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Beyond the Filthy Form: Illustrating Mary Shelley’s Frankenstein

  • Beatriz González Moreno
  • Fernando González Moreno
Chapter
Part of the Studies in Global Science Fiction book series (SGSF)

Abstract

This chapter analyses how a few illustrators have fully enriched a text which had been traditionally mistreated and simplified. Starting with Holst, we cross the Atlantic to Nino Carbé’s visual interpretation and the doppelgänger motif. Lynd Ward explores the socio-political consequences of Victor’s behaviour, while Everett Henry reflects on the creature as an unseen presence. In the same line, Moser reads the novel as a treatise on human nature. A feminist approach will be offered by Broutin, Huyette, and Odriozola, who dwell on the female daemon and the usurpation of the female body. Finally, we consider Wrightson and Grimly, and the steampunk aesthetic by Basic and Sumberac, all of them offering their most personal interpretation of the text by embracing Frankenstein as a universal myth.

Frankenstein’s Illustrated Editions

  1. Shelley, Mary. 1831. Frankenstein; or, the Modern Prometheus. Illustrated by Théodor Matthias von Holst and William Chevalier. London: Henry Colburn and Richard Bentley.Google Scholar
  2. ———. 1897. Frankenstein, or, The Modern Prometheus. Illustrated with seven plates (1831 text). London/Philadelphia: Gibbings & Co./J. B. Lippincott.Google Scholar
  3. ———. 1922. Frankenstein or The Modern Prometheus. Illustrated by Carl Lagerquist (1818 text). Boston/New York: Cornhill Publishing Company.Google Scholar
  4. ———. 1932. Frankenstein or, The Modern Prometheus. Illustrated by Nino Carbé (1818 text). New York: Illustrated Editions Company.Google Scholar
  5. ———. 1934a. Frankenstein; or, The Modern Prometheus. Introduction by Edmund Lester Pearson, illustrated in colour by Everett Henry (1831 text). New York: The Limited editions Club.Google Scholar
  6. ———. 1934b. Frankenstein or The Modern Prometheus by Mary Wollstonecraft Shelley. Illustrated by Lynd Ward (1831 text). New York: Harrison Smith and Robert Haas.Google Scholar
  7. ———. 1968. Frankenstein. Translated by Hannah Betjeman; preface by Michel Boujut; illustrated by Christian Broutin (1831 text). Genève: Cercle des Bibliophiles.Google Scholar
  8. ———. 1977. The Annotated Frankenstein. Introduction by Leonard Wolf; illustrated by Marcia Huyette (1818 text). New York: Clarkson N. Potter, Inc./Publishers.Google Scholar
  9. ———. 1983. Mary Wollstonecraft Shelley’s Frankenstein. A Marvel Illustrated Novel. Introduction by Stephen King; Illustrated by Berni Wrightson (1831 text). New York: Marvel Comics Group.Google Scholar
  10. ———. 1984. Frankenstein; or, The Modern Prometheus. Afterword ‘Frankenstein’s Fallen Angel’ by Joyce Carol Oates; Illustrated by Barry Moser (1818 text). West Hatfield: Pennyroyal Press, 1983 (3 vols.). Reprinted in one volume by University of California Press.Google Scholar
  11. ———. 2012. Steampunk: Mary Shelley’s Frankenstein. Illustrated by Zdenko Bašić and Manuel Šumberac (1831 text). Philadelphia: Running Press Classics.Google Scholar
  12. ———. 2013a. Gris Grimly’s Frankenstein by Mary Shelley. Foreword by Berni Wrightson; Illustrated by Gris Grimly (1818 text). New York: Balzer + Bray, HarperCollins Publishers.Google Scholar
  13. ———. 2013b. Frankenstein o el moderno Prometeo. Translated by Francisco Torres Oliver; Illustrated by Elena Odriozola (1831 text). Barcelona: Nørdica.Google Scholar

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Copyright information

© The Author(s) 2018

Authors and Affiliations

  • Beatriz González Moreno
    • 1
  • Fernando González Moreno
    • 2
  1. 1.Facultad de Letras, Department of Modern LanguagesUniversidad de Castilla-La ManchaCiudad RealSpain
  2. 2.Facultad de Humanidades, Department of History of ArtUniversidad de Castilla-La ManchaAlbaceteSpain

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