Abstract
In this opening chapter, the author introduces teacher artistry in language education and the profile of the teacher/artist in performative language teaching and research. It touches on the concepts of voice and identity in second language learning, connecting both to the artistry of teaching and knowing-in-action. It also discusses the key educators who have advocated teaching as an art. As introduction to this book, the chapter advances the central question underpinning the book, namely: How can teacher/artists navigate the aesthetic dimension to facilitate performative language learning? It illustrates how the three parts of the book complement each other to address this question from a theoretical, practical and research-based perspective.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Notes
- 1.
Granted by The Ministry of Cultural Heritage and Tourism (Ministero dei Beni e delle Attività Culturali e del Turismo), Complesso Monumentale della Pilotta, Parma (Italy). Any unauthorized use or reproduction is forbidden.
References
Alsup, J. (2006). Teacher identity discourses: Negotiating personal and professional spaces. Mahwah, N.J: Routledge.
Akkerman, S. F., & Meijer, P. C. (2011). A dialogical approach to conceptualizing teacher identity. Teaching and Teacher Education, 27(2), 308–319.
Araki-Metcalfe, N. (2008). Introducing creative language learning in Japan through educational drama. NJ: Drama Australia Journal, 31(2), 45–57.
Beijaard, D., Meijer, P. C., & Verloop, N. (2004). Reconsidering research on teachers’ professional identity. Teaching and Teacher Education, 20(2), 107–128.
Berghetto, R. A., & Kaufman, J. C. (2011). Teaching for creativity with disciplined improvisation. In R. K. Sawyer (Ed.), Structure and improvisation in creative teaching (pp. 94–109). Cambridge: Cambrige University Press.
Booth, D. (2003). Seeking definition: What is a teaching artist? Teaching Artist Journal, 1(1), 5–12.
Booth, D. (2015). Something’s happening: Teaching artistry is having a growth spurt. Teaching Artist Journal, 13(3), 151–159.
Bowell, P., & Heap, B. (2017). Putting process drama into action: The dynamics of practice. London: Routledge.
Crutchfield, J. (2015). Fear and trembling. Scenario: Journal for Performative Teaching, Learning and Research, 9(2), 101–114.
Csikszentmihalyi, M. (2013). Creativity: The psychology of discovery and invention. New York: Harper Perennial.
Damasio, A. R. (1999). The feeling of what happens: Body and emotion in the making of consciousness. New York: Harcourt Brace.
Damasio, A. R. (2010). Self comes to mind: Constructing the conscious brain. New York: Pantheon.
Eisner, E. (1985). The educational imagination: On the design and evaluation of school programs. New York: Macmillan.
Eisner, E. W. (2002). From episteme to phronesis to artistry in the study and improvement of teaching. Teaching and Teacher Education, 18(4), 375–385.
Ellis, R. (2008). The study of second language acquisition. Oxford: Oxford University Press.
Hamachek, D. (1999). Effective teachers: What they do, how they do it, and the importance of self-knowledge. In R. P. Lipka & T. M. Brinthaupt (Eds.), The role of self in teacher development (pp. 189–224). Albany: State University of New York Press.
Immordino-Yang, M. H. (2016). Emotions, learning, and the brain: Exploring the educational implications of affective neuroscience. New York: Norton.
Kramsch, C. (2009). The multilingual subject. Oxford: Oxford University Press.
Lantolf, J. P., & Poehner, M. E. (2014). Sociocultural theory and the pedagogical imperative in L2 education: Vygotskian praxis and the research/practice divide. Oxfordshire, England and New York, NY: Routledge.
Lantolf, J. P., & Thorne, S. L. (2006). Sociocultural theory and the genesis of second language development. New York: Oxford University Press.
Lantolf, J. P., Thorne, S. L., & Poehner, M. E. (2015). Sociocultural theory and second language development. Theories in second language acquisition: An introduction. In B. VanPatten & J. Williams, (Eds.), Theories in Second Language Acquisition: An introduction (pp. 207–226). New York and London: Routledge.
Lutzker, P. (2007). The art of foreign language teaching: Improvisation and drama in teacher development and language learning. Tübingen: Francke Verlag.
Lutzker, P. (2016). The Recovery of Experience in Foreign Language Learning and Teaching. In S. Even & M. Schewe (Eds.), Performative Teaching, Learning, Research — Performatives Lehren, Lernen, Forschen (pp. 222–239). Berlin: Schibri Verlag.
Neelands, J. (2006). Re-imagining the reflective practitioner: Towards a philosophy of critical praxis. In J. Ackroyd (Ed.), Research methodologies for drama education (pp. 15–40). Sterling, VA: Trentham.
O’Neill, C. (1995). Drama worlds: A framework for process drama. Portsmouth: Heinemann.
Rubin, L. J. (1985). Artistry in teaching. New York: Random House.
Sarason, S. B. (1999). Teaching as performing art. New York: Teachers College Press.
Sawyer, R. K. (2004). Creative teaching: Collaborative discussion as disciplined improvisation. Educational Researcher, 33(2), 12–20.
Saxton, J. (2015). Failing better. In P. Duffy (Ed.), A reflective practitioner’s guide to (mis)adventures in drama education—or—What was I thinking? (pp. 253–266). Bristol: Intellect.
Schewe, M. (2013). Taking stock and looking ahead: Drama pedagogy as a gateway to a performative teaching and learning culture. Scenario: Journal for Performative Teaching, Learning and Research, 8(1), 5–23.
Schewe, M. (2017, September). The state of the art. Key note address at the University of Padova Summer School: The role of drama in higher and adult language education — from theory to practice. Padova, Italy.
Schön, D. (1983). The reflective practitioner: How professionals think in action. London: Temple Smith.
Sennett, R. (2008). The craftsman. New Haven: Yale University Press.
Stenhouse, L. (1983). Case study in educational research and evaluation. In L. Barlett, S. Kemmis, & G. Gilliard (Eds.), Case study: An overview. Geelong: Deakin University Press.
Stinson, M. (2009). Drama is like reversing everything: Intervention research as teacher professional development. Research in Drama Education: The Journal of Applied Theatre and Performance, 14(2), 225–243.
Stolniz, J. (1960). Aesthetics and philosophy of art criticism. New York: Houghtoh Mifflin Co.
Taylor, P., & Warner, C. D. (2006). Structure and spontaneity: The process drama of Cecily O’Neill. Sterling, VA: Trentham.
Van Lier, L. (2004). The ecology and semiotics of language learning: A sociocultural perspective. Norwell, MA: Kluwer Academic.
Weber, E. (1907). Ästhetik als pädagogische Grundwissenschaft. Leipzig: Wunderlich.
Winston, J. (2010). Beauty and education. London: Routledge.
Author information
Authors and Affiliations
Corresponding author
Rights and permissions
Copyright information
© 2018 The Author(s)
About this chapter
Cite this chapter
Piazzoli, E. (2018). Introduction: What Is ‘Artistry’ and Why Do We Need It in Second Language Education?. In: Embodying Language in Action. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-77962-1_1
Download citation
DOI: https://doi.org/10.1007/978-3-319-77962-1_1
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-319-77961-4
Online ISBN: 978-3-319-77962-1
eBook Packages: Social SciencesSocial Sciences (R0)