Skip to main content

The Fundamentals of Entertainment

  • Chapter
  • First Online:
Book cover Entertainment Science

Abstract

In this chapter, we define entertainment and lay out the data that demonstrate why entertainment matters. Not only does entertainment generate huge revenues, but it also has a pioneering influence on culture, in many ways. Entertainment shapes how our views of the world around us, impacts our language, can provide meaning to our human existence, and can motivate us to do better.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 79.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 99.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 139.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Notes

  1. 1.

    We have added the term “technical” here to differentiate the channels we are talking about here from the channels we discuss in the context of managerial distribution decisions.

  2. 2.

    One might say that pleasure is also tied to different goals in the case of movies, music etc., such as making their creators popular and wealthy—but here the “other” goal is an immediate result from consumers’ pleasure or at least their anticipation of it, whereas for advertising consumers’ pleasure and its economic effectiveness are simply two separate things. Also, the quality of an entertainment product does not only have an instrumental function, but is almost always also an end state by itself. We discuss this as an inherent characteristic of entertainment products.

  3. 3.

    All numbers given in this section are our own calculations and should be treated as rough estimates, building on publically available information by, among others, McKinsey, PricewaterhouseCoopers, Statista, Datamonitor, and IFPI, as well as various conversations with industry experts. Please note that these numbers in general reflect the “retail” value paid by consumers or advertisers, not the share of money that flows back to entertainment producers. We shed some more light on the latter in our chapter on value creation for the different forms of entertainment.

References

  • AFI (2005). AFI’S 100 Years…100 Movie Quotes. American Film Institute, June 21, https://goo.gl/ogd2hW.

  • Berger, E. (2016). NASA just smashed its record for astronaut applications—18,000+ . ARS Technica, February 19, https://goo.gl/C7kJJD.

  • Caves, R. E. (2000). Creative industries: Contracts between art and commerce. Cambridge, MA: Harvard University Press.

    Google Scholar 

  • Coyne, S. M., Linder, J. R., Rasmussen, E. E., Nelson, D. A., & Birkbeck, V. (2016). Pretty as a princess: Longitudinal effects of engagement with Disney princesses on gender stereotypes, body esteem, and prosocial behavior in children. Child Development, 87, 1909–1925.

    Article  Google Scholar 

  • Curry, T. (2004). Phrases that defined a career. NBC News, June 5, https://goo.gl/TzFNWT.

  • Drake, D. (1919). Is pleasure objective? The Journal of Philosophy, Psychology and Scientific Methods, 16, 665–668.

    Article  Google Scholar 

  • Fleming, Jr., M. (2016). No. 1 ‘Star Wars: The Force Awakens’—2015 most valuable movie blockbuster tournament. Deadline, March 28, https://goo.gl/Rtj96X.

  • Freedland, J. (2015). The spooks will keep spying on us Brits: We clearly don’t care. The Guardian, November 6, https://goo.gl/nY471m.

  • Ghirlanda, S., Acerbi, A., & Herzog, H. (2014). Dog movie stars and dog breed popularity: A case study in media influence on choice. PLOS ONE, 9, 1–5.

    Article  Google Scholar 

  • Gkritzali, A., Lampel, J., & Wiertz, C. (2016). Blame it on Hollywood: The influence of films on Paris as product location. Journal of Business Research, 69, 2363–2370.

    Article  Google Scholar 

  • Glas, J. M., & Benjamin Taylor, J. (2018). The silver screen and authoritarianism: How popular films activate latent personality dispositions and affect American political attitudes. American Politics Research, 46, 246–275.

    Article  Google Scholar 

  • Guerrera, F. (2010). How ‘Wall Street’ changed Wall Street. Financial Times, September 24, https://goo.gl/ptq8fG.

  • Kolker, R. P. (1999). Film, form, and culture (4th ed.). New York: Routledge.

    Google Scholar 

  • Marshall, E. (2016). The secret life of Walter Mitty. Quora, March 31, https://goo.gl/8iaRxy.

  • Metz, N. (2012). Duplasses found a career via Coens. Chicago Tribune, July 6, https://goo.gl/9bV1Sm.

  • Pautz, M. C. (2015). Argo and Zero Dark Thirty: Film, government, and audiences. Political Science and Politics, 48, 120–128.

    Google Scholar 

  • Rigby, R. (2015). How Hollywood films inspire careers. Financial Times, February 18, https://goo.gl/MTRR6n.

  • Tiefenthäler, A., & Scott, A. O. (2017). Why do we love J.F.K. conspiracy theories? Blame the movies. The New York Times, October 26, https://goo.gl/q5KyH2.

  • Van Laer, T., Escalas, J. E., Ludwig, S., & van den Hende, E. A. (2017). What happens in vegas stays on tripadvisor? Computerized text analysis of narrativity in online consumer reviews. Working Paper, Vanderbilt Owen Graduate School of Management.

    Google Scholar 

  • Viagas, R. (2015). Stephen Colbert hosts 2015 Kennedy Center Honors tonight. Playbill, December 6, https://goo.gl/PRkGGN.

  • Vogel, H. L. (2015). Entertainment industry economics: A guide for financial analysis (9th ed.). Cambridge: Cambridge University Press.

    Google Scholar 

  • Winkler, J. (2013). Everything I know I learned from watching ‘The Simpsons’. Medium, October 24, https://goo.gl/W8Xi8Y.

  • Wise, Z. (2009). A conversation with Oliver Stone. The New York Times, September 8, https://goo.gl/3tRzZa.

  • Zlomek, E. (2013). HBS Professor brings Jay-Z, Lady Gaga to the classroom. Business Week, April 25, https://goo.gl/ZAoBP2.

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Thorsten Hennig-Thurau .

Rights and permissions

Reprints and permissions

Copyright information

© 2019 Springer International Publishing AG, part of Springer Nature

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Hennig-Thurau, T., Houston, M.B. (2019). The Fundamentals of Entertainment. In: Entertainment Science. Springer, Cham. https://doi.org/10.1007/978-3-319-89292-4_2

Download citation

Publish with us

Policies and ethics