Skip to main content

Getting There

  • Chapter
  • First Online:
  • 188 Accesses

Abstract

After defining ‘supporters’ against ‘spectators’ with the concomitant high level of emotional and monetary investment, this chapter, centred on Purely Belter (2000), examines the steps taken to experience a key, usually cup final football match, in films ranging from comedy and romance to dangerous obsession and (back to) kidnapping.

This is a preview of subscription content, log in via an institution.

Buying options

Chapter
USD   29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD   54.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD   69.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD   109.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

References

  • Bakhtin, M. (1984 [1965]). Rabelais and His World (Hélène Iswolsky, Trans.). Bloomington: Indiana University Press.

    Google Scholar 

  • Dacre, R. (2009). Traditions of British Comedy. In R. Murphy (Ed.), The British Cinema Book (3rd ed.). London: Palgrave Macmillan.

    Google Scholar 

  • Dave, P. (2006). Visions of England: Class and Culture in Contemporary Cinema. Oxford: Berg.

    Google Scholar 

  • Durgnat, R. (1970). A Mirror for England: British Movies from Austerity to Affluence. London: Faber and Faber.

    Google Scholar 

  • Gilbert, R. (2013). Writing Jewish: Contemporary British-Jewish Literature. London: Palgrave Macmillan.

    Book  Google Scholar 

  • Giulianotti, R. (1999). Football: A Sociology of the Global Game. Cambridge: Polity Press.

    Google Scholar 

  • Holt, R. (1989). Sport and the British: A Modern History. Oxford: Oxford University Press.

    Google Scholar 

  • Hornby, N. (1992). Fever Pitch. London: Victor Gollancz.

    Google Scholar 

  • Jones, I. (2000). A Model of Serious Leisure Identification: The Case of Football Fandom. Leisure Studies, 19(4), 283–298.

    Article  Google Scholar 

  • Leggott, J. (2008). Contemporary British Cinema: From Heritage to Horror. London: Wallflower.

    Google Scholar 

  • Low, R. (1985). Film Making in 1930s Britain. London: George Allen & Unwin.

    Google Scholar 

  • Powrie, P. (2000). ‘On the Threshold Between Past and Present; “Alternative Heritage”’. In J. Ashby & A. Higson (Eds.), British Cinema, Past and Present. London: Routledge.

    Google Scholar 

  • Priestley, J. B. (1929). The Good Companions. London: Willian Heinemann.

    Google Scholar 

  • Speight, J. (1973). It Stands to Reason: A Kind of Autobiography. London: Michael Joseph.

    Google Scholar 

  • Spicer, A. (2006). Muriel Box. In R. Murphy (Ed.), Directors in British and Irish Cinema: A Reference Companion. London: BFI.

    Google Scholar 

  • Sutton, D. (2000). A Chorus of Raspberries: British Film Comedy 1929–1939. Exeter: University of Exeter Press.

    Google Scholar 

  • Taylor, M. (2008). The Association Game: A History of British Football. Harlow: Pearson Education.

    Google Scholar 

  • Tomlinson, A. (2010). A Dictionary of Sports Studies. Oxford: Oxford University Press.

    Google Scholar 

  • Vice, S. (2009). Jack Rosenthal. Manchester: Manchester University Press.

    Google Scholar 

  • Walker, A. (1985). National Heroes: British Cinema in the Seventies and Eighties. London: Harrap.

    Google Scholar 

  • Walsh, A., & Giulianotti, R. (2007). Ethics, Money and Sport: This Sporting Mammon. London: Routledge.

    Book  Google Scholar 

  • Waymark, P. (2012). “From Telly Laughs to Belly Laughs”: The Rise and Fall of the Sitcom Spin-off. In I. Q. Hunter & Laraine Porter (Eds.), British Comedy Cinema. London: Routledge.

    Google Scholar 

  • Young, C. (2007). Two World Wars and One World Cup: Humour, Trauma and the Asymmetric Relationship in Anglo-German Football. Sport in History, 27(1), 1–23.

    Article  Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Stephen Glynn .

Rights and permissions

Reprints and permissions

Copyright information

© 2018 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Glynn, S. (2018). Getting There. In: The British Football Film. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-77727-6_9

Download citation

Publish with us

Policies and ethics