On the Queerness of Children. Minneapolis: University of Minnesota Press.
Castañeda, Claudia. 2003. Figurations: Child, Bodies, Worlds. Durham, NC and London: Duke University Press.
Connell, Raewyn. 1990. The State, Gender, and Sexual Politics: Theory and Appraisal. Theory and Society 19 (5): 507–544.
de Grandis, Rita. 2011. The Innocent Eye: Children’s Perspectives on the Utopias of the Seventies (“O ano em que meus pais saíram de férias”, “Machuca” and “Kamchatka”). In The Utopian Impulse in Latin America, ed. Kim Beauchesne and Alessandra Santos, 235–258. New York: Palgrave Macmillan.
Driscoll, Catherine. 2002. Girls: Feminine Adolescence in Popular Culture and Cultural Theory. New York: Columbia University Press.
Drybread, Kristen. 2009. Rights-Bearing Street Kids: Icons of Hope and Despair in Brazil’s Burgeoning Neoliberal State. Law & Policy 31 (3): 330–350.
Dufays, Sophie. 2014. El niño en el cine argentino de la postdictadura (1983–2008): alegoría y nostalgia. Woodbridge: Tamesis.
Edelman, Lee. 2004. No Future: Queer Theory and the Death Drive. Durham, NC: Duke University Press.
Foucault, Michel. 2003. Abnormal: Lectures at the Collège de France, 1974–1975. London: Verso.
Freud, Sigmund. 1950. Beyond the Pleasure Principle, trans. James Strachey. London: The Hogarth Press.
Frota, Ana Maria Monte Coelho. 2007. Diferentes concepções da infância e adolescência: a importância da historicidade para sua construção. Estudos e Pesquisas em Psicologia 7 (1): 147–160.
Goulart, Maria Inês Mafra, and Eduardo Sarquis Soares. 2006. Querubins ou rebeldes? Um conto de fadas às avessas. In A infância vai ao cinema, ed. Inês Assunção de Castro Teixeira, Jorge Larrosa, and José de Sousa Miguel Lopes, 179–192. Belo Horizonte and São Paulo: Autêntica Editora.
Harris, Anita. 2004. Future Girl: Young Women in the Twenty-First Century. New York: Routledge.
Hecht, Tobias. 2002. Minor Omissions: Children in Latin American History and Society. Madison: University of Wisconsin Press.
Holt, Jenny. 2016. Public School Literature, Civic Education and the Politics of Male Adolescence. Available here http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1432244. Accessed 10 Nov 2017.
James, Allison. 2009. Agency. In The Palgrave Handbook of Childhood Studies, ed. Jens Qvortrup, William A Corsaro, and Michael-Sebastian Honig, 34–45. New York: Palgrave Macmillan.
Jenkins, Henry. 1998. The Children’s Culture Reader. New York: New York University Press.
Kantaris, Geoffrey. 2003. The Young and the Damned: Street Visions in Latin American Cinema. In Contemporary Latin American Cultural Studies, ed. Stephen Hart, 177–189. London: Arnold.
———. 2014. Allegorical Cities: Bodies and Visions in Colombian Urban Cinema. Estudios Interdisciplinarios de América Latina y el Caribe 9 (2): 57–72.
King, Edward. 2015. Virtual Orientalism in Brazilian Culture. Basingstoke: Palgrave Macmillan.
Lebeau, Vicky. 2001. Psychoanalysis and Cinema: The Play of Shadows. London: Wallflower Press.
———. 2008. Childhood and Cinema. London: Reaktion Books.
Lodoño, Patricia, and Santiago Lodoño. 2013. ‘Los niños que fuimos: huellas de la infancia en Colombia’.
Lury, Karen. 2005. The Child in Film and Television. Screen 46 (3): 307–314.
———. 2010. The Child in Film: Tears, Fears and Fairy Tales. London: I.B. Tauris.
Maguire, Geoffrey. 2017. The Politics of Postmemory: Violence and Victimhood in Contemporary Argentine Culture. Basingstoke: Palgrave Macmillan.
Marks, Laura. 2000. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Durham, NC and London: Duke University Press.
Marsh, Leslie. 2012. Brazilian Women’s Filmmaking: From Dictatorship to Democracy. Urbana, Chicago and Springfield: University of Illinois Press.
Martin, Deborah. 2011. Wholly Ambivalent Demon-Girl: Horror, the Uncanny and the Representation of Feminine Adolescence in Lucrecia Martel’s La niña santa. Journal of Iberian and Latin American Studies 17 (1): 59–76.
———. 2017a. What Does Cinema Want of the Child? Spectatorship and Authenticity in Alamar. In A Companion to Latin American Cinema, ed. María M. Delgado, Stephen M. Hart, and Randal Johnson, 187–200. Chichester, West Sussex: Wiley.
———. 2017b. Planeta Ciénaga: Lucrecia Martel and Contemporary Argentine Women’s Filmmaking. In Latin American Women Filmmakers: Production, Politics, Poetics, ed. Deborah Martin and Deborah Shaw, 241–262. London and New York: I.B. Tauris.
Messner, Michael. 1987. The Making of Success: The Athletic Experience and the Development of Male Identity. In The Making of Masculinities: The New Men’s Studies, ed. Harry Brod, 193–209. Boston: Allen and Unwin.
Nascimento, Ivany. 2002. As Representações Socias Do Projeto de Vida Dos Adolescentes: Um Estudo Psicossocial. Doctoral Thesis, Pontífica Universidade Católica de São Paulo, São Paulo.
