Abstract
This chapter situates the debate on transparency in a larger context by comparing three epistemological or practical attitudes of the subject towards the world: the ability of “seeing it all” linked to the ideal of transparency, the courage of “saying it all” epitomized in “parrhesia” or free speech, and the power of “doing it all” labeled as “panourgia” in Greek. By analyzing a vast array of sources reaching from Sophocles and Euripides to Descartes, Diderot, and Bentham, Thomä identifies the sharp differences between those three attitudes. They represent competing ways of reading the subject and its outreach to the world. These findings are instrumental for addressing the recent success story of transparency and its discontents.
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Notes
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Inevitably, this semantic setting brings to mind another, equally prominent example from Greek literature. Homer, in the very first line of his Odyssey, calls Odysseus polutropos and introduces him as a master of schemes, a versatile hero turning many ways: “Polytropy is synonymous with […] ‘cunning,’ ‘shrewdness’ ” (Pucci 1987: 16). Compared to polutropos, the meaning of panourgos is decidedly more negative though. Here the idea that “everything” can be done is paired with the suspicion that such delimitation leads to crime and mischief. This negative image is not carved in stone though: The most prominent example for a far more generous account of panourgia is the intriguing figure of Panurge making its appearance in Rabelais’s novel Gargantua et Pantagruel.
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Many widely used translations come up with versions similar to the one by Lloyd-Jones: Antigone is presented as “dar[ing] the crime of piety,” “committing a holy crime,” or acting as a “sinless sinner” (Sophocles 2013: 24, 2003: 56, 1952: 321). The exception that proves the rule is an online translation by William Tyrrell which reads: “I have done anything and everything holy.” (Sophocles 2002)
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Another poet remains in Hölderlin’s footsteps. Bertolt Brecht’s adaptation of Sophocles’ play is largely based on his translation and reads: “Hinter mich hab ich/Heilig’s gebracht ” (Brecht and Neher 1949: 116).
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It should be mentioned that Stanley Cavell takes side with the performative reading of Descartes in order to draw him back into the parrhesiastic camp (without labeling it in this manner). Cavell links subjective self-assertion to the courage to take a stance and speak up. His reading is based on a reference to Descartes in Emerson’s essay “Self-Reliance:” “At the center of the essay is a paragraph that begins: ‘Man is timid and apologetic; he is no longer upright; he dares not say “I think,” “I am,” but quotes some saint or sage.’ […] Now I think one can describe Emerson’s progress as his having posed Descartes’s question for himself and provided a fresh line of answer, one you might call a grammatical answer: I am a being who to exist must say it exist, or must acknowledge my existence—claim it, stake it, enact it” (1988: 106, 109).
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Thomä, D. (2018). Seeing It All, Doing It All, Saying It All: Transparency, Subject, and the World. In: Alloa, E., Thomä, D. (eds) Transparency, Society and Subjectivity. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-77161-8_4
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