Abstract
The professional manager, a real-life or fictionalised touchline figure throughout the genre, moved centre screen in a series of new-millennium football films which, as with The Damned United (2009), explore the psychological demands of the game and the discrete character of the Home Nations as evidenced in football allegiances.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Caterer, J. (2011). The People’s Pictures: National Lottery Funding and British Cinema. Newcastle-upon-Tyne: Cambridge Scholars Publishing.
Crosson, S. (2013). Sport and Film. Oxfordshire: Routledge.
Free, M. (2010). Disunited Damning: From The Damned United Novel to The Damned United Film. Sport in Society, 13(3), 539–548.
McArthur, C. (1982). Scotland and Cinema: The Iniquity of the Fathers. In C. McArthur (Ed.), Scotch Reels: Scotland in Cinema and Television. London: BFI.
Petrie, D. (2004). Contemporary Scottish Fictions: Film, Television and the Novel. Edinburgh: Edinburgh University Press.
Vidal, B. (2014). Morgan/Sheen: The Compressed Frame of Impersonation. In T. Brown & B. Vidal (Eds.), The Biopic in Contemporary Film Culture. New York: Routledge.
Author information
Authors and Affiliations
Corresponding author
Rights and permissions
Copyright information
© 2018 The Author(s)
About this chapter
Cite this chapter
Glynn, S. (2018). Managers. In: The British Football Film. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-77727-6_4
Download citation
DOI: https://doi.org/10.1007/978-3-319-77727-6_4
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-319-77726-9
Online ISBN: 978-3-319-77727-6
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)