Nichols, Bill. 1991. Representing Reality: Issues and Concepts in Documentary. Bloomington: Indiana University Press.
Parker, Richard. 2003. Changing Sexualities: Masculinity and Male Homosexuality in Brazil. In Changing Men and Masculinities in Latin America, ed. Matthew C. Gutmann, 307–332. Durham, NC and London: Duke University Press.
Pilotti, Francisco, and Irene Rizzini. 1994. The Dis-integration of Latin America. In Children in Brazil Today: A Challenge for the Third Millenium, ed. Irene Rizzini, 43–68. Rio de Janeiro: Editora Universitária Santa Úrsula.
Pino-Ojeda, Walescka. 2014. “Be a Man!”: Masculinities and Class Privileges in Postcoup Chilean Cinema. In Screening Minors in Latin American Cinema, ed. Carolina Rocha and Georgia Seminet, trans. Camilo Díaz Pino, 87–101. Lanham, MD: Lexington Books.
Podalsky, Laura. 2007. Out of Depth: The Politics of Disaffected Youth and Contemporary Latin American Cinema. In Youth Culture in Global Cinema, ed. Timothy Shary and Alexandra Seibel, 109–130. Austin: University of Texas Press.
———. 2008. The Young, the Damned and the Restless: Youth in Contemporary Mexican Cinema. The Journal of Cinema and Media 49 (1): 144–160.
———. 2011. The Politics of Affect and Emotion in Contemporary Latin American Cinema: Argentina, Brazil, Cuba, and Mexico. Basingstoke: Palgrave Macmillan.
Postman, Neil. 1985. The Disappearance of Childhood. Childhood Education 61 (March): 286–293.
Powrie, Phil. 2005. Unfamiliar Places: “Heterospection” and Recent French Films on Children. Screen 46 (3): 341–352.
Randall, Rachel. 2017. Children on the Threshold in Contemporary Latin American Cinema: Nature, Gender, and Agency. Lanham, MD: Lexington Books.
Ranghelli, David. 1998. Las niñas en el cine latinoamericano: cuatro historias. Kinetoscopio 9 (48): 5–9.
Rocha, Carolina, and Georgia Seminet (eds.). 2012. Representing History, Class, and Gender in Spain and Latin America. Basingstoke: Palgrave Macmillan.
——— (eds.). 2014. Screening Minors in Latin American Cinema. Lanham, MD: Lexington Books.
Rojas Flores, Jorge. 2007. Niños trabajadores en la industria de Chile. In Historia de la infancia en América Latina, ed. Pablo Rodríguez and María Emma Mannarelli, 473–502. Bogotá: Universidad Externado de Colombia.
Sánchez Prado, Ignacio. 2012. Innocence Interrupted: Neoliberalism and the End of Childhood in Recent Mexican Cinema. In Representing History, Class and Gender in Spain and Latin America, ed. Carolina Rocha and Georgia Seminet, 117–133. Lanham, MD: Lexington Books.
Shary, Timothy. 2007. Youth Culture Shock. In Youth Culture in Global Cinema, ed. Timothy Shary and Alexandra Seibel, 1–6. Austin: University of Texas Press.
Shaw, Deborah. 2017. Intimacy and Distance: Domestic Servants in Latin American Women’s Cinema: La mujer sin cabeza and El niño pez. In Latin American Women Filmmakers: Production, Politics, Poetics, ed. Deborah Shaw and Deborah Martin, 123–148. London and New York: I.B. Tauris.
Sheldon, Rebekah. 2017. The Child to Come: Life After the Human Catastrophe. Minneapolis: University of Minnesota Press.
Vergara Del Solar, Ana. 2015. The Cultural Politics of Childhood: Public Policies in Post-authoritarian Chile. CHSO Children & Society 29 (4): 288–298.
Vergara González, Otto. 2007. Ritos de paso en tiempos de guerra: el reclutamiento de niños, niñas y jóvenes en el conflicto armado en colombia. In Historia de la infancia en América Latina, ed. Pablo Rodríguez and María Emma Mannarelli, 577–590. Bogotá: Universidad Externado de Colombia.
Vieira, João Luis. 2010. The Transnational Other: Street Kids in Contemporary Brazilian Cinema. In World Cinemas, Transnational Perspectives, ed. Natasa Ďurovičová and Kathleen E. Newman, 226–242. New York: Routledge.
Wilson, Emma. 2003. Cinema’s Missing Children. London and New York: Wallflower Press.
———. 2005. Children, Emotion and Viewing in Contemporary European Film. Screen 46 (3): 329–340.
———. 2007. Miniature Lives, Intrusion and Innocence: Women Filming Children. French Cultural Studies 18: 169–183.
Wright, Sarah. 2013. The Child in Spanish Cinema. Manchester and New York: Manchester University Press.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2018 The Author(s)
About this chapter
Cite this chapter
Maguire, G., Randall, R. (2018). Introduction: Visualising Adolescence in Contemporary Latin American Cinema—Gender, Class and Politics. In: Maguire, G., Randall, R. (eds) New Visions of Adolescence in Contemporary Latin American Cinema. New Directions in Latino American Cultures. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-89381-5_1
Download citation
DOI: https://doi.org/10.1007/978-3-319-89381-5_1
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-319-89380-8
Online ISBN: 978-3-319-89381-5
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)