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Women and Westerns in the Films of the 1940s

  • Mark E. Wildermuth
Chapter

Abstract

This chapter demonstrates how entry of women into the workplace and military in World War II enhances the portrayal of women professionals by showing that women, like men, can see professionalism as a source of personal gratification rather than just a gesture of sacrifice, even as the Westerns reflect anxiety about changing gender roles.

Works Cited

  1. The Beautiful Blonde from Bashful Bend. Prod. Preston Sturges. Twentieth-Century Fox, 1949. Twentieth-Century Fox Film Corporation, 2013. DVD.Google Scholar
  2. Calamity Jane and Sam Bass. Dir. George Sherman. Universal Pictures, 1949. Universal, 2014. DVD.Google Scholar
  3. Chafe, William Henry. The American Woman: Her Changing Social, Economic, and Political Roles, 1920–1970. New York: Oxford UP, 1975, reprint 1975.Google Scholar
  4. The Great Man’s Lady. Dir. William A. Wellman. Paramount Pictures, 1942. Universal, 2015. DVD.Google Scholar
  5. Hobbes, Thomas. Leviathan. New York: Dutton, 1950. Print.Google Scholar
  6. The Plainsman. Dir. Cecil B. DeMille. 1936. Universal Studios Home Entertainment, 2004. DVD.Google Scholar
  7. Red River. Dir. Howard Hawks. MGM, 2006. DVD.Google Scholar
  8. The Sea of Grass. Dir. Elia Kazan. Metro-Goldwyn-Mayer, 1947. Warner Home Video, 2011. DVD.Google Scholar
  9. Weatherford, Doris. History of Women in America: American Women and World War II. (Edison, NJ: Castle Books, 2008). Previously Facts on File, NY, 1990. Print.Google Scholar
  10. Young, Iris Marion. “Feminist Reactions to the Contemporary Security Regime.” Hypatia: A Journal of Feminist Philosophy. 18 (2003): 223–231. Print.Google Scholar

Copyright information

© The Author(s) 2018

Authors and Affiliations

  1. 1.Department of Literature and LanguagesUniversity of Texas of the Permian BasinOdessaUSA

